Sources of Citations for References Not Seen:

AD Anneliese Dühmert
AH Albert Haemmerle
BBM Bookbinding Magazine
BM Bernard Middleton
BW Bruce Walley
CA Charles Adams
CS Caroline Schimmel
CW Christopher Weimann
D M. Ugur Derman
DB Dawson’s Book Shop Catalogue No. 403, item 164
DH Dard Hunter, 1921
DHB Dard Hunter, 1947
EAT E.A. Thompson
G Don Guyot, letters
GBH G. Bernard Hughes
GG Gabriele von Grünebaum
GVD Geert van Daal
GW Geoffrey Wakeman
HH Herman Herbst
LG Leon Gruel
MC Maurice Craig
McC Nancy McClelland
MK Mehmed Ali Kagitçi
NH Nusret Hepgül
OH Olga Hirsch
PK Paul Kersten
R&E Matt T. Roberts and Don G. Etherington
RE Rosamond Loring
RW Richard J. Wolfe
S&E A.V. Sugden and J.L. Edmondson
T G. Thomas Tanselle
T&T Keith and Harriet R. Tindale
WM Wolfgang Mejer
WO William Osmun

Marbling Bibliography

Abbott, Jacob. The Harper Establishment, or How the Story Books are Made. New York: Harper and Brothers, 1855. vii, 160 pp., illustrated. Marbling is described from the spectator’s point of view, pp. 135–145, with 3 illustrations. Rpt. Hampden, CT: Shoestring Press, 1956.

Abridgements of Specifications Relating to Books, Portfolios, Card Cases, etc. A.D. 1768–1866. London: Commissioner of Patents, 1870. No. 13,761, Oct. 2, 1851, marbled cloth, p. 26. (BM)

Abridgements of Specifications Relating to Printing, etc. London: Commissioner of Patents, 1859. No. 530, May 20, 1731, earliest known patent for marbled paper, issued to Samuel Pope for the prevention of forgery, pp. 85–86. Rpt. London: Printing Historical Society, 1969.

Ackerman, Phyllis. Wallpaper, Its History, Design and Use. New York: Tudor Publishing Co., 1923. Domino marblers, pp. 3–4. 2nd ed., May 1938.

Adam, Paul. Das Marmorieren des Buchbinders auf Schleimgrund und im Kleisterverfahren: nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber. Düsseldorf: Halle A.S.: W. Knapp, 1906. vi, 73 pp., 139 illustrations and 24 original marbled samples. Frontispiece is Martin Englebrecht’s Buntpapiermacherin. Gives instructions for marbling, including flower and leaf patterns.

Adam, Paul. Das Marmorieren des Buchbinders auf Schleimgrund und im Öl und Kleisterverfahren, nebst Anleitung zum Linoleum Schnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber. 2nd ed. Düsseldorf: Halle A.S.: W. Knapp, 1923. vi, 84 pp., illustrated, 24 specimens.

Adam, Paul. Practical Bookbinding. Translated from the German by Thos. E. Maw. London: Scott Greenwood & Co., 1903. 183 pp., illustrated. Marbling materials, p. 7; technique, pp. 62–73, illustrated.

Adam, Paul. Systematisches Lehr- und Handbuch der Buchbinderei und der Damit Zusammenhängenden Fächer in Theorie und Praxis. 3 vols. in 2. Dresden-Blasewitz: Loewenstein’sche Verlagshandlung, [1885]. Vol. 1, 399 pp. Vols. 2 and 3, pp. 400–997, 4 leaves of tipped-in samples, some marbled. Marbling, pp. 199–225. Supplement, 78 pp. Marbling rollers, supplement pp. 60–61.

Adam, Paul. “Über die Entwicklung und Verwendung farbiger Papiere in der Buchbinderei.” Buchgewerbeblatte (Cologne), 2. Jg., 1893, H. 1, pp. 7–24; H. 3, 7pp. 101–108. Marbling, pp. 16, 106-108.

Adam, Paul. “Das Vorsatz im Buche und die Innenseite des Deckels.” Zeitschrift für Bucherfreunde, 1. Jg., 1897–1898, 2, Bd., pp. 6226–6228, illustrated. (AH)

Adams, Charles M. “Some Notes on the Art of Marbling Paper in the Seventeenth Century.” Bulletin of the New York Public Library, Vol. 51, No. 7, July 1947, pp. 411–422. Offprint, pp. 3-14.
Adams, Ralph. “Paper Marbling.” Amphora. 66, December, 1986, pp. 2–7, 4 marbled samples. Published quarterly, by the Alcuin Society, Vancouver, BC.

Addison, Wendy. “Vagabond at Home.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 2–3, original sample.

Addison-Madeiros, Wendy. “The Floating World. Notes on Surface Tension.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 2, Winter, 1992, pp. 15–16, illustrated.

[Adelung, —]. Kurzer Begriff Menschlicher Fertigkeiten und Kentnisse, so fern sie auf Erwerbungen des Unterhalts, auf Vergnügen, auf Wissenschaft und auf Regierung der Gesellschaft Abzielen. 2nd ed. Leipzig, 1783. Vol. 1, pp. 487–490, Turkish paper. (AH)

Ahlqvist, Lars-Göran and Lars Strid. “Marie–Ange och Encyklopedien.” Bogvannen, 5/91, pp. 106–110. (N)

Akers, Robert C. Marbling. Dryad Leaflet 505. Northgates, Leicester: Dryad, 1976. 15 pp., illustrated in color. Two methods of marbling described.

Allwörden, M. von, Horst Muller, and Frauke Drees. Marmorieren. Ravensburg, West Germany: Otto Maier, 1976. (GG)

Allwörden, Margaret von. Marmorieren. Ravensburg, W. Germany: Otto Maier Verlag, 1980. (EG)

Almaleh, Beki. “In the Spirit of the Old Masters.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 16–20, original sample, illustrated.

Alparslan, Prof. Dr. Ali. “Introduction.” In: Ugur Göktas. Ebru Terimleri Sözlügü. Istanbul: 1987. (NH)

Altermatt, Arthur. “Zur Geschichte des Vorsatz-papieres.” Schweizer Sammler und Familienforsche. 8. Jg., 1934, No. 1, pp. 5–9; No. 2–3, pp. 30–36, illustrated. Early French marbling, commercial development described.

Amatt, Sarah. “The Conquest of Gall.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 24–26, original sample.

American Decorative Papermakers: the Work & Specimens of Twelve Craft Artists. Introduction by Don Guyot. Mattapoisett, MA: Busyhaus Publications, 1983, n.p., illustrated, 10 original samples

Andes, Louis E. Papier-Specialitäten. Vienna, 1896. xvi, 288 pp., illustrated. Hand-marbled paper, pp. 136–141; machine marbled paper, pp. 142–155. 2nd ed. Vienna and Leipzig: U. Hartleben, 1922. 334 pp., Illustrated. Marbled paper, pp. 153–171.

Andes, Louis E. The Treatment of Paper for Special Purposes. Translated from the German by Chas. Salter. London: Scott, Greenwood & Sons, 1907. xii, 240 pp., illustrated. Marbling by hand and machine, pp. 116–134. (AH cites 1908.) 2nd ed. 1923; xii, 204 pp. Marbling, pp. 99–113 [text is the same].

Ando, Takatura. Creationism. First published, 1982.

Ando, Takatura. Creationism. Second International Edition, 1983. Hakuun Sanbo Press. 56 color plates of oil marbling.

Angelis, Pegi de. “The Australian Marbling Vernacular.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 2–2.

Angelis, Pegi de. “Marbling in the Heat of the Moment.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 9–11, illustrated, original sample.

Angelis, Pegi de, and Polly Fox. “San Francisco Revisited. A Personal Look at the Marblers’ Gathering.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 2, Winter, 1992, pp. 4–9.

“Ankauf alter Buntpapiere für das Buchgewerbemuseurn.” Papierzeitung [Leipzig], 1902, p. 1003. (AH)

Anselment, Ingeborg. Marmorpapiere. Sonderaustellung 11.2 bis 12.3. 87. Basler Papiermuehle Schweizerisches Papiermuseum & Museum für Schrift und Druck. Basel.

Aquilina, Flavio. “In the Marbled World.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 2–3, illustrated.

Arndt, Robert. “Ebru: The Cloud Art.” Aramco World Magazine. Vol. 24, No. 3, May–June, 1973, pp. 26–32, illustrated in color. Reports work of Düzgünman in Istanbul.

Arnett, John Andrews [pseud.]. See Hannett.

Arnold, E.J. Marbling. Leeds: E.J. Arnold & Son, 1971. Ten numbered cards with projects and instructions for children.

Arseven, Celal Esad. Les Arts Decoratifs Turks. Istanbul: Milli Egitim Basimevi, 1953. pp. 320–321, illustrated, Pls. 27, 28. Technique, uses described.

Arseven, Celal Esad. Sanat Ansiklopedisi. Istanbul: Maarif Matbaasi, 19. Vol. I, pp. 502–503. Process of making ebru and various patterns.

Artesani, Edward. “Marbling Magic.” Bookbinding and Book Production Magazine. May, 1953, pp. 51–52. Author was marbler at Riverside Press.

Asami, Soseki. “A Private Opinion and Dissertation Concerning Suminagashi.” Paper and Beauty. Series No. 13, 1986. Fide Anne Chambers, Suminagashi, 1991, p. 49.

Arts and Books: Modern Bindings and Paperwork. July 17–September 18, 1988. Clinton, NJ: Hunterdon Art Center, c. 1988, 16 pp., illustrated. Includes marbling.

Atelier. L’Encyclopédie des Arts Manuels. Vol. 2, No. 16, pp. 438–441; No. 17, pp. 464–467. Techniques: oil colors on water and water- based colors on size. (D&I)

Aymergen, Yasemine and Karin Lindahl. “En brokig historia.” Calamus (Grafisks Institutets elevtidning) 1988, pp. 23–25. (N)

Ayscough, Samuel. A Catalogue of the Manuscripts Preserved in the British Museum… Including the Collection of Sir Hans Sloane… London, 1782. John Evelyn’s lecture, Vol. 1, p. 447. (CA)

Babin, Angela and Monona Rossol. “Glove Selection.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3, Winter, 1988/89, pp. 19–21.

Bachaus, Theodore [pseud.]. The World’s Worst Marbled Papers. San Serriffe Publishing Co., 1978. ix pp., 10 double-page samples. 400 copies, all marked No. 1. Satire by Henry Morris, published by Bird and Bull Press, North Hills, PA.

Bacon, Francis. Sylva Sylvarum, or a Natural History in Ten Centuries. 7th ed. London, 1670. Part 8, Par. 741, p. 156 refers to marbling by Turks. [1st ed. was 1627].

Bagford Collection. Material gathered for a history of printing in the late 17th century was originally part of the Harleian manuscript collection, but is now located in Printed Books, British Library. See Har. Ms. 5940, Collection of Papers…, and Har. Ms. 5959, Endpaper Fragments.

