Almaleh, Beki. “In the Spirit of the Old Masters.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 16–20, original sample, illustrated.

Alparslan, Prof. Dr. Ali. “Introduction.” In: Ugur Göktas. Ebru Terimleri Sözlügü. Istanbul: 1987. (NH)

Arndt, Robert. “Ebru: The Cloud Art.” Aramco World Magazine. Vol. 24, No. 3, May–June, 1973, pp. 26–32, illustrated in color. Reports work of Düzgünman in Istanbul.

Arseven, Celal Esad. Les Arts Decoratifs Turks. Istanbul: Milli Egitim Basimevi, 1953. pp. 320–321, illustrated, Pls. 27, 28. Technique, uses described.

Arseven, Celal Esad. Sanat Ansiklopedisi. Istanbul: Maarif Matbaasi, 19. Vol. I, pp. 502–503. Process of making ebru and various patterns.

Barin, Emin. Sanatçinin Özgeçmisi. n.d, n.p. 2 leaves, illustrated. Biographical time-line. 1913–1985. Barin is a calligrapher.

Barutçugil, Hikmet “The Aesthetic Principle of Islamic Art.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 2–9, illlustrated.

Barutçugil, Hikmet. “Ebru Sanati.” Focus. 7th year, No. 26, 1990, pp. 44–46, illustrated.

Barutçugil, Hikmet. “The Great Master of Marbling has Passed Away.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 2–3, illustrated.

Barutçugil, Hikmet. “The Three Hundred Year Cycle of Kütahya Ebru.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Winter, 1991, pp. 24–26, illustrated.

Behzad, Taherzade. “Marbleized or Abri Paper.” Arthur U. Pope and P. Ackerman, Ed. A Survey of Persian Art from Prehistoric Times to the Present. London and New York: American Institute for Iranian Art and Archaeology, 1939. Vol. 3, pp. 1924–1926. Describes technique and use of marbled paper.

Berthier, Annie. “Un Aspect de Reliure Turque: Le Papier Marbré (d’après le fonds turc de la Bibliothèque National).” Revue Française d’Histoire du Livre. No. 37, 1982, pp. 605–620, illustrated in black and white. (DI)

Bingül, Nurettin Rüstü. Eski Eserler Ansiklopedisi. 19, n.p., n.d. (UG)

Binney, Edwin 3rd. Indian Miniature Paintings from the Collection of Edward Binney, 3rd: Mughal and Deccani Schools. Portland, OR: Portland Art Museum, 1973. Varied applications of marbling, p. 153, Pl. 128; p. 155, Pl.129; pp. 156, 167, 177, Pl. 157A, 157B.

Binney, Edwin, 3rd. “Indian Paintings from the Deccan. The Sir George Birdwood Memorial Lecture by Edwin Binney, 3rd. May 3, 1979.” The Royal Society for the Encouragement of Arts Manufactures and Commerce Journal. November 1979, Vol. 127, No. 5280, pp. 784–804.

Binney, Edwin, 3rd. Other Turkish Treasures from the Binney Collection. Los Angeles County Museum of Art. No. 36A, album with six leaves of calligraphy ornamented with marbled paper.

Binney, Edwin, 3rd. Turkish Miniature Paintings & Manuscripts From the Collection of Edwin Binney, 3rd. An exhibition held in the Metropolitan Museum of Art, New York and the Los Angeles County Museum of Art, 1973. Pl. 22, No. 2, book boards covered in marbled paper. Pl. No. 35, p. 96, bordered in marbled paper.

Birol, Inci Ayan. “Ebru.” Yesilay. March, 1969, No. 424, p.3. Describes a Düzgünman ebru exhibit.

Bosch, Gülnar, et. al. Islamic Bindings & Bookmaking. Chicago: Oriental Institute, U. of Chicago, 1981. The catalog has several pages on marbling.

Bozgeyik, Burhan. “Ebru Ustasi Mustafa Düzgünman.” Koprin. September, 1978, No. 18, pp. 11–13.

Bull, William.”An 18th Century Indian Manuscript on Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988, pp. 5–7. Contains black and white reproduction of marbled minature painting of “Two Oxen Locking Horns” and a partial English translation by Salim Qushayri of the anonymous Persian manuscript Khulusat al Mujarrabat (India Office Library Cat. Ethe 2346, Acc. No 2814, dated 1180 AH/ 1766 CE).