Baily, William. The Advancement of Arts, Manufactures and Commerce… Containing the Repository of the Society for the Encouragement of Arts, Mfg. and Com. London, 1772. Prize offered for the best marbled paper, 1763, p. 219. (CA)

Baldur, —. “Vom Marmorieren.” Der Buchbinderlehrling. [Berlin], Vol. 8, 1934, pp. 98–102. (GG)

Baldwin, Pat. “Marbling in Computerland.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, p. 21, illustrated.

Ball, Gail G. “Marbleize Paper for Attractive Envelope Linings.” School Arts Magazine. 31: 314–315, Jan., 1934. Use of oil colors.

Barber, Giles. “A l’intérieur de la reliure: les papiers marbrés et autres feuilles de garde décoratives au XVIIIe siècle.” Revue Français d’Histoire du Livre. No. 37, 4e trimestre, 1982, pp. 657–669, illustrated.

Barin, Emin. Sanatçinin Özgeçmisi. n.d, n.p. 2 leaves, illustrated. Biographical time-line. 1913–1985. Barin is a calligrapher.

Barker, Nicholas. Reviews: “Decorated Paper and the Art of Marbling. Richard Wolfe, Marbled Paper…; Barry McKay, Marbling Methods and Receipts From Four Centuries…; Nedim Sönmez and Ingrid Weimann., Christopher Weimann. A Tribute; Nedim Sönmez, Ebru Marmorpapier; and Raccolta Bertarelli Carte Decorate”. The Book Collector. Autumn, 1992, pp. 305–319.

Barnes, Liz. “Marbling with Anne Chambers.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 30–31, illustrated.

Barrow, John. Dictionarium Polygraphicum: or, the Whole Body of Arts Regularly Digested. 2 Vols. London: C. Hitch, Davis and S. Austen, 1735. Vol. 2, instructions to marble paper and book edges. Later edition: London: C. Hitch and L. Hawes, 2 Vols. 1758. (P&P)

Barrow, John. A New and Universal Dictionary of Arts and Sciences. London: for the proprietors, sold by John Hinton, 1751. Marbling listed under Paper, based on the Dictionarium Polygraphicum. (P&P)

Bartels, Nancy. “The Addictive Art of Paper Marbling.” Confetti. Issue 20/21. Describes the work of Milena Hughes.

Bartsch, M. and Edgar Fournier. “Chambolle-Duru and Gruel Collections.” Bulletin du Vieux Papier, May 1904, Vol. 2, p. 463–465. Notes on dominotier history, meetings, and exhibits.

Barutçugil, Hikmet “The Aesthetic Principle of Islamic Art.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 2–9, illlustrated.

Barutçugil, Hikmet. “Ebru Sanati.” Focus. 7th year, No. 26, 1990, pp. 44–46, illustrated.

Barutçugil, Hikmet. “The Great Master of Marbling has Passed Away.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 2–3, illustrated.

Barutçugil, Hikmet. “The Three Hundred Year Cycle of Kütahya Ebru.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Winter, 1991, pp. 24–26, illustrated.

Basler Papiermuehle im Dalbeloch. Basel: Museum für Papier Schrift und Druck. A 14th century paper mill converted into a museum and gallery. The ancient mill had been suppllied by a canal that emptied into the Rhine. The canal no longer exists. The region is known as Dalbeloch, a name that does not appear on maps.

Battershall, Fletcher. Bookbinding for Bibliophiles. Greenwich, CT: Literary Collector Press, 1905. 132 pp. Notes that marbled paper lost vitality with improvements, p. 23.

Bauer, C. Handbuch der Buchbinderei. Handbuch der Buchbinderei Eine leichtfassliche Anleitung zur Herstellung sämtlicher Buchbinderarbeiten in Vollständiger Neubearbeitung. Leipzig: Voight, 1903. viii, 208 pp., illustrated. Marbling technique, patterns illustrated, pp. 91–99.

Bauer, Hans. Katechismus der Buchbinderei. Leipzig: J.J. Weber, 1899. 340 pp., illustrated. Marbling, pp. 98–117.

Bauer, Hans. Handbuch der Buchbinderei. Leipzig, 1911. 2nd ed. of above. (PK)

Beaune, Joseph and René Ponot. Qui a Ramassé la Plume d’Oie? Paris: Dessain et Tolra. 1979, 333 pp., illustrated in color. Overview of marbling history and technique, pp. 52–55. (D&I)

Beckmann, Johann. Beyträge zur Oekonomie, Technologie, etc. c. 1777 Marbling, part 3, p. 471. (AH)

Beckmann, Johann. A History of Inventions and Discoveries…Translated from the German by William Johnston. 3rd ed. London: Longman, 1817. Vol. 3, pp. 500–506.

Behzad, Taherzade. “Marbleized or Abri Paper.” Arthur U. Pope and P. Ackerman, Ed. A Survey of Persian Art from Prehistoric Times to the Present. London and New York: American Institute for Iranian Art and Archaeology, 1939. Vol. 3, pp. 1924–1926. Describes technique and use of marbled paper.

Berliner, Rudolph. Ornamentale Vorlageblätter des 15-18 Jahrhunerts. 1925. (AH)

Berthier, Annie. “Un Aspect de Reliure Turque: Le Papier Marbré (d’après le fonds turc de la Bibliothèque National).” Revue Française d’Histoire du Livre. No. 37, 1982, pp. 605–620, illustrated in black and white. (DI)

Betty Fürst, Bildteppiche; Annemarie Maag, Scherenschnitte; Marianne Moll, Schmuckpapiere. August 27—September 7, 1986, in the Zehntenscheune, Gelterkinden, Canton of Basle, Switzerland.

Bevan, G. Phillips, Ed. British Manufacturing Industries. 2nd ed. London, 1877. vi, 222 pp. Marbling, pp. 77–78.

Beyer, Johann M. Theatrum Machinarum Molarium oder Schau-Platz der Mühlen-Bau-Kunst… Leipzig: Rudolstadt, 1735. Turkish papers, pp . 90–102, 2 plates. (AH)

Bibliographie der Buch- und Bibliotheksgeschichte: BBB. vol. 8, 1888. Bad Iburg: Bibliographischer Verlag Dr. Horst Meyer, 1990.

Bib-li-op-e-gis-tic. New York: Trow Press, n.d. 32 pp., 1 illustration. Samples of marbled book cloth.

Bierbaum, Otto J. “Künstlerische Vorsatzpapiere.” Dekorative Kunst. [Munich]: F. Bruckmann, 1898, Vol. 1, No. 3, pp. 111–129. Flower marbling technique discovered simultaneously by Kyster and Eckmann, pp. 127–129. Marbling by Anker Kyster, p. 129.

Binney, Edwin 3rd. Indian Miniature Paintings from the Collection of Edward Binney, 3rd: Mughal and Deccani Schools. Portland, OR: Portland Art Museum, 1973. Varied applications of marbling, p. 153, Pl. 128; p. 155, Pl.129; pp. 156, 167, 177, Pl. 157A, 157B.

Binney, Edwin 3rd. “Indian Paintings from the Deccan.” The Sir George Birdwood Memorial Lecture by Edwin Binney PhD., May 3, 1979. The Royal Society for the Encouagement of the Arts, Manufactures and Commerce Journal. Vol. 127, No. 5280, Nov. 1979, pp. 784–804.

Binney, Edwin 3rd. Other Treasures from the Binney Collection. Los Angeles: Los Angeles County Museum of Art, 1974. No. 36A, album with six leaves of calligraphy ornamented with marbled paper.

Binney, Edwin 3rd. Turkish Miniature Paintings and Manuscripts from the Collection of Edwin Binney, 3rd. New York and Los Angeles: an exhibition held in the Metropolitan Museum of Art and the Los Angeles County Museum of Art, 1973. Marbled paper, p. 22, No. 2; p. 96, No. 35.

Binney & Smith, Inc. Marbling With Liquitex Acrylic Paints: A Technique Sheet. Easton, PA: Binney & Smith, Inc., 1985. 5 pp

Birch, Thomas. The History of the Royal Society, of London: 1756–1757. Vol. 1, p. 69 notes Evelyn’s lecture before ‘ the Royal Society, Jan. 8, 1662.

Birol, Inci Ayan. “Ebru.” Yesilay. March, 1969, No. 424, p.3. Describes a Düzgünman ebru exhibit.

Black, Sheila. The Black Book. London: Cole, Black & Partners, 1976. 254 pp. Ashley marbled fabrics illustrated. and described, pp. 96, 157–158.

Blanchon, H. L. Alphonse L’Art et la Pratique en Reliure. Paris: J. Hetzel, 1898, 172 pp., 6 samples of marbled paper. Technique of marbling, pp. 66–79. (D&I)

Blocki, Herb. “Engineered Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 31–35, illustrated.

Blondel, Spire. L’Art Intime et le Goût en France. E. Rouveyre, 1884, 396 pp. (D&I)

Boeck, Joseph Phileas. Die Marmorierkunst: Ein Lehr-, Hand- und Musterbuch für Buchbinderein… Vienna: A. Hartleben,1880. 80 pp., 10 Pl., 30 marbled samples. (NY Pub. Lib. copy has 30 samples, but Mejer and Haemmerle both say 60 samples.) 2nd ed. 1896. Reprinted, 1987.

Boeck, Josef Phileas. Die Marmorirkunst: Ein Lehr- und Hand und Musterbuch für Buchbinderein, Buntpapierfabriken und verwandte Geschäfte. Wein, Pest, Leipzig: U. Hartleben’s Verlag, 1896. Reprint, facsimile: Hannover: Th. Schafer, 1987, 148 pp., 10 color plates, black and white illustrations.

Boesch, Hans. “Alte Buntpapiere im German. National Museum in Nurnberg.” Papier-Zeitung. Aug. 1883. 330 pp. ff. (M)

Boetticher, Georg. “Vorsatzpapiere.” Kunstgewerbeblatt. Vol. 10, pp. 21–32. Leipzig, 1898. (AH)

Bogeng, G.A.E. Der Bucheinband: Ein Handbuch für Buchbinder und Büchersammler. Halle a.d. S.: W. Knapp, 1913. 381 pp. Technique and history of decorated papers, pp. 170–176.

Bogzaran, Fariba. “Dream Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 22–23, illustrated inside back cover.

Bohniert,—. Marmorieren. Vienna, 1908. (DH)

Bolton, Claire M. The Compton Marbling Pattern Book. Winchester, England: The Alembic Press, 1986, no pagination, 27 original samples. Edition of 96 numbered copies. Showcase for the work of Solveig Stone and Caroline Mann. Brief history, technique, uses, bibliography given.

Bönisch, Johann. Über Technik und Neuheiten in Marmorieren: Vortrag gehalten im k.k. Gewerbeförderungsamte in Wien am 12. Dezember, 1907. Vienna: O. Maas & Sohne, 1908. 24 pp. Marbling, pp. 1–10.

Bookbinder, The. (British Journal). ? “Dutch Marbling.” Vol. 2, p. 157.? “Marbled Paper.” Vol. 3, pp. 38–39, 53.? “Marbled Paper.” Vol. 3, pp. 77–78.? “The Manner of Marbling Paper or Books.” Vol. 3, pp. 126–127. Fide John Walcott.

Bookbinder’s Complete Instructor. 1823. Patterns for marbling leather, not paper, are the same as those described in The Whole Art of Bookbinding. (Oswestry, 1811). (GBH)

Bookbinding Trades Journal. Two volumes in one, of 16 issues each. Ed. William Mellor. Manchester: Bookbinders’ & Machine Rulers’ Consolidated Union, 1904–1914. Contains 8 marbled samples, articles on marbling. (DB)

Booth, Charles. Life and Labour of the People in London, Second Series. Industry. London: Macmillan & Co., 1903. Marbling as a special trade, pp. 240–241. 1st ed. was 1851.

Boreh, V. Mramorovane Papiry. [Marbling Papers] Prague, 1937. 98 pp. (EAT)

Börjeson, Ingeborg. Venner, Dyr og Bogbind. Rinköbing: Eget Forlag, 1972. 181 pp. Autobiography.

Bosch, Gülnar, et. al. Islamic Bindings & Bookmaking. Chicago: Oriental Institute, U. of Chicago, 1981. The catalog has several pages on marbling.

Bosquet, Émile. Guide Manuel Théorique et Pratique de L’Ouvrier ou Practicien Dorure sur Cuir et sur Tissus à la Main et au Balancier, Contenant dans Toutes Leurs Parties, la Dorure sur Cuirs et sur Tissus de Tous Genres, la Dorure sur Tranches, la Ciselure et L’Ornementation des Tranches, la Marbrure sur Cuir et sur Tranches, etc. Paris, 1903. (DH)

Bosquet, Émile. Traité Théorique et Pratique de L’Art du Relieur. Paris: Librairie Polytechnique, Baudry & Cie., Editeurs, 1890. 323 pp., illustrated. Marbling, pp. 275–283. Edge marbling under gold, p.197.

Bouchot, Henri. De la Reliure: Exemples à Imiter ou à Rejeter. Paris: Edouard Rouveyre, 1891. 93 pp. Disapproves of marbled paper, pp. 73–74.

Boyle, Robert. Experimenta et Considerationes de Coloribus. London, 1665. 2nd ed. 1670. (AH)

Boyle, Robert. The Works of the Honourable Robert Boyle. A New Edition. London, 1772. Vol. 3, p. 461. Boyle speaks of his knowledge of marbling. (CA)

Bozgeyik, Burhan. “Ebru Ustasi Mustafa Düzgünman.” Koprin. September, 1978, No. 18, pp. 11–13.

Bracewell, Robert S. “Marbled Papers.” Robert H. Mosher Ed. Specialty Papers. New York: Remsen Press, 1950. x, 733 pp., illustrated. Commercial marbling by machine, pp, 187–192.

Bradac, Ludvik. “Rucni Mramar” [Hand MarblingJ. Knihar [The Bookbinder]. Vol. 33, 1935, pp. 184–185, 194–195, 207–218. (EAT)

Bradac, Ludvik. “Tepani a Rezani v Kuzi” [Engraving and Dyeing on Leather]. Knihar [The Bookbinder]. Vol. 33, 1935, pp. 14–15, 28–30, 50–51, 75–76.

Brade, Ludwig and E. Winklet. Het Geillustreerde Boekbindersboek: Volledig Onderright in het Boekbinden. Waarin Beschreven Worden de Nieuwste Fransche, Engelsche en Duitsche Verbeteringen in dit vak, met Uitvoerig Onderrigt in het Vervaadigen van de Verschillende Marmer- en Andere Sneden en het Vergulden, over het Gebruik van de Nieuwste Machinerien. Met een Aanhangsel Bevattende 76 Bijzonder Goede Recepten. Met Vele Houtgravuren. [The illustrated book for the bookbinder. Complete instructions in bookbinding, in which are described the latest French, English, and German accomplishments in this profession. With an extended instruction in the making of various marbled and other edges, also gilding. About the use of the latest machines. With 76 very good recipes and many wood cuts.] Leyden, 1861. (DH)

Brade, Ludwig and E, Winkler. Das Illustrierte Buchbinderbuch. Leipzig: O. Spamer, 1860. ? 2nd ed. Leipzig, 1868. 420 pp. Marbling, pp. 73–88.? 3rd ed. revised by Robert Metz. Halle: Wilhelm Knapp, 1882. 461 pp., illustrated. Marbling, pp. 109–121.? 4th ed. revised by Bauer. Halle: W. Knapp, 1905.? 5th ed. Revised by Bauer. Halle: Wilhelm Knapp, 1909. 465 pp., illlustrated, 20 marbled samples. Marbling pp. 75–107.? 6th ed. Halle: Brade-Kersten, 1916. 18 marbled samples. Marbling, pp. 78–111, 400–403.? 7th ed. revised by Paul Kersten. Halle: Brade-Kersten, 1930. 6 marbled samples. Marbling, pp. 78–111.

Brandauer, Aline. “The Alchemy and the Craft.” New Mexico Craft. Autumn, 1980, pp. 25–27. Subject is marbler Pamela Smith.

Breslauer, Martin. Fine Books in Fine Bindings From the 15th Century to the Present Century. Catalog 104. New York: Breslauer, [1979]. Item 54, p. 84, Hans Schumacher’s Liber Amicorum, 1587–1588. Contains 176 Turkish papers, of which 50 are marbled. Color plate 6.

Breugel, Eva van. “Dutch Paper Drying Rack.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, p. 17, illustrated.

Breugel, Eva van. “The First German Marblers’ Gathering.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 26–27, illustrated.

Breugel, Eva van. “Fresh Irish Moss and its Preparation.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer 1992, pp. 2223.

British Bookmaker: A Journal for the Book Printer—The Book Illustrator—The Book Cover Designer—The Book Binder—Librarian and Lovers of Books Generally. Vol. 7, Part 1, July 1893, p. 3. (G)

British Manufacturing Industries· See Bevan.

Brosenius,—. Der Buchbinder, Oder 70 Anweisungenin der Buchbinderkunst. Leipzig, 1847. (DH)

Brousek, Josef. “Moreni, Barveni a Mramorovani Kuzi” [Tanning, Dyeing, and Marbling of Leather]. Knihar [The Bookbinder], Vol. 35, 1937, pp. 114–116, 126–128, 138, 140, 166. (EAT)

Brousek, Josef. Mramorovani na Vode [Marbling on water]. 8th private printing. Unhosti: Leta Pane, 1938. 79 pp., 20 marbled samples.

Brousek, Josef. “Vzpominky na Mramorovani” [Remembrance on Marbling]· Knihar [The Book-binder], Vol. 35, 1937, pp. 234–236.

Browning, Edna F. Marbling: A Process of Paper Decorating. New York: Industrial Arts Cooperative Services, 1945. 7 pp., illustrated. Mimeographed. (EAT)

“Buchbinder-Buntpapier.” Archiv für Buchbinderei. 3. Jg., 1904, H. 10, pp. 153–167. Shows work of Hausman, Konstanz, Kowasch; flower techniques·

Buffum, Clara. Hand-Bound Books; The Old Method of Bookbinding; A Guide for Amateur Bookbinders. Providence, RI, 1935. 68 pp. Marbling, p. 65. Brief marbling history; description of marbling in a blueprint vat.

Bull, William.”An 18th Century Indian Manuscript on Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988, pp. 5–7. Contains black and white reproduction of marbled minature painting of “Two Oxen Locking Horns” and a partial English translation by Salim Qushayri of the anonymous Persian manuscript Khulusat al Mujarrabat (India Office Library Cat. Ethe 2346, Acc. No 2814, dated 1180 AH/ 1766 CE).

Bull, William. “Edward Seymour, Marbler Extraordinary.” Matrix 8. Winter, 1988, pp. 180–181.

Bull, William. “William Chapman, Marbler to Cockerell.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 18–21, illustrated.

Büngül, Nurettin Rüstü. Eski Eserler Ansiklopedisi. Istanbul: Tercüme, n.d. (UG)

“Buntpapier am Anfang unseres Jahrhunderts im Dienste des Buchgewerbes.” Archiv für Buchbinderei. 1902, pp. 64, 111–112. Brief. (D&I)

“Buntpapier Ausstellung.” Allgemeiner Anzeiger für Buchbindereien. Jg. 78, No. 7, July, 1965, pp. 442–-443. Exhibit in Munich arranged by Haemmerle, including suminagashi from 15th and 16th centuries.

“Buntpapier in Berlin.” Allgemeiner Anzeiger für Buchbindereien. Jg. 79, No. 4, April, 1966, p. 239. Review of an exhibit arranged by A. Haemmerle, drawn from several collections. Papers are described and several makers are mentioned by name. On p. 239. An example of suminagashi in very large size, c. 1880–1890 is featured.

“Buntpapier und Bucheinband.” Börsenblatt für den Deutschen Buchhandel. 98. Jg., No. 56, March 7, 1931, p. 218. Reviews exhibit.

“Buntpapier Fabrikation” Papier-Zeitung. 1. Jg., 1876, No. 5, p. 65. Schneider’s fröliche Freizeit .Cites competition between Germany, Austria, Denmark, and England for the decorated paper market.

“Buntpapier-Kunstwerke der Papierveredlung.” Allgemeiner Papier Rundschau. Jg. 1961, No. 1, Jan. 5, pp. 11–13. Aschaffenburg 150th anniversary.

Bunte Papierwerkstatt. Munich und Vienna: Franz Schneider Verlag, 1979, 48 pp., illustrated in color. Translated from original Italian work, Carte e Cartone. Little concerning making marbled papers, but considerable attention on how to use them. One of the series Schneider’s Fröliche Freizeit.

Çahsirken, M. D. “Ebrunun Talihsizligi. Yapilmasinin Kolay Zannedilmesi.” V.I.P. Mecmuasi. Temmuz [July] 1990, p. 60. (NH)

Callow, Nicholas. ” Tartan Paint: An Interview with Graham Day.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 11–17, illustrated.

“Can Marbling Survive? A Traditional Art in Danger.” Airport Magazine. Vol. 20, November, 1990, year 5, No. 54.

Canning, Eileen. “A Midnight Marbler Muses on Becoming a Teacher.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, pp. 14–16, original sample.

Canning, Eileen. See Painter.

Capell, Henry, W. “Colored and Marbled Calf.” The British and Colonial Printer. November 5, 1980, pp. 278–280, illustrated.

Carrick, Edward. See Edward A. Craig.

Carrion, Marlissa. Bookbinding Training Notebook. Sturbridge, MA: Old Sturbridge Village, 1991. n.p., illustrated.

Carte e Cartone. Italy: Ilaria Ratazi, 1977-1978. Primarily on the uses of marbled paper; some instruction. Translated into German as: Die Bunte Papierwerkstatt, Munich and Vienna: Franz Schneider, 1979.