Büngül, Nurettin Rüstü, Ed. Eski Eserler Ansiklopedisi. Istanbul: Tercüme, n.d. (UG)

Çahsirken, M. D. “Ebrunun Talihsizligi. Yapilmasinin Kolay Zannedilmesi.” V.I.P. Mecmuasi. Temmuz [July] 1990, p. 60. (NH)

“Can Marbling Survive? A Traditional Art in Danger.” Airport Magazine. Vol. 20, November, 1990, year 5, No. 54.

Cemil Bey, Mehmed. (1856–1931). Biography of Shaykh Edhem Efendi. Ms. in library of Dr. Süheyl Ünver.

Çoktan, Ahmet. Türk Ebru Sanati. Istanbul: 1992. 63 pp. Illustrated in color.

Coomaraswamy, Ananda K. “Les Miniatures Orientales de la Collection Goloubew au Museum of Fine Arts de Boston.” Ars Asiatica XIII. Paris: G. Van Oest, 1929. Pls. Nos. 105–106, pp. 66–67. Two marbled miniatures, one of a calf, the other a horse.

David, Marie Christine et Jean Soustiel. Miniatures Orientales de l’Inde. 4. Paris: Gallerie Jean Soustiel, 1986. Exposition Feb.28 – April 9, 1986. Pl. 9, marbled miniature “Un docte Portugais.” History of marbled miniatures, p. 22.

Dawson, Muir. “The Great Harvard Marble-Off.” Fine Print. Vol. 12, No. 4, October, 1986. pp. 190, 235. Rpt. Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, June, 1987, pp. 5, 17, illustrated. A detailed account of the symposiuim at Harvard University: “Ebru: The Art of Marbling in the Islamic World.”

Derman, M. Ugur. “Ebrunun Ustasi Mustafa Düzgünman. A Master of Ebru: Mustafa Düzgünman.” Antika. Issue 36, April, 1988, pp. 6–8. Illustrated in color. Text in English and Turkish.

[Derman, M. Ugur.] Hezarfen Necmeddin Okyay. Obituary leaflet. Photo of Okay on front cover, two ebru designs on back cover. 1987.

Derman, M. Ugur. “Necmeddin Okyay.” Hayat Haftalik Mecmua A-51, 12 December, 1968. Illustrated. (NH)

Derman, M. Ugur. Obituary leaflet. Photo of Okyay on front cover, two examples of ebru on back cover. 1976.

Derman, M. Ugur. Türk Sanatinda Ebrû. AK Yayinlari Türk Süsleme Sanatlari Serisi 5. Istanbul: Akbank AK Yayinlari, 1977. 63 pp., profusely illustrated in color. English summary pp. 59–63. Excellent history.

Dervis, Melek. “Ebru.” AATA Turkish American Showcase. Dec. 1–8, 1990.

Dürüst, Kamil. “Ebru Sanati.” Türkiye Turing ve Otomobil Kurumu Belleteni. Sayi [No.] 50/329, Kasim Aralik [November– December], 1975. Turkish text pp. 2–4; English pp. 21–23. Illustrated in color. A general account of the art of ebru.

Düzgünman, Mustafa. “An Interview.” Milli Kültür. January, 1990, p. 68.

[Düzgünman, Mustafa]. “Düzgünman’in Koleksiyonundan.” Kültür ve Sanat Hizmetlerinden. 29. Sergi. Ebrular ve Tesbihler. 1967. Yapi ve Kredi Bankasi. An exhibition of Düzgünman’s hand turned prayer beads and ebru.

Düzgünman, Mustapha. Ebru. Istanbul: Yapi Kredi Bank, 1968. 35mm. color film, running time 5 minutes. Camera man, Ilhan Arakon.

Düzgünman, Mustafa. “Ebruname.” Yesilay. November, 1969, No. 432, p. 2. A poem.

[Düzgünman, Mustafa]. Geleneksel Türk Süsleme Sanatlari Sergisi. 7 Ekim [October] – 9 Kasim [November], 1985. Exhibition, 2 ebru. (NH)

Düzgünman, Mustafa. Lale Magazin. Türk Petrol Vakfi Organi, Temmuz [July], 1982. Front page illustration of lale ebrusu.

[Düzgünman, Mustafa]. “Mustafa Düzgünman ve Çiçekleri: Ebruda Doruk.” Horhor Sanat Galerisi. February 14, 1992, 4 pp. Memorial issue for Mustafa Düzgünman, illustrated in color.