Cashin, Geraldine. “The Cockerell Bindery.” Crafts (UK) No. 49, March/April 1981, pp. 40–44, illustrated

Cemil Bey, Mehmed. (1856–1931). Biography of Shaykh Edhem Efendi. Ms. in library of Dr. Süheyl Ünver.

Chambers, Anne. A Guide to Making Decorated Papers. New York: Thames and Hudson Inc., 1989, 79 pp., illustrated in color and black and white. Oil color marbling and suminagashi pp. 73–79.

Chambers, Anne. Marbling on Paper Using Oil Paints. Great Britain: Search Press, 1992, 62 pp., illustrated in color.

Chambers, Anne. “Marbling With Students at West Dean College.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 28–29, illustrated.

Chambers, Anne. Marmoriertes Papier. Ein Practischer Leitfaden. Stuttgart, 1986.

Chambers, Anne. The Practical Guide to Marbling Paper. London and New York: Thames and Hudson, 1986, 88 pp., illustrated in color. Introduction by Bernard Middleton. Reprint, 1988.

Chambers, Anne. The Principal Antique Patterns of Marbled Papers Made and Described by Anne Chambers With an Introduction by Bernard Middleton. Burford, Oxfordshire: Cygnet Press, 1984, n.p., 14 samples tipped in. Brief bibliography by Middleton. Edition of 250.

Chambers, Anne. Suminagashi: The Japanese Art of Marbling. London: Thames and Hudson, 1991. 80 pp., 64 illustrations, 38 in color. Foreword by Akiro Kurosaki. Bibliography; sources of materials.

Chambers, Anne. “Techniques of Marbling Paper.” Matrix 3. November, 1983, pp. 53–59, 2 small marbled tip-ins.

Chambers, Ephraim. Cyclopaedia, or an Universal Dictionary of Arts and Sciences, etc. London, 1728. Due to an error in composing the book, instructions for marbling which should have been entered under “Paper,” as stated under “Marbling,” were omitted. 5th ed. London, 1743. Instructions used to develop 18th-century marbling at Colonial Williamsburg. A Dublin edition was published in 1742.

Chan, Mei-Mei. “The Crafty Art of Marbling Fabrics.” USA Today. Feb. 1. 1983, p. 3D. Features Sandra Holzman.

Chapman, Charles S. “Marbled Paper.” Woman’s Home Companion, 53, June, 1926, pp. 52–53, illustrated. Marbling done in bathtub, then over-painted.

Chorherr, Edith. “Buntpapier aus Europe und dem Orient.” Die Weltkunst. No. 2, 1979, pp. 86–87, illustrated.

Christofferson, Mats. Boksamlaren. Halmstad: Spektra, Arlöv 1991. p. 86. (N)

CIBA Review, No. 72, Feb. 1949, p. 104. Mentions Englebrecht engravings in an untitled note.

Clark, Lauren. Stone Pattern Marbleized Giftwrap Paper: Four Different Designs on Four Sheets, with Matching Gift Cards. Minneola, NY: Dover Publications, 1992.

Clark, Sue. “Healing Art.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, Spring, 1994, p. 13.

Clouzet, Henri. “L’Atelier du Cartier-Dominotier: The Workshop of the Cartier-Dominotier.” La Renaissance de l’Art Français. February, 1927, pp. 85 ff. Bilingual article on the XVI century workshop. (D&I)

Clouzot, Henri, and Charles Follot. Histoire du papier peint en France. Paris: Charles Moreau, 1935. x, 266 pp. Dominotiers, pp. 1–10, 23.

Clouzot, Henri, and Charles Follot. Le Papier Peint en France du XVIIe au XIXe Siècle. Paris: G. von Oest, 1931. Chapter 1, dominotier history.

Cockerell, Douglas. Bookbinding and the Care of Books. 4th ed. London: Pitman, 1925. 333 pp., illustrated. Disadvantages of marbled paper noted.? 1st ed. London: John Hogg, 1901;? 2nd ed. New York: D. Appleton & Co., 1902; ? 3rd ed. New York: D. Appleton & Co., 1912;? 5th ed. 1953.

Cockerell, Douglas. Der Bucheinband und die Pflege, des Buches. Translated by Felix Hubel. Leipzig: Herman Seeman Nachfolger, 1902. 275 pp. Marbled endpapers, p. 66.

Cockerell, Douglas. Some Notes on Bookbinding. London: Oxford U. Press, 1929. 105 pp., illustrated. Marbled endpapers, p. 80.

Cockerell, Sydney M. “Marbling Paper.” Craft Horizons, Vol. 12, No. 1, Jan. 1952, pp. 32–35, illustrated. Recounts his early experiments, modern shop, and marbling history.

Cockerell, Sydney M. Marbling Paper. Bookbinding as a School Subject. Pamphlet No. 5. 2nd ed. Hitchin, Herts.: G.W. Russell & Son, n.d. 16 pp., 2 samples of marbled paper. 3rd ed. n.d., 2 samples of marbled paper.

Cockerell, Sydney M. Marbling Paper as a School Subject. Hitchin, Herts.: G.W. Russell & Son, 1934. (CA)

Cockerell, Sydney M. Marbling Paper as a School Subject. Letchworth: Garden City Press, 1934. (RS)

Cohen, Daniel and Paula Cohen. Marbling on Fabric. Loveland, CO: Interweave Press, 1990.

Çoktan, Ahmet. Türk Ebru Sanati. Istanbul: 1992. 63 pp. Illustrated in color.

Colatta,—. Anfänge der Buntpapierherstellung in Deutschland. Wochenblatt für Papierfabrikation, Vol. 29, 1898, pp. 2875–2876. The privilege of Heinrich Trorbach. (GG)

Collection of Works from Japanese Dolls Exhibition. October, 23-30, 1983. 93 pp., illustrated in color. Japanese language text.

Collins, Ernest. Paul Kersten 1865-1943. Berlin: Corvinus Antiquariat E. Collins, 1925. 81 pp., plates. Printed as a Festschrift on Kersten’s 60th birthday, March 18, 1925. [Kersten spent his adult life in the buntpapier industry.]

“Colors for Book Edges.” Scientific American. Supplement 63, Jan. 5, 1907, pp. 25927–25928.

Comacle, François. “Marbling in France.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 13–14.

Comparato, Frank E. Books for the Millions. Harrisburg, PA: Stackpole Co., 1971. 374 pp. Account of J. Halfer, p. 87.

The Compton Marbling Portfolio of Patterns. Oxford: England: Alembic Press, 1992, portfolio with 18 folders; number one contains a history of Compton, the others contain samples and information on their use. Edition of 150.

Cooke, J. A New Royal and Universal Dictionary of Arts and Sciences. London: J. Cooke, 1772, 1771. 2 Vols. Marbling, Vol. 2 (1771), illustrated with 2 engraved plates, Nos. lxiii and lxiv. (P&P)

Cooley, Arnold J. Cooley’s Cyclopedia of Practical Receipts. New York: Appleton, 1880. Vol. 2, pp. 1031–1032, brief description of marbling process, tree and soap marbling. Many editions with a variety of titles appeared between 1845 and 1897. Several have been checked and the entries are similar.

Coomaraswamy, Ananda K. “Les Miniatures Orientales de la Collection Goloubew au Museum of Fine Arts de Boston.” Ars Asiatica XIII. Paris: G. Van Oest, 1929. Pls. Nos. 105–106, pp. 66–67. Two marbled miniatures, one of a calf, the other a horse.

Cottom, Peter. See The Whole Art of Bookbinding.

“Couvertures aux Bois Gravés et Papiers Multicolores.” La Reliure. Sept./Nov. 1960 and Jan., May, Sept. 1961.

Coventry, John “Cove.” “Olaf O’laugh—Marbling Iconoblast.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 2–5, illustrated, original sample.

Coventry, John and Katherine Loeffler. “Waves, Vortices and Divination.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, pp. 14–15, 18, illustrated. An interview.

Cowie, G. The Bookbinder’s Manual. 7th ed. London: J. Allen, 1860. Other editions 1829, 1832, 1852. Marbling, see appendix, pp. 78–110. (Similar to The Whole Art of Bookbinding. Oswestry, 1811.)

Crace, John Gregory. The Crace Papers: Two Lectures Delivered to the Royal Society of British Architects in February, 1839, With a Foreword and Comments by A. V. Sugden and E. A. Entwisle. Birmingham: Privately Printed, 1939, 56 pp., 24 illustrations. Subject is wall hangings; marbled wallpapers as well as marbled book papers are noted.

Crafts Jamboree. New York: Van Nostrand Reinhold Co., 1977. 296 pp., illustrated. Marbling, pp.172–179.

Craig, Edward A. [pseud. Edward Carrick]. Designing for Motion Pictures. London: The Studio Publications, [1941]. Marbling, pp. 100–101.

Craig, Maurice J. Irish Bookbinding 1600–1800. London: Cassell & Co., 1954. x, 47 pp., 59 Pls. Historical account of marbling, p. 42.

Crane, W. J. Bookbinding for Amateurs. London: L. Upcott Gill, 1903. 184 pp. Marbling, pp. 91, 93–113. Patterns illustrated.

Crausat, E. de. “Cartonnages.” La Reliure. February 1935, pp. 33–35. Marbling in the 1930’s. (D&I)

Croker, Temple Henry. The Complete Dictionary of Arts and Sciences. London: For the Authors, and sold by J. Wilson &c., 1764–1766. 3 Vols. Marbling, Vol. 2. (P&P)

Cummins, Thompson. “Book Making.” Audiovisual Instruction. Vol. 24, No. 6, Sept. 1979, pp. 32–35

Czeschka, O. C., and Kolomon Moser. “Papierfächer.” Deutsche Kunst und Dekoration. Darmstadt, 9. Jg., No. 7, 1906, pp. 452–453. (DH)

[Daal, Geert van] Josef Hauptman: The Art of Marbling. Dodeward: Atelier Distelkamp, 1992. Translated into English by Cis van Heertun.

Daal, Geert van. 50 Marbled Papers. II. Dodeward, Netherlands: van Daal, [1986], no text.

Daal, Geert van. 50 Marbled Papers. III. Dodeward, Netherlands: van Daal, 1989. No text.

Daal, Geert van. Marbled Paper. Marmorpapier. Buren: Fritz Knuf, 1980. 72 pp., 20 marbled papers. Text in Dutch, English, French, and German. Folio size. Edition of 50.

Daal, Geert van. Joseph Hauptmann: Marmorirlehrer aus Budapest. Reproduction by van Daal of an advertising leaflet by Hauptmann, a student of Joseph Halfer. Edge marbling is illustrated with cut-outs of marbled paper.

Daal, Geert van. Marbled Paper. Buren: Fritz Knuf, 1980. 72 pp., 20 marbled papers. Text in Dutch, English, French, and German. Folio size. Edition of 50.

Daigneaux, Aliya. “Review: Diane Vogel Mauer with Paul Mauer. A Complete Guide to Creating Beautiful Patterned Paper and Fabrics, and Carol Taylor with Patty Schleicher and Laura Sims, Marbling Paper and Fabrics.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 34–35.

Dane and Co. Instructions for Using Dane and Company’s Liquid Marbling Inks on Carragheen Moss Size. Stratford: Dane, 1952. Earlier editions in 1928, 1937.

Davenport, Cyril. “Bagford’s Notes on Bookbinding.” Read Nov. 16, 1903. Bibliographical Society Transactions, Vol. 7, 1902–1904, pp. 123–142. Bagford is believed to have written c. 1693–1704; he noted use of marbled paper.

Davenport, Cyril. The Book, Its History and Development. London: Archibald Constable & Co., 1907. vi, 258 pp. Considered marbled endpapers common but inartistic; believed Whistler could have done better if he had known about marbling, pp. 157–159.

David, Marie Christine et Jean Soustiel. Miniatures Orientales de l’Inde. 4. Paris: Gallerie Jean Soustiel, 1986. Exposition Feb.28 – April 9, 1986. Pl. 9, marbled miniature “Un docte Portugais.” History of marbled miniatures, p. 22.

Davis, Katherine. “The Lure of Scotland.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 22–23, illustrated.

Dawson, Muir. “The Great Harvard Marble-Off.” Fine Print. Vol. 12, No. 4, October, 1986. pp. 190, 235. Rpt. Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, June, 1987, pp. 5, 17, illustrated. A detailed account of the symposiuim at Harvard University: “Ebru: The Art of Marbling in the Islamic World.”

Day, Graham. Abri. The Mysterious Art of Paper Marbling. Catalogue of an exhibit. London, Kufa Gallery, March 1–15, 1988. 15 pp., illustrated in color. Edition of 200.

Day, Graham. Eight Monoprints From the Conference of the Birds Series. London, Sept. 1/30, 1991. The Library, The School of Oriental & African Studies. University of London.

Day, Grahm. The Fetishism of Technique. A Transcription of Wenzel Jamnitzer’s Perspective Corporum Regularium 1568. An exhibition by Graham Day, 1993, London, 8 leaves, suminagashi double-fold insert, as free endpapers.

[Day, Graham.] Saskia Baron. “Marbling and Mannequins.” Crafts. Nov./Dec. , 1988. (UK) pp. 38–41, illustrated. Dec., 1990.

Day, Graham. Marbrure Intégrales. Integral Marbling. Bibliothèque de Rennes, 1990, 70 pp., illustrated in color and black and white. Text in French and English. Edition of 1,000.

Day Graham. Monoprints From the Conference of the Birds. London, Jaliyan Gallery, 28 April—14 May, 1993.

Day, Graham. Oeuvres Recentes sur Papier. Paris, Galleries Jeannie Thouard, 7 Nov.—24 Dec., 1990.

Day, Graham. Photo–Domino. Arles, France, Centre Interregional de Conservation des Livres, 3 Juillet—15 Aout, 1988.

Day, Graham. Zoomorphic Calligraphy. Corsham, Wiltshire, England: Graham Day, 1988. 13 pp., 16 color illustrations tipped in. Wrapper, suminagashi designed paper. Edition of 100. Animal calligraphy combined with marbling.

Day, Lewis F. “The Art and Craft of Paper-Staining.” Good Words. Vol. 36, April 1895, pp. 244–252. Cited in DH, but contains no mention of marbling.

Dean, Roger. A Dragon’s Dream Book. London: Dragon’s Dream, 1975. Dean marbles on canvas using a resist technique for illustrations.

Decorated Book Papers Seventeenth to Twentieth Century. New York: Cooper Union Museum for the Arts of Decoration, 1954. 12 pp. Contains introduction, exhibit list, and bibliography. See also Osmun and Morgan.

“Decorated Christmas Ornaments.” Better Homes and Gardens. Dec. 1981, pp. 75, 150, illustrated.

Decorative Endpapers. New York: Harry N. Abrams, 1986, 14 pp., 32 color plates. First U. S. edition 22–23, illustrated.of the exhibition catalogue issed by Victoria and Albert Museum, in the Victoria and Albert Color Book Series. Four plates reproduce marbled patterns. Little information.

Degaast, Georges. “Le livre.” Le Monde et la Science. 1945, pp. 1248–1251, illustrated in black and white. Photos of the marbling studio of Putois. (D&I))

Déribéré, Maurice. La Coloration des Papiers. Paris, 1937. iv, 229 pp., illustrated. Marbling, pp. 199–202; bibliography, pp. 221–224.

Derman, M. Ugur. “Ebrunun Ustasi Mustafa Düzgünman. A Master of Ebru: Mustafa Düzgünman.” Antika. Issue 36, April, 1988, pp. 6–8. Illustrated in color. Text in English and Turkish.

[Derman, M. Ugur.] Hezarfen Necmeddin Okyay. Obituary leaflet. Photo of Okay on front cover, two ebru designs on back cover. 1987.

Derman, M. Ugur. “Necmeddin Okyay.” Hayat Haftalik Mecmua A-51, 12 December, 1968. Illustrated. (NH)

Derman, M. Ugur. Obituary leaflet. Photo of Okyay on front cover, two examples of ebru on back cover. 1976.

Derman, M. Ugur. Türk Sanatinda Ebrû. AK Yayinlari Türk Süsleme Sanatlari Serisi 5. Istanbul: Akbank AK Yayinlari, 1977. 63 pp., profusely illustrated in color. English summary pp. 59–63. Excellent history.

Dervis, Melek. “Ebru.” AATA Turkish American Showcase. Dec. 1–8, 1990.

Devauchelle, Roger. “Le Papier marbré à l’essence.” La Reliure. No. 4, April, 1956, p. 7; No. 3, May, 1956, p. 8. Simple techniques. (D&I)

Devauchelle, Roget. La Reliure en France de ses Origines à nos Jours. Paris: Rousseau-Girard, 1950–1961. Vol. 2, Pls. 3, 46; Vol. 3, Pl. 2, pp. 12, 132. French patterns are illustrated.

Devaux, Yves. Histoire du Livre, de la Reliure et du Métier de Relieur au fin des Siècles. Paris: Technorama, 1983, 109 pp. In the workshop of a marbler, p. 81.

Dibdin, Thomas F. The Bibliographical Decameron; or, Ten Days Pleasant Discourse upon Illuminated Manuscripts and Subjects Connected with Early Engraving, Typography, and Bibliography. London: Dibdin, 1817. Ecstatic comment on marbling under gold, Vol. 2, p. 532.

Dick, William. Dick’s Encyclopedia of Practical Receipts and Processes. 1870. Marbling and edge treatment, pp. 283–285. (G)

Dickenson, Lenore M. “The Rosamond B. Loring Collection of Decorated Papers.” Journal of the Guild of Book Workers, Vol. 6, No. 2, Winter 1967–1968, pp. 3–12.

Dictionaire Technologique ou Nouveau Dictionnaire Universel des Arts et Métiers et de l’ Economie Industrielle et Commerciale par une Société de Savants et d’Artists. Paris: Thomine, 1828, 22 Vols. Marbling, Vol. 13, pp. 91–97. (D&I)

Dictionaire Universel d’Antoine Furetière. Chez Arnault, 1690. States dominotiers had the right to make marbled and other decorated papers. (D&I)

Dictionaire Universel, Français-Latin. imprimé a Trevous. 1721 Note on marbled paper. (D&I)

Diderot, Denis. Encylopédie ou Dictionnaire Raisonné des Sciences, des Arts, et des Métiers… Nouvelle Édition. Geneva: Pellet, 1778. Vol. 21, pp. 19–23, “Marbreur de papier ou dominotier”; Vol. 24, pp. 474–475, “Papier marbré.” 2 plates.

Diderot, Denis, and Jean Le Rond D’Alembert. Encyclopédie ou Dictionnaire Raisonné des Sciences, des Arts, et des Métiers… Paris: Briasson, 1751–1765. Vol. 10, pp. 72–77, “Marbreur de papier,” was published in 1765. A supplement was published in Amsterdam by M. M. Rey, 1776–1777. An index was published in 1780. Several printings with different publishers and dates are known. Text differs from the later Geneva edition.

Diderot, Denis, and Jean Le Rond D’Alembert. Recueil de Planches sur les Sciences, les Arts Liberaux et les Arts Méchaniques. Paris: Briasson, 1762–1772. 11 Vols. “Marbreur de papier,” Vol. 5, 2 plates and explanation.

Diderot, Denis, and Jean Le Rond D’Alembert. See also Renault.

Diehl, Edith. Bookbinding: Its Background and Technique. New York: Rinehart & Co., 1946. 2 Vols. Marbled paper, Vol. 1, pp. 63, 102, 126, 154, 169, 182–184, 187, bibliography.

Diem, Walter and Michael Bieberstein. Buntpapiere Selber Machen. Ravensburg, W. Germany: Otto Maier Verlag, 1981, 96 pp. Illustrated in color and black and white.

Diem, Walter and Michael Bieberstein. Buntpapiere Selber Machen. Ravensburger Taschenbücher, Band 238. Second Edition. Ravensburger, W. Germany: Otto Maier Verlag 1986, 127 pp., illustrated in color and black and white.

Di Giacomo, Frank. “Marbleizing for the Print-shop.” Industrial Arts and Vocational Education. Vol. 25, Nov., 1936, pp. 355–356.

Dizonerio Universal delle Arti e delle Science. Venice: G. Pasquali, 1748–1749, 9 vols. Translated by Ephraim Chambers. Revised in 1762, 6 Vols. (P&P)

Doebbelin, W.C. “The Art of Marbling.” Bookbinding Magazine, Vol. 5, No. 4, Oct., 1926, p. 10; “Part II”; Vol. 5, No. 6, Dec., 1926, p. 14; “How to Obtain the Best Results in Comb Marbling or Drawn Edges,” Vol. 6, No. 1, Jan., 1927, p. 34; “Many Pleasing Effects Obtainable in Fancy Comb Marbling,” Vol. 6, No. 3, March, 1927, p. 24; “The Art of Marbling,” Vol. 6, No. 4, April 1927, p. 28; “The Art of Marbling,” Vol. 6, No. 6, June, 1927, pp. 44, 50; “A Final Lesson in Marbling for Bookbinders,” Vol. 7, No. 1, July, 1927, p. 28.

Doebbelin, W. C. The Art of Marbling. London, 1910. 9 pp. Loring Collection, Houghton Library, Harvard University. (RS)

Doebbelin, W.C. The Art of Marbling, A Practical Guide to Marbling. Doebbelin’s Simplified Method. Middleton, MA: Halfer Marbling Co., 1927. 9 pp., 26 marbled specimens. Rpt. of the 1910 ed. HH notes 27 illustrations; BBM, March, 1927, p. 45, lists 28 illustrations. A possible variant is Doebbelin’s Simplifed Process of Marbling, advertised in BBM, April 1933, for $5.00. No copy of the latter has been located.

Doebbelin, W. C. Price List of “Halfer” Marbling Gums and Directions How to Marble. Doebbelin’s Simplified Process. Middleton, MA: Halfer Marbleizing Co., [1927]. 6 pp., 7 marbled specimens. (RS)

Doizy, Marie-Ange. “The French Marbled Papers: Princely Bookbindings and Contemporary Creations.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, p. 20. A two-part exhibition of ancient and contemporary marbling.