Easton, Phoebe Jane. “A Marbling Symposium and Exhibition, Istanbul, April, 16–30, 1986.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, pp. 3–9. Cover, Düzgünman pansies.

Easton, Phoebe Jane. “The Art of Marbling and Papermaking in Turkey, Iran and India.” Ink & Gall, Vol. 1, No. 2, Autumn, 1987, p. 3. Symposium held on June 19, 1987, at the Art Institute of Chicago.

Easton, Phoebe Jane. Marbling: A History and a Bibliography. Los Angeles: Dawson’s Book Shop, 1983. 190 pp. 21 Pls., 6 original samples; two are by Mustafa Düzgünman. Bibliography pp. 145–179. Near Eastern marbling, pp 15–32.

Easton, Phoebe Jane. ” A Master Remembered.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 30–33. Obituary of Mustafa Düzgünman.

“Ebru.” Buyuk Lugat ve Ansiklopedisi. Istanbul: Meydan Yayinevi. Sayi [No.] 49, Ocak [January], 1971. (NH)

“Ebru.” Kadinca Mecmuasi. Ekim [October], 1992, sayfa [p.] 18. (NH)

“Ebru Sanati.” Ihsan Argun, Iktisat Dergisi. Sayi [No.] 124–125, 1983, sayfa [pp.] 42–43. (NH)

“Ebru Sanatimiz.” Seker Çocuk Magazini. Yil [year] 2, sayi [No.] 21, Ocak [January], 1985. (NH)

“Ebru Sanati Ölüyor.” Hayat Haftalik Mecmua. E 10 7 Mart [March], 1983. 2 1/2 safa [pp.], 7 resim [illustrations]. (NH)

“Ebru Toplantisi.” Antika. Issue 14, May, 1986, pp. 41–50. Illustrated in color. English translation pp. 47–49.

“Ebru. Türkische Marmorpapier-Kunst”. An exhibition of the work of Mustafa Düzgünman, Niyazi Sayin, and Azade Akar. February 12–March 3, 1971. Galerie Karstadt, Cologne. (NH)

Ehrensvard, Ulla. “Marmorerat papper, ebru fran aldere tider.” Svenska Forskningsinstitutet i Istanbul Meddelanden. May, 1980, pp. 49–81. Early Turkish history and methods described. Description and discussion of two alba amicora in the Royal Library in Stockholm and the University Library at Uppsala. Early Italian instructions p. 76–77. Brief English summary, p. 8.

Ehrensvärd, Ulla. “Nu förlägger forskarna det turkiska papprets vagga till Turkestan.” Grafiskt Forum. 4/1981, pp. 17–23. (N)

“En Ucuz Sanat Ebru.” Hayat Haftalik Mecmua. E 46, 12 Kasim [November], 1984. (NH)

“Eskiyi Yasatmada Yeni Estetik.” Dekorasyon Mecmuasi. October 25, 1990, 1 p. (NH)

“Exhibition of Contemporary Turkish Calligraphy, Bookbinding, Illumination and Marbling. VIII International Congress of Turkish Art. Turkish Ministry of Culture and Tourism, [April, 1986.]

Falk, Toby and Mildred Archer. Indian Miniatures in the India Office Library. London: Sotheby Park Bernet Publications, 1981. 2 Vols., 800 pp. Indexes miniatures incorporating marbling.

Ford, Marianne, and Anna Pugh. Copycats & Artifacts: 42 Creative Artisan Projects to Make. Boston : D.R. Godine, 1983. p. 8. Marbled miniature Rustam and Horses. Child’s book.

Fox, Polly. “Remembering Christopher.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4 & Vol. 3, No. 1, Spring and Summer, 1989. pp. 14–15, illustrated.

Furtun, Ayse. Un Ebru Notlari: N. Hepgül Kolleksiyonu. n.d, n.p. (NH)

Göktas, Ugur. “Basbakanlik Haz. ve Dis Tic.” 1st. Konfeksyiyon Ihracatçi Birlik Mecmuasi. Subat [February], 1991, 3 pp. Hatip Ebrulari. (NH)

Göktas, Ugur. “Ebru.” Gelisim Ansiklopedisi. Sayfa [pp.] 1123–1124. (NH)

Göktas, Ugur. “Ebru Sanatimiz.” Sanat Dünyamiz. Sayi [No.] 30, 1984. pp. 22–31.

Göktas, Ugur. Ebru Terimleri Sözlügü. Istanbul: Anadolu Sanat Yayinlari, 1987. 32 pp., illustrated in color and black & white. Dictionary of ebru terms.

Göktas, Ugur. “Floating Colors: The Art of Marbling.” Image. Ankara, 1987. pp. 26–28, illustrated. Technique, history, patterns, uses, and a note on Düzgünman.

Göktas, Ugur. “Son Ebru Ustasi Mustafa Düzgünman.” Türkiyemiz. Sayi [No.] 49, 1986, pp. 27–31. Illustrated in color. English summary p. 45.

Güney, Koray. “Türk Ebruculugunu Dirilten Adam.” Hayat. 16 Laso, 1972. Newspaper article and photo of Düzgünman.

Guyot, Don. “Christopher Weimann – A Remembrance.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4 & Vol. 3, No. 1, Spring & Summer, 1989, pp. 10–13, illustrated.

“Haydn’nin Obua Koncertosunu Ney Ile Çalan Sanatçi Niyazi Sayin Ile Konusma.” Hayat Haftalik Mecmua. D 25, 17 Haziran [June] 1976. 2 pp., 7 Illustrations. (NH)

Hepgül, Nusret. “Boya ile Kagidin Sudaki Aski.” V.I.P. Mecmuasi. Temmuz [July], 1990, sayfa [pp.] 57–58. (NH)

Herbert, Thomas. Travels in Persia, 1627–1629. Abridged and edited by Sir William Foster. London: 1928. Marbling, pp. 228, 234.

Huart, Clement Imbault. Les Calligraphes et les miniatures de l’Orient Musulman. Paris: The Asiatic Society, 1908. Color significance, how to make and use Ebru, p. 181, colors, p. 11.

Hüseyin, Vasef. Sefine–i Evilya. Yasna bagislar 2306. (ms) Süleymaniye Library. Lives of the prophets; biography of Edhem Efendi. (D)

Inal, Mahmud Kemal. Son Hattatlar. Istanbul: 1955. Last of the Calligraphers. p. 40: Sami, Aziz, Necmeddin. p. 47, Abdul. (D)

Kabaoglu, Avni Öney, Arredamento Dekorasyon. Istanbul da bir Italyan Ebru Sanatçisi, Alberto Valese. Haziran [June], 1990. Exhibition. (NH)

Kâgitçi, Mehmed Ali. “Beitrag zur Türkischen Papiergeschichte.” Papier Geschichte. Jahrgang 13, Heft 4, Nov. 1963, pp. 37–44. Ebru patterns and masters, pp. 43–44.

Kâgitçi Mehmed Ali. Historical Study of Paper Industry in Turkey. Foreword by Prof. Arcel Aribert. Istanbul: Grafic Sanatlar, 1976. 45 pp., printed in French and English, vis á vis format, illustrated in color and black and white. Largely a compendium of previously published work with some additions.

Kagitçi, Mehmed Ali. “Impregnazione della Carta Turca.” Tavolozza. No. 30 1969, pp. 14–20, illustrated in color. Italian version of Palette.

Kâgitçi, Mehmed Ali. Kâgitçilik Tarihçesi. Istanbul: Kader Basimevi, 1936. 222 pp., illustrated. Ebru history, marblers, pp. 221–229. Four examples of N. Okyay papers.

Kâgitçi, Mehmed Ali. “Les Colorants utilisés dans le temps par les artisans Turcs.” Reprint of a paper presented. n.d., n.p. Fide Norma Rubovits.

[Kagitçi, Mehmed Ali.] “Les Papiers Parbrés: Spécial Papier Fantaisie.” Revue Européene Papiers, Cartons, Complexes. February 15, 1972, pp.7–10. Probably by Kagitçi. Similar to article in Palette.

Kâgitçi, Mehmed Ali. “Turkish Marbled Papers.” Palette. No. 30, 1968, pp. 14–20, illustrated. 9 color Pls., bibliography.

Kâgitçi, Mehmed Ali. ” Turkish Marbled Papers.” Pulp & Paper International. Vol. 13, No. 3. Illustrated in black and white. Closely follows Palette article, minus color plates.

Kamil, Erçin. “Ebru Kagit.” Matbaacilik Dergisi. Sayi [No.] 2, Ikinci yil [second year], 1951.(NH)

“Kapak Ebrusu: M. Düzgünman.” Çinar Mecmuasi. July, 1977, No. 1.(NH)

Kasim, Hüseyin. Burhani Kaati Tercümesi. n.d, n.p. Describes colors used in ebru. (D)

Kasim, Hüseyin. Büyük Türk Lugati. Istanbul: Devlet Matbaasi, 1927–1945. Vol. 1 & 2, Ottoman Turkish; Vol. 3 & 4, Modern Turkish. Paints used in ebru described.