Doizy, Marie Ange and Stéphane Ipert. Le Papier Marbré son Histoire et sa Fabrication. Paris: Editions Technorama, 1985, 249 pp., plus 2 pp. contents, not numbered, illustrated in color and black and white. Edition of 3,500; edition de tête, 150 with 26 original samples. Extensive bibliography

[Dossie, Robert.] The Handmaid to the Arts. London: J. Nourse, 1758. Marbled paper, Vol. 2, pp. 377–381. 2nd ed. 1764, Vol. 2, pp. 413–417. Later edition 1796. Similar to Cowie.

Dotzel, Ing. “Vortrag über farben von Papier.” Suomen Paperi-Jauutavaralehti. No. 5, August 15, 1932, pp. 568–572. Review of paper, dyeing, and dyes, with a section on marbled and other fancy papers. (AT&T)

Dover Publications. See: A. Drees, L. Clark, Sauerman and Pierce, Grünebaum, Ready to Use…, Marbleized Gift Wrap Paper.

Draper, Dana. “Marblerobics.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 37–39, illustrated.

Drees, Dedree. “He Who Kisses a Joy as it Flies.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 7–9, illustrated.

Drees, Dedree. A Ready-to-Use Marbleized Notepaper. 12 Full-Color Sheets in Self-Mailng Format. Minneola, NY: Dover Publications, Inc. 1991.

Drescher, Horst.”Der Regenbogenpapier-macher.” Sinn und Form. Vol. 38, No. 6, 1986, pp.1203–1214.

Dreyer, John F. “Decorating Fabrics with Floating Insoluble Pigments.” U.S. Pat. 2,140,498, Dec. 20, 1939. Chemical Abstracts. 33, 1939, p. 2629. (EAT)

Dryad Leaflets. No. 74, see Hewitt-Bates; No. 505, see Akers.

Dubois d’Enghien, H. La Reliure en Belgique au XIXe Siècle. Brussels: A. Leclerc and P. Van der Perre, 1954. Decorated papers, pp. 14–17. De luxe edition contains original samples. June, 1987, pp. 12–13, illustrated. (D&I)

Dubose, Georges. “Le Papier peint à Rouen.” Le Journal de Rouen, September 8, 1903, p. 3. (D&I)

Du Cann, Charlotte. “The Parente Papers.” The World of Interiors. October, 1984, pp. 29 ff. Illustrated in color

Duchartre, M.P. L’Imagerie Populaire. Paris: Librarie de France, 1925. 477 pp. Derivation of “dominotier,” p. 44; marbling, pp. 443–445.

Dudin, M. L’Art du Relieur Doreur de Livres. Paris, 1772. Four paragraphs on marbling, pp. 47–48, section 3.

Dudin, M. The Art of the Bookbinder and Gilder. 1772. Translated into English by Richard Macintyre Atkinson. Leeds: Elmete Press, 1977. xiv, 126 pp., illustrated. English translation of the above. Marbling, p. 39. Sixteen full-page plates taken from the original edition. Edition of 490. (Oak Knoll Press Catalgue 69.)

Duff, W. “Hints on Marbling Book Edges.” British and Colonial Printer and Stationer. Vol. 68, No.1693, pp. 13–14, illustrated; No. 1698, pp. 15–16. London, 1911. Basic instruction in marbling to apprentices barred from learning in the shop.

Dühmert, Anneliese. Buchpflege: Eine Bibliographie. Stuttgart: Max Hettler Verlag, 1963. Buntpapier, pp. 157–161.

Dürüst, Kamil. “Ebru Sanati.” Türkiye Turing ve Otomobil Kurumu Belleteni. Sayi [No.] 50/329, Kasim Aralik [November– December], 1975. Turkish text pp. 2–4; English pp. 21–23. Illustrated in color. A general account of the art of ebru.

Dutton, Meiric K. Historical Sketch of Bookbinding as an Art. Norwood: Holliston Mills, 1926. Marbling history, pp. 88–89.

Duval, Michel. “Les Papiers marbrés: Métiers d’art.” La Reliure. No. 14, Feb. 1981, pp. 81–87, illustrated.

Düzgünman, Mustafa. “An Interview.” Milli Kültür. January, 1990, p. 68.

[Düzgünman, Mustafa]. “Düzgünman’in Koleksiyonundan.” Kültür ve Sanat Hizmetlerinden. 29. Sergi. Ebrular ve Tesbihler. 1967. Yapi ve Kredi Bankasi. An exhibition of Düzgünman’s hand turned prayer beads and ebru.

Düzgünman, Mustapha. Ebru. Istanbul: Yapi Kredi Bank, 1968. 35mm. color film, running time 5 minutes. Camera man, Ilhan Arakon.

Düzgünman, Mustafa. “Ebruname.” Yesilay. November, 1969, No. 432, p. 2. A poem.

[Düzgünman, Mustafa]. Geleneksel Türk Süsleme Sanatlari Sergisi. 7 Ekim [October] – 9 Kasim [November], 1985. Exhibition, 2 ebru. (NH)

Düzgünman, Mustafa. Lale Magazin. Türk Petrol Vakfi Organi, Temmuz [July], 1982. Front page illustration of lale ebrusu.

[Düzgünman, Mustafa]. “Mustafa Düzgünman ve Çiçekleri: Ebruda Doruk.” Horhor Sanat Galerisi. February 14, 1992, 4 pp. Memorial issue for Mustafa Düzgünman, illustrated in color.

“Easter: The Hand-Painted Egg.” Ladies’ Home Journal. April, 1971, pp. 36, 39. Eggs marbled with enamel paint on water.

Easton, Phoebe Jane. “A Marbling Symposium and Exhibition, Istanbul, April, 16–30, 1986.” Ink & Gall. Taos, NM: Fresh Ink Press, Taos, NM: Fresh Ink Press, Vol. 1, No. 1, pp. 3–9. Cover, Düzgünmann pansies.

Easton, Phoebe Jane. “A Bibliography of Dutch Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. II, No. 3, Winter, 1988/1989, pp. 6–7, 9.

Easton, Phoebe Jane. ” A Master Remembered.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 30–33. Obituary of Mustafa Düzgünman.

Easton, Phoebe Jane. “A Scandinavian Bibliography.” Ink & Gall. Taos, NM: Fresh Ink Press, Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1987, p. 9.

Easton, Phoebe Jane. “Another View Through the Doorway.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 18–19, illustrated. Review of the Jameson Exhibit.

Easton, Phoebe Jane. “The Art of Marbling and Papermaking in Turkey, Iran and India.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, p. 3. Symposium held on June 19, 1987, at the Art Institute of Chicago.

Easton, Phoebe Jane. “Identifying and Describing the Well-Tempered Collection.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 15–17.

Easton, Phoebe Jane. Marbling: A History and A Bibliography. Los Angeles: Dawson’s Book Shop, 1983, xviii, 190 pp., 6 original samples, 6 leaves of plates. Bibliography. pp. 145–179. Edition of 850.

Easton, Phoebe Jane. “Suminagashi: The Japanese Way with Marbled Paper.” Coranto: Journal of Friends of the Libraries, University of Southern California. Vol. 8, No. 1, 1972. pp. 3–17, illustrated, original sample of suminagashi as frontispiece. Bibliography, history, technique, and uses of suminagashi.

Easton, Phoebe Jane. “The Well-Tempered Collection.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol., 1, No. 1, June, 1987, pp. 12–13, illustrated. Solutions for managing a collection.

“Ebru.” Buyuk Lugat ve Ansiklopedisi. Istanbul: Meydan Yayinevi. Sayi [No.] 49, Ocak [January], 1971. (NH)

“Ebru.” Kadinca Mecmuasi. Ekim [October], 1992, sayfa [p.] 18. (NH)

“Ebru Sanati.” Ihsan Argun, Iktisat Dergisi. Sayi [No.] 124–125, 1983, sayfa [pp.] 42–43. (NH)

“Ebru Sanatimiz.” Seker Çocuk Magazini. Yil [year] 2, sayi [No.] 21, Ocak [January], 1985. (NH)

“Ebru Sanati Ölüyor.” Hayat Haftalik Mecmua. E 10 7 Mart [March], 1983. 2 1/2 safa [pp.], 7 resim [illustrations]. (NH)

“Ebru Toplantisi.” Antika. Issue 14, May, 1986, pp. 41–50. Illustrated in color. English translation pp. 47–49.

“Ebru: Türkische Marmorpapier-Kunst”. An exhibition of the work of Mustafa Düzgünman, Niyazi Sayin, and Azade Akar. February 12–March 3, 1971. Galerie Karstadt, Cologne. (NH)

Ehrensvard, Ulla. “Marmorerat papper, ebru fran aldere tider.” Svenska Forskningsinstitutet i Istanbul Meddelanden. May, 1980, pp. 49–81. Early Turkish history and methods described. Description and discussion of two alba amicorum in the Royal Library in Stockholm and the University Library at Uppsala. Early Italian instructions p. 76–77. Brief English summary, p. 8.

Ehrensvärd, Ulla. “Nu förlägger forskarna det turkiska papprets vagga till Turkestan.” Grafiskt Forum. 4/1981, pp. 17–23. (N)

Eichner, Gernot. “Marmorierkunst.” Weltkunst, Vol. 46,1976, p. 1645. (GG)

“En Ucuz Sanat Ebru.” Hayat Haftalik Mecmua. E 46, 12 Kasim [November], 1984. (NH)

Enderli, Hans. Buntpapiere: Geschichte und Rezepte des Buntpapiere mit 205 original Buntpapier Mustern. Winterthur: Winterthur Kunstmuseum, 1971. Most of the samples are marbled. Privately printed.

Englebrecht, Martin A. Trades and Occupations [binder’s title]. c.1740. Upwards of 160 plates. Assemblages of workers dressed in the tools of their trade. The dominotier and dominotiere are numbers 52 and 53. Library of Congress.

Die Englische Buchbinderkunst: Enthaltend eine Beschreibung von dem Werkzeuge, Vorrichten, Vergolden und Ausarbeiten, Schreibbücherbinden, Schnittfarben, Marmorieren, Springen, etc. 2nd ed. Leipzig: Baumgartnerschen Buchhandlung, 1821. 95 pp. Marbling, pp. 54–95; soap marbling, p. 66. Probably a translation of The Whole Art of Marbling. (Oswestry, 1811)

English Mechanic, March17, 1871. Cited by J.Zaehnsdorf, Art of Bookbinding,1890, p. 74, for an article on marble transfer. The reference is in error.

Entwisle, E. A. “The Blew Paper Warehouse in Aldermanbury, London.” The Connoisseur, Vol. 125, No. 516, May 1950, pp. 94–98. Pictures advertisement featuring marbled wallpaper.

Entwisle, E. A. “The Hirsch Collection of Decorated Papers.” In: The Connoisseur Year Book, edited and compiled by L.G.G. Ramsey, London, 1961. Statement that a bibliographic catalog of the collection was made is not correct. Contents are described pp. 57– 61.