Kemal, Ali. (1867–1922) “Naks-i Ber Ab.” Peyam Gazetesi. Series on Ebru, n.d. (NH)

“Köksal Çiftçi Sergisinden Ebru Örnekleri.” Argos Mecmuasi. No. 43, March, 1992, 78 pp. 78 pieces exhibited. (NH)

Kramrisch, Stella. Painted Delight: Indian Paintings from Philadelphia Collections. Philadelphia: Philadelphia Museum of Art, 1986. Catalog of an exhibition Jan. 26–April 20. Marbled miniatures from the John Frederick Lewis Collection, Free Library of Philadelphia. Pl. 29, color, Acc. # M56 Lady Carrying a Peacock. Pl. 30, black and white, Acc. # M55 Elephant and Rider Charging Horse and Rider.

“Kültür Bakanligi Nesriyati.” Kültür ve Sanat Magazini. 1976. Illustrated. (NH)

Kusoglu, Mehmet Zeki. “Ebru Sanatimiiz.” Bilim, Birlik, Basari. No. 41, pp. 8–13. (UG)

Martin, F.R. The Miniature Painting and Painters 0f Persia, India, and Turkey from the 8th to the 18th Century. Two Vols. London: Bernard Quaritch, 1912, Marbling, Vol. 1, pp. 91, 93, 107–108; Vol. 2, Pl. 231 Depicts two marbled minature paintings of a cow and calf, and an emaciated horse. Rpt. London: Holland Press, 1971.

“Merakiniz Varsa Ebrulu Kagit Nasil Yapilir?” Hürriyet, Günlük Gazete. 12 Kasim [November], 1984. March, 1971, pp. 41–43. (NH)

Mu?a?ib, Ghulam ?usayn. Ed. Dairat al-Ma?arif-i Farsi. [Tehran]: Firanklin, 1966. [Iranian Encyclopedia] Vol. 1. Marbled book edges described.

Musahipzâde, Celâl. Eski Istanbul Yasayisi. Istanbul: Türkiye Yayinevi, 1946. (UD)

“Ne? Nerede? Haftanin Sergisi.” Nokta Mecmuasi. 18–24 Ekim [October] 13, safa [p.] 26. (NH)

Nefezade, Ibrahim. Gülzâr-i Savab. (The Rose Garden of Honesty). Istanbul: 1650. New edition with explanations by Kilisli Rifat, Istanbul, 1938 (cover 1939), 119 pp. Discusses materials used in calligraphy and paper decorating. Cited as important for color souces by Kâgitçi and Derman. Original Ms. No. 450 is in the Asir Efendi Library.

[Okyay, N.] “Afis Hazerfen Üstad Mehmed Necmeddin Okyayi Anma Toplantisi.” Hayat Hikayesi. 3 Ocak [January], 1987. 1 foto, 1 illustration.

Ongün, Zarif. “Türk Tezyini Sanatlar Subesinin Eserleri.” Tasfiri Efkar Gazetesi. 13 Agustos [August], 1942. (NH)

Özen, Mine Esiner. Yazma Kitap Sanatlari Sözlügü. Istanbul: I. Ü. Fen Fakültesi Döner Sermaye Isletmesi Prof. Nazim Terzioglu Basim Atölyesi, Istanbul, 1985. (UG)

Öztürk, Yasar Nuri. “Ebru bir Türk Sanatindir.” [Ebru is a Turkish Art.] Son Havadis. August 19, 1977, p. 5.

Pakalin, Mehmet Zeki. Osmanli Tarih Deyimleri ve Terimleri Sözlügü. [Dictionary of Ottoman History, Idioms, and Definitions]. Istanbul: Milli Egitim Basimevi, 1946. Ebru, Vol. 1, pp. 498–499. The history, technique, and types of marbling. The source cited is “Ebru Yapmak Usulu.” [The Process of Making Marbled Paper] in Boya, Mürekkep, Ahar, Ebru Mecmuasi [Dye, Ink, (Paper) Coating, Marbling Collection], classified under Millet Kütüphanesi El Yazilari No. 109 [National Library Manuscript No. 109].

Pal, Pratapaditya, Ed. Islamic Art. The Nasli M. Heeramaneck Collection, Gift of Joan Palevsky. Los Angeles: Los Angeles County Museum of Art: 1973 Marbled borders, Nos. 152 (color), 228, 242, 261, and 266. Section on: “Arts of the Book” written by Edwin Binney, 3rd, pp. 71–82.

“Papiers Marbrés, Les”. Revue Europénne des Papiers, Cartons, Complexes. 15 February, 1972, pp. 7–10. Turkish history, materials, patterns, techniques. Probably by M. A. Kâgitçi.

Ricqles, Francois. Art Islamique. Paris: Drouot-Richelieu, April 9, 1993. Exposition Catalogue. No. 78, marbled border.

Robinson, B. W. Persian Paintings in the India Office Library. London: Sotheby Parke Bernet Publications, 1976. 271 pp. No. 142 Oxen Locking Horns, marbled miniature.

Sabih, Ahmet. “Suya Renk Veren Adamin Öyküsü.” Cumhuriyet Dergisi. Sayi [No.] 238, September. 30, 1990. Düzgünman with ebru.

Safadi, Yasin H. Islamic Calligraphy. Boulder, CO: Shambhala, 1979. Pl. 87, p. 85; Pl. 110, p. 96.

Sami, Semsettin. Kamûs-i Türki. Istanbul: Ikdam Matbaasi, 1901. Kaamus-i Türki, p. 65. Ebru history. Traces the word ebru to a 15th century Central Asian Chaghatay Turkish term meaning “colorful” or “variegated”.

Sandys, George. A Relation of a Journey Begun An. Dom. 1610. London, 1615. Marbling by Turks, p. 72.

Savas, Taskin. Ebru Sanati. Istanbul: Bosak Matbaasi, 1980. (NH)

Savas, Taskin. Ebru Kursu Notlari ve Dialari. Istanbul: Yapi ve Kredi Bankasi , 1983–1984. Course in ebru.

[Sayin, Niyazi] “Haydn; in Obua Koncertosuna Neyle alan Sanatci.” Hayat. No. 25, 1976. Interview.

Schick, Irvin Cemil. “Kalipla Ebru Yapma San’ati ve Yeni bir Yazili Ebru Ustasi: Feridun Özgören.” Antika. Issue. 36, April, 1988, pp. 19–25. Illustrated in color. Text in Turkish and English. New master Feridun Özgören uses stencil & resist.

Schick, Irvin Cemil. “Christopher Anthony Tyl Weimann. Naks-i ber Ab.” Argos. Temmuz [July], 1989, No. 11, p. 25, illustrated in color. Obituary for Christopher Weimann.

Schimmel, Annemarie and Stuart Cary Welch. Anvari’s Divan: A Pocket Book for Akbar. New York: The Metropolitan Museum of Art, New York, 1983. 142 pp. Original in Fogg Museum. Contains beautifully marbled pages.

Schmöller, Hans. Pattern into Picture: Figurative Marbling in the East. Address to the Double Crown Club, February 7, 1984, at the Arts Club. Leaflet illustrated with the detail enlarged from a marbled image in the New Delhi National Museum, Print from Marianne Ford’s Copycats.

Schroeder, Eric. Persian Miniatures in the Fogg Museum of Art. Cambridge, MA: Harvard University Press, 1942. Pls. 21and 26 have marbled borders.

Selma, Hatice. “Ebru.” Sadirvan Mecmuasi. Cilt (Vol.) 2, No. 14, Eylül, [September], 1979.

Sevim, Eti. “Abstract Art and Ebru, Compared with Jackson Pollack.” Türkiyemiz. Published by Akbank. 8th year, No. 23, Oct. 1977, pp. 46–47, illustrated.

Sevket, Rado. Türk Hattatlari. Istanbul: Yayin Matbaacilik Ticaret Ltd. Sayfa [p.] 106. Hattat Ahmet Siyahi’nin (Ölümü 1099/1687). Talik bir kitasi, ebrulu zemin. (NH)

“Smith, Pamela. “Christopher Weimann – Tribute Exhibition.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4 & Vol. 3, No. 1, Spring & Summer, 1989, pp. 10–13, illustrated

Smith, Pamela. “A Marbler’s Quest.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, pp. 4–5, illustrated. Christopher Weimann’s research on marbled pictures.