Erner, W.F. See Exner.

Eschner, Max. Der Buchbinder. Ein Lehr- und Lern-buch für Fachschulen, Fortbildungsschulen, und zum Selbstunterricht. Stuttgart: Hobbins & Buchle, 1898. 151 pp. Marbling, pp. 103, 113.

L’Estoile, Pierre de. Memoires-Journaux de Pierre de L’Estoile. Paris: Libraire des Bibliophiles, 1875–1883. Vol. 9, pp. 28–37, 179, 264. (CA)

“Eskiyi Yasatmada Yeni Estetik.” Dekorasyon Mecmuasi. October 25, 1990, 1 p. (NH)

Europäische Buntpapiere: Barok bis Jugenstil. 33. Jahreausstellung des Graphischen Kabinetts des Stiftes Göttweig. Schriften der Bibliothek des Oesterreichischen Museum für angewandte Kunst, Wien, 17 Jänner bis 8 April, 1985.

Evelyn, John. An Exact Account of the Making of Marbled Paper by Mr. Evelin. Lecture presented to the Royal Society, January 8, 1662. Sloane Ms. 243 (Samuel Aycock, A Catalogue of the Manuscripts Preserved in the British Museum… Including the Collection of Sir Hans Sloane. London, 1782, Vol. I, p. 447). Microfilm, New York Public Library. Printed in A. Haemmerle, 1961, pp. 57–-58, English and German; and in Adams, 1947, 417-420.

“Exhibition of Contemporary Turkish Calligraphy, Bookbinding, Illumination and Marbling.” VIII International Congress of Turkish Art. Turkish Ministry of Culture and Tourism, [April, 1986.]

Exman, Eugene. The Brothers Harper. New York: Harper & Row, 1965. A lengthy footnote on p. 265 condenses Abbott’s description of the marbling process at Harper’s in 1855.

Exner, W.F. Die Tapeten- und Buntpapierindustrie. Weimar: B. F. Voigt, 1869. 8 plates with machine-drawn samples, 7 plates with 44 samples, illustrated. Cites early history of oil marbling. DH spells author’s name “Erner.” See also Tucker.

Extra Binding at the Lakeside Press. Chicago: R.R. Donnelly & Sons, 1925. Cites tendency of marbled papers to crack in the joints, p. 8.

Falk, Toby and Mildred Archer. Indian Miniatures in the India Office Library. London: Sotheby Park Bernet Publications, 1981. 2 Vols., 800 pp. Indexes miniatures incorporating marbling.

Farson, Eve. “Great Fun, This Marbling!” The New London Magazine. New Series. Vol. 1, No. 2, Christmas, 1930, pp. 35–36, 86, illustrated. Describes oil marbling and gift making.

Fass, John S. Collection of Thirty-Seven Nineteenth Century Marbled Papers. New York: Hammer Creek Press, 1961. No text. Sole copy New York Public Library. Rare Book Department.

Ferris, Susan. “Off Port Townsend.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, p. 13. Poem on suminagashi.

Ferris, Susanne. “Pick a Paper, But How?” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3 & Vol. 3, No. 1, Spring/Summer, 1989, pp. 22–24. Paper sample.

Fichtenberg, M. Nouveau Manuel Complet aux Fabricants de Papiers de Fantasie. Paris: Roret, 1852. 233 pp., 4 leaves with 32 samples. Marbling, pp. 44–92. Rpt. 1984.

Finberg, H.P.R. “The Hirsch Collection of Decorated Papers.” Signature. Vol. 12, July 1939, pp. 47–53, illustrated.

Finckh-Haelsig, Mariann. Die Herstellung von Buntpapier: Eine Anleitung zur Selbstherstellung von Kleisterpapieren, Stempel-, Tusch-, Tiinch-, Öl- und Schablonenpapieren. Ravensburg: Verlag von Otto Maier, 1926. 53 pp., illustrated, 16 specimens. Marbling pp. 41–44. (GVD)

Fischer, Otto. “Der Chinesische Farbenholzschnitt.” Jahrbuch für Buch und Schrift. 1940, Neue Folge 3, pp. 87 et seq., illustration. p. 88.

Flobert, Paul. “Vieux papier dans le livre: couverture et gardes.” Bulletin de la Société Archeologique, Historique et Artistique: le Vieux Papier. May 1904, pp. 464–465. Notes on the collections of several members.

Foot, Mirjam M. “The Olga Hirsch Collection of Decorated Papers.” The British Library Journal. Vol. 7, No. 1, Spring, 1981, pp. 12-38. Detailed, illustrated account of the collection. Marbled items described pp. 19–25, figs. 6–10.

Foot, Mirjam. Pictorial Bindings. London: The British Library, 1986. 64 pp., illustrated in black and white and color. Color plates 37 and 42, and black and white illustrations 39 and 40 illustrate marbling.

Foot, Mirjam M. Studies in the History of Bookbinding. Aldershot, U. K.: Scholar Press, 1993, 467 pp. A collection of previously published essays. Essay No. 46, p. 253, “The Olga Hirsch Collection of Decorated Papers,” was first published in British Library Journal.

Foot, Mirjam M. “The Olga Hirsch Collection of Decorated Papers.” The British Library Journal. Vol. 7, No. 1, Spring 1981, pp. 12–38. Detailed illustrated account of the collection. Marbled items described pp.19–25, figs., 6–10.

Foot, Mirjam M. Pictorial Bindings. London: The British Library, 1986. 64 pp., illustrated in black and white and color. Color plates 37 and 42, and black and white illustrations 37 and 40.

Foot, Mirjam. Studies in the History of Bookbinding. Aldershot, U. K.: Scholar Press, 1993, 467 pp. A collection of previously published essays. Essay No. 46, p. 253, “The Olga Hirsch Collection of Decorated Papers,” was first published in The British Library Journal,. Vol. 7, No. 1, Spring, 1981, pp. 12–38. Detailed illustrated account of the collection. Marbled items described pp. 19-25, figs. 6–10.

Ford, Marianne, and Anna Pugh. Copycats & Artifacts: 42 Creative Artisan Projects to Make. Boston : D.R. Godine, 1983. p. 8. Marbled miniature Rustam and Horses. Child’s book.

Forsyth, K. Marjorie. Bookbinding for Teachers, Students and Amateurs. London: A. & C. Black, 1932. x, 116 pp. Decorated papers, pp. 9–15, colored plate.

Fournier, Edouard. L’Art de la Reliure en France aux Derniers Siècles. Paris: E. Dentu, 1888. 269 pp. Marbling, pp. 166–167, 170–171, 179–181.

Fox, Polly. “A Drop of Olive Oil and Two Drops of Turpentine.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 28–29, illustrated.

Fox, Polly. “Gum Tragacanth. Some Properties and Recipes.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 2, Winter, 1992, pp. 17–18.

Fox, Polly. A Marbler’s Companion. Common Problems and Solutions. Taos, NM: Fresh Ink Press, 1991, 30 pp. Trouble shooting for paper, fabric, and three dimensional marbling. Includes glossary, supplier’s list, and bibliography.

Fox, Polly. Marbling on Fabric. Taos, NM: Fresh Ink Press, 1989. 40 pp., illustrated by Nicholas Newhall.

Fox, Polly. “Racken-marbling.” Ink & Gall. Taos, NM: Fresh Ink Press. Vol. 2, No. 1, pp. 12–13, illustrated. The work of Stig Wärmling.

Fox, Polly. “Remembering Christopher.” Ink & Gall. Taos, NM: Fresh Ink Press. Vol. 2, No. 4 & Vol. 3, No. 1, Spring/Summer, 1989, pp. 2–9, illustrated, original sample.

Fox, Polly. Review. Josef Hauptman. The Art of Marbling. Dodeward: Atelier Distelkamp, 1992. See Geert van Daal.

Fox, Polly. “Some Thoughts on Copyrights.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, p. 9.

Fox, Polly. “Stone and Vein Patterns.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, p. 29, illustrated.

Fox, Polly. “Successful Solutions or No Secrets.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, p. 18.

Fox, Polly. “Under the Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 30–31, illustrated.

Franke, A. Handbuch der Buchbinderei. Leipzig: Friedr. Voigt, 1903. 208 pp., illustrated. Marbling of book edges, pp. 91–98.

Franklin, Alfred. Dictionaire Historique des Arts et Métiers et Professions Exercés à Paris Depuis le XIIIe Siècle. Paris: 1906. See: Marbreur de papier and Papier peint. (D&I)

French, Hannah D. “Early American Bookbinding by Hand.” Bookbinding in America. Ed. H. Lehmann-Haupt. Portland, ME, 1941. xix, 293 pp., illustrated. Marbling, pp. 13, 19, 29, 50–51, 57–58, 69, 81,119.

“French Marble Papers.” Portfolio: Annual of the Graphic Arts. Cincinnati: Zebra Press, 1951. Unpaginated, 1 p. text, large sample, 3 illustrations. Describes French marbling.

Frigge, Karli. “Buntpapier-Fabrik Aschaffenburg.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 22–25, illustrated.

Frigge, Karli. Double Face. Buren, Netherlands: Frits Knuf, 1991. Sampler of 24 leaves marbled on both sides. Edition of 55.

Frigge, Karli. “From a Blue Jar to Judgement Day.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. II, No. 3, Winter, 1988/1989, pp. 14–17.

Frigge, Karli. Marbled Flowers. Buren, Netherlands: Frits Knuf, c. 1990. 12 pp., 5 samples. Text in Dutch and English. 55 numbered and signed copies. Vol. V of the series Sierpapier/Decorated Paper.

Frigge, Karli. Marbled Papers. Buren: Frits Knuf, 1985. 14 pp. text, 2 photos, 33 original samples. Text in Dutch and English. Translated by Hans and Tanya Schmoller. Edition of 100 signed copies, bound in harness leather by Frigge.

Frigge, Karli. Marbled Streamers. Buren, Netherlands: Frits Knuf, 1988. 14 pp., 10 tipped-in specimens. 12 numbered and signed copies. Vol. III of the series Sierpapier/Decorated Papers.

Frigge, Karli. Marbled Streamers. Buren, Netherlands: Frits Knuf, c. 1990. 14 pp., 10 tipped-in samples. 198 numbered and signed copies. Vol. IV of the series Sierpapier/Decorated Papers.

Frigge, Karli. Marmeren op Papier. Belgium: Cantecleer, 1982. 48 pp., illustrated in color. Wrapper. Marbling with oil and water colors; making paste paper described.

Frigge, Karli. Marmerlandschapjes/Marbled Landscapes. Buren: Frits Knuf, 1988. 40 pp. in Dutch and English, 12 tipped-in specimens. 99 numbered and signed copies. Vol. I of the series Sierpapier/Decorated Papers.

Frigge, Karli. Marmerplantjes/Marbled Plants. Buren: Frits Knuf, 1988. 28 pp., 6 samples. 55 numbered and signed copies. Vol. II of the series Sierpapier/Decorated Papers.