“Son Ebru Ustasi Mustafa Düzgünman.” Türkiyemiz. Haziran [June], 1986, sayi [No.] 49, sayfa [p.] 6, illustrated. (NH)

Sönmez, Nedim. Ebru Marmorpapiere. Ravensburg: Otto Maier, 1992. 151 pp, illustrated in color. Bibliography, technique, history treated.

Sönmez, Nedim. “Ebru Sanatinda Yenilikler.” Sanat Dünyamiz. Vol. 11, No. 34, 1985. pp. 27– 33; English pp. 32–33. Illustrated in color.

Sönmez, Nedim. “Ebru Tablolariyla.” Antika. Issue 22, January, 1987, pp. 6 & 7, illustrated in color.”Nedim Sönmez and his Marbled Pictures.” pp. 8-9.

Sönmez, Nedim. Die Geschichte der Marmorierten Blumen. The History of Marbled Flowers. Tübingen: Jäckle-Sönmez, 1991. 75. pp., 10 original marbled flowers. 3″ x 1 1/2″.

Sönmez, Nedim. Grundkurs Marmorieren: Technek, Muster, Motive. Freiburg: Christopher Verlag, Hobby Werken, 1993.

Sönmez, Nedim and Yvonne Jäckle-Sönmez. “Kültür-Sanat ve Toplum.” (Culture-Art and Society). Antika. No. 7, October, 1985. Illustrated. 1 pp.

Sönmez, Nedim. “Türk Kâgidi. Türkisch Papyr. Turkish Paper.” Antika Issue 36, April, 1988, pp. 26–31. Illustrated. in color. Turkish and English text.

Sönmez, Nedim and Yvonne Jaeckle Sönmez. Alte und Neue Buntpapier. Program for an exhibition, Museum für Kunsthandwerk, Frankfurt am Main, 15.2—16.4, 1989.

Sönmez, Nedim and Yvonne Jaeckle-Sönmez. “Kültür-Sanat ve Toplum. Culture and Society.” Antika No. 7, October, 1985. Illustrated. 1 pp.

Sönmez, Nedim and Yvonne Jäckle-Sönmez. Turkish Papier, Ebru. Turkish Marbled Paper. Tübingen: Jäckle-Sönmez Verlag, 1987. 107 pp.; Illustrated in color, 1 original paper. Text in German & English, with essays by Emin Barin and Barbara Lipps-Kant.

Stewart, April Lynn. “On the Origins of Paper Marbling and the Migration of Knowledge.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 3, No. 2, Winter, 1989/90, pp. 8–9.

Tamer, Sinasi. “Okullarda Resim.” Is Ders Kitabi. Istanbul: Ülkü Basimevi, 1947. Sahife 111–117. Ebru class work for students, materials and instructions are given.

[Tanarslan, Timuçin] Gençligin Sesi. May 1990, and August 1990. The inside of front and back covers of both issues illustrates the work of T. T.

“Tanarslan, Timuçin, an interview with.” Milli Kültür. No. 74, July, 1990, pp. 9–10, illustrated. Front and back covers feature his ebru.

Tanarslan, Timuçin. “Bir Ebrucu Gözüyle Ebru. Marbling Through the Eyes of a Marbler.” Antika. Issue 36, April, 1988, pp. 12–18. Text in Turkish and English. Illustrated in color. History and technique of ebru discussed.

Tanarslan, Timuçin. “Ile Görüsme.” The New Paper. February 19, 1992. Singapore. 1 p. 1 illustration.

Taylor, Woodman. “Recreating Marbled Symphonies.” Ingrid Weimann and Nedim Sönmez. Christopher Weimann (1946–1988): A Tribute. 1991.

Tertib-i Risale-i Ebrî. [An Arrangement of a Treatise on Marbling.] After 1615. See also Isik Yazan, 1986 and Ugur Derman 1977.

“Türk Ebrusu Amerika’da. Turkish Marbling in America.” Antika. Issue 5, August, 1986. Turkish. pp. 56–57, English p. 58. Review of “Marbling in the Islamic World” symposium at Harvard University, May 26, 1986.

“Türk Ebruculügünü Dirilten Adam: Üsküdarli Düzgünman…” Hayat Haftalik Mecmua. C [Vol.] 47, Kasim [November], 1972. 7 pp. illustrated.. (NH)

Türkelman, Fuat. “Türk Sanatinda Ebru.” Kök. No. 1, February, 1981, p. 23.

Türk El Sanatlari. Istanbul: Yapi ve Kredi Bankasi A.S. 1969, Cilt [Vol.] 1, sayfa [pp.] 97–99. Turkish, English, French. (NH)

Turkish Handicrafts. Istanbul: Yapi ve Kredi Bankasi S. S., 1969. Vol. 1, ebru pp. 97–99. French, Turkish & English.

Turkish Marbled Paper. Basle: Sandoz, 1971. One folded sheet with original marbled sample. Paper does not appear to be Turkish, but is similar to Cockerell paper.

Ülker, Muammer. Baslangiçtan Günümüzde Türk Hat Sanati. The Art of Turkish Calligraphy from the Beginning to the Present. Ankara: Türkiye Is Bankasi. 1987. 369 pp. Text in Turkish, Arabic, & English. Color plates pp. 99–318, calligraphy with ebru, bibliography pp. 49–52.

Ünver, Dr. A. Süheyl. “Türk Tezyinatinda Tezhip ve Ebru.” Radyo Mecmuasi. 15 Nisan [April], 1944, sayi [No.] 29, cilt [Vol.] 3–5, pp. 6–7. (NH)

Ürgüplü, Ali Suat. “Sheets of Marble.” Cornucopia. Istanbul: Kayik Yayincilik ve Ticaret Ltd. Issue 6, Vol. 1994, pp. 66–71, illustrated.

Uyar, Yilmaz. “Günümüzde Ebru Ustalari.” Türkiyemiz Mecmuasi. Akbank, sayi [No.] 68, ekim [October], 1992, sayfa [pp.] 26–40, 16 resim [illustrations]. (NH)

Üzel, Nezih. “Suda Nakislar. Embroidering Water.” Antika. Issue 36, April, 1988, pp. 4–5. Illustrated in color. Turkish and English text.

Veysi, Orhan. “Ebru ve Mustafa Düzgünman.” Türkiye Turing ve Otomobil Kurumu Belletini. 1988, sayi [No.] 77/356 sayfa [pp.] 3–35. (NH)

Weimann, Christopher. “Techniques of Marbling in Early Indian Paintings.” Fine Print, October, 1983, pp. 134–37, 164–066, illustrated. “About the Cover.” p. 74. Article reprinted in Ink & Gall, Vol. 5, No. 2, Winter, 1991, pp. 16–23, and Christopher Weimann (1946–1988): A Tribute. pp 33-42.

Weimann, Ingrid and Nedim Sönmez. Christopher Weimann (1946–1988): A Tribute. Tübingen: Jäckle-Sönmez, 1991. 107 pp., original samples, illustrated in color. A summary of his work. Includes reprint of the above article.

Welch, Anthony. Shah ‘Abbas & the Arts of Isfahan. New York: Asia House, 1973. Several examples of various marbling applications.

Welch, Cary Stuart. India: Art and Culture, 1300-1900. Metropolitan Museum of Art, 1985. Some discussion of marbled paintings.

Yazan, Isik. “The Art of Marbling.” Introduction to the Art of the Book in Turkey. Istanbul: Colloque de L’Association International de Bibliophilie, 1986.

Yazir, Mahmud Bedrettin. Medeniyet Aleminde Yazi ve Islam Medeniyetinde Kalem Güzeli. Vol. 1. Ankara: A. Matbaasi, 1972. [Calligraphy in the Civilization of Islam]. Ebru origin. Illustrated. 1 Pl. with marbled border.

Yazir, Mahmud Bedrettin. Medeniyet Aleminde Yazi ve Islam Medeniyetinde Kalem Güzeli. Vol. 2 Ankara: A. Matbaasi, 1974. Illustrated in color and black & white. Variety of styles illustrated pp. 194–198. p. 206, portrait of Okyay writing.

Yazir, Mahmud Bedrettin. Medeniyet Aleminde Yazi ve Islam Medeniyetinde Kalem Güzeli. Second edition. Ankara: Ayyildiz Matbaasi, 1981. 246 pp., color Pls. 141–152. Includes books 1 & 2.

Zebrowski, Mark. Deccani Painting. Berkley and Los Angeles: U. of California Press, 1983; London: Sotheby Publication, 1983; New Delhi: Roli Books, 1983. 296 pp. Marbling, pp. 135–138, 4 illustrations of marbled paintings.

“Zemin Olarak Ebru Kullanilmis (background is battal ebru), Mavi Battal ve bir Lale (blue battal and a tulip).” Hayat Haftalik Mecmua. B 45, 2 Kasim [November], 1972. (NH)