Frisch, Peter. “Die Kunst zu Marmorieren.” Buchbinderlehrling. 12. Jg., 1938, pp. 53–58, illustrated.

Fröde, Otto. “Die Buntpapiere.” Blätter für Buchgestaltung und Buchpflege. 3. Jg., H. 1, 1932, pp. 4–8. 2 marbled samples.

Fröde, Otto. “Buntpapiere.” Archiv für Buchgewerbe. 69. Jg. Anh. III 4. (AH)

Fröde, Otto. “Die Buntpapiere. “Jahrbuch für Einbandkunst. 3/4, 1930, pp. 123 ff. (AH)

Fröde, Otto. Franz Weisse. Stuttgart: Max Hettler Verlag, 1956. Biographical booklet. Bibliography of the work of Weisse. (RW)

Fürst, Betty. Bildteppiche; Annemarie Maag. Scherenschnitte; Marianne Moll, Schmuckpapiere. 29 August bis 7 September 1986. (Exhibition)

Furtun, Ayse. Un Ebru Notlari: N. Hepgül Kolleksiyonu. n.d, n.p. (NH)

Gabelsberger, E. “Über Vorsatzpapiere.” Dekorative Kunst. Jr. l, H. 1–6, pt. 2, Munich, 1900, pp. 52–53, illustrated.

Gaisser, Eberhard. Marmorieren: Eine orientalische Färbetechnik für Papier und andere Materialen. Stuttgart: Frech-Verlag, 1981, 48 pp., illustrated in color.

Gaisser, Eberhard. Le papier marbré. Technique de coloration orientale pour le papier et autres matériaux. Paris: Coll. Savoir Faire No. 77, 1984, 48 pp.

Garrett, Maureen Hoffman. “The Great Star Nation. Creating an Aqueous Monoprint.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 12–14, illustrated.

Gautier d’Agoty, J. Observations sur l’Histoire Naturelle, sur la Physique et sur la Peinture. Paris: Delaguette, 1752–1755, 18 parts in 6 vols. Vol. 1, 1st part, p. 63, Maniere de marbre le papier. (D&I)

Gean, Peggy. “Sharing My Joy: Marbling With Children.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 6–7.

Geheimen der Boekbinderij. Amsterdam: Ipenbuur & van Seldam. n.d. 8 leaves. Early 19th century. (Pand P)

Geheimen der Boekbinderij. Secrets of Bookbinding. Facsimile production of c. 1846 edition of which only three copies are known. Translation, introduction, and notes by Richard J. Wolfe. 64 pp., Boston: Firefly Press, 1991. 4 samples of edge marbling, 4 samples of gilding. Edition of 250.

Gentleman’s Companion. London, 1735. Describes edge marbling, notes that cloth can be marbled by the same process, p. 21. (BM)

Giegengack, A.E. “Government Printing Office.” Print. Vol. 4, No. 1, Winter 1945–1946, pp. 49–57. Illustrates and describes the Roosevelt Christmas books. See also Kantrowitz and Spencer.

Giegengack, A. E. Progress in Graphic Arts Research From the Viewpoint of the Government Printing Office. An Address Delivered by Hon. A. E. Giegengack, Public Printer of the United states in the Thirteenth Annual Series of Lectures on the Graphic Arts. Carnegie Institute of Technology, November 10, 1939. Research on the production of marbled paper by offset for use as endpapers, etc. described. (AT&T)

Glaister, Geoffrey. An Encyclopedia of the Book. Cleveland: World Publishing Co., 1960. Suminagashi pp. 250–251. 4 samples of Cockerell paper between pp. 256 and 257. Date for the probable origin of suminagashi given as c. 800, but no evidence is cited.

Glaister, Geoffrey. Glaister’s Glossary of the Book: terms used in papermaking, printing, bookbinding and publishing with notes on illuminated manuscripts and private presses. 2nd ed. Berkeley: University of California Press, 1979. 551 pp., illustrated. Marbling pp. 250-251. 4 samples of Cockerell paper between pp. 256 and 257. Date for the probable origin of suminagashi given as c. 800, but no evidence is cited.

Glaister, Geoffrey. A Glossary of the Book. London: George Allen and Unwin, 1960, 484 pp. Marbling, pp. 250–251. 4 samples of Cockerell paper between pp. 256 and 257. Date for the probable origin of suminagashi given as c. 800, but no evidence is cited.

Glauning, Otto. “Neues von alter Einbandkunst.” Buch und Schrift: Jahrbuch der Gesellschaft der Freunde des Deutschen Buchmuseums. Neue Folge, 2. Bd., 1939, pp. 112–143. Turkish and other decorated papers in early albums described, pp. 129–131.

Glaus, Beat. “Buntpapier als Buchbezug.” Librarium: Revue de la Société Suisse des Bibliophiles. Vol. 3, 1983, pp. 187–212, illustrated.

Göktas, Ugur. “Basbakanlik Haz. ve Dis Tic.” 1st. Konfeksyiyon Ihracatçi Birlik Mecmuasi. Subat [February], 1991, 3 pp. Hatip Ebrulari. (NH)

Göktas, Ugur. “Ebru.” Gelisim Ansiklopedisi. Sayfa [pp.] 1123–1124. (NH)

Göktas, Ugur. “Ebru Sanatimiz.” Sanat Dünyamiz. Sayi [No.] 30, 1984. pp. 22–31.

Göktas, Ugur. Ebru Terimleri Sözlügü. Istanbul: Anadolu Sanat Yayinlari, 1987. 32 pp., illustrated in color and black & white. Dictionary of ebru terms.

Göktas, Ugur. “Floating Colors: The Art of Marbling.” Image. Ankara, 1987. pp. 26–28, illustrated. Technique, history, patterns, uses, and a note on Düzgünman.

Göktas, Ugur. “Son Ebru Ustasi Mustafa Düzgünman.” Türkiyemiz. Sayi [No.] 49, 1986, pp. 27–31. Illustrated in color. English summary p. 45.

The Golden Cabinet. Dublin, 1772. Instructions in comb and splash (leather) marbling. (MC)

100 GPO years, 1861-1961 : a History of United States Public Printing. Washington, DC: US Government Printing Office, 1961. 164 pp., illustrated. Marbling, p. 98. After considerable testing, marbled paper was produced in 1917; formerly it had been purchased.

Government Printing Office. Bookbinding. Theory and Practice. GPO Training Series. Washington, DC: US Government Printing Office, 1950. Reprinted and revised, 1962, viii, 244 pp. Marbling pp. 127–137. Printed cover illlustrates marbling operation and edge -marbled books.

Grand-Carteret, John. Papeterie & Papetiers de l’Ancien Temps. Paris: En l’officine de Georges Putois, maitre marchand-papetier, 1913, 342 pp., 6 leaves of plates, illustrations. Edition of 500.

Greenleaf, Sue, W. An Art Curriculum Unit in Paper Decoration: An Introduction to Marbling for the Secondary Level. A project submitted in partial fulfillment of the requirements for the degree Master of Arts for teachers. University of Washington, June, 1978.

Greenlee, Jason. Reviewer. Nancy Clark, Thomas Cutter, and Jean Ann McGrane. “Ventilation.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 18–10. Studio safety.

Greenwald, Marci. “Couple Reviving Ancient Task: Hand Bookbinding.” Chicago Tribune. April 3, 1969, S. Sect., p. 3. Photographs of Frank and Norma Rubovits: Frank binding, Norma marbling.

Grens, Julia. “Marmerpapier.” De Boekbinder. No. 1, February, 1986. In Dutch.

Greve, E.W. Futteralmache-Kunst. Berlin: Maurer, 1823. 388 pp. Marbled paper, pp. 343–348. 2nd ed. 1832. (PK)

Greve, E.W. Hand- und Lehrbuch der Buchbinde- und Futteralmache-Kunst : in Briefen an einen jungen Kunstverwandten nach vieljährigen eigenen Erfahrungen gründlich und möglichst vollständig ausgearbeitet. Berlin, 1822. Marbled paper, Vol. 1, pp. 502–505, 509. 2nd ed., Berlin: Eichler, 1832, two volumes. Same material in Vol. 2, pp. 372–393, as in Vol. 1, first edition.

Greven, Carina. “The Development of a Standard Nomenclature of Marbled Papers.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 2, Winter, 1993, pp. 10–113, illustrated.

Gruel, Léon. Manuel Historique et Bibliographique de l’Amateur de Reliures. Paris: Gruel & Englemann, 1887. Vol. I, Macé Ruette credited with invention of marbled paper, p. 159; bibliography, pp. 177–186.

Grünebaum, Gabrielle. Buntpapier: Geschichte, Herstellung, Verwendung. Cologne: DuMont Buchverlag, 1982. 225 pp. 98 illustrations. (24 in color). Contains an extensive bibliography of decorated papers.

Grünebaum, Gabriele, Techniques for Marbling Paper. New York: Dover Publications, 1992. 32 pp., illustrated.

Guégan, Bertrand. “History and Manufacture of Endpapers.” Translated by Katharine Knight from Arts et Métiers Graphiques, Publishers Weekly, Vol. 116, Oct. 5, 1929, pp. 1755–1759. Describes changing tastes in endpapers from end of 17th century to 1929, ending with a description of technique.

Guégan, Bertrand. “Notes sur l’histoire et la fabrication des papiers de garde.” Arts et Métiers Graphiques, Vol. 12, No. 10, March 15, 1929, pp. 633–636, 3 color plates.

Guilleminot-Chrétien, Geneviève. Franse Mamerpapieren in Vorstelijke Boekbanden: uit de Collectie van de Biliothèque Nationale te Parijs. Bavel: VBW Press, 1987. 60 pp., illustrated in color.

Guilleminot-Chrétien, Geneviève. Papiers Marbrés Français Reliures Princieres et Creations Contemporaines. Bavel: VBW Press, 1987, 60 pp., illustrated. Catalogue of an exhibition, Paris, Bibliothèque National, November 9, 1987—January 9, 1988.

Güney, Koray. “Türk Ebruculugunu Dirilten Adam.” Hayat. 16 Laso, 1972. Newspaper article and photo of Düzgünman.

Gurbat, Otto. Einbandbuntpapiere: Techniken und Rezepte zur Herstellung. München: Jointly printed by Akademie für Graphische Gewerbe München and Bund Meister der Einbandkunst, 1971. Instruction and bibliography.

Gurbat, Otto. “Das Gallenfarbentauch-verfahren.” Berlin, n.d. Lecture. Also in Der Graphischc Betrieb, Nov., 1936, pp. 527–531. (AD #375

Guyot, Don. A “Alum and its Use in Paper Marbling. Part 1. Historical Material.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 6–7, 18.

Guyot, Don. A “Alum and its Use in Paper Marbling. Part 2. The Solution.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, pp. 10–12. Table.

Guyot, Don A. “A Western Marbler’s Introduction to Suminagashi.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 14–15.

Guyot, Don. A “Christopher Weimann- A Remembrance.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4 and Vol. 3, No. 1, Spring/Summer, 1989, pp. 14–15, illustrated.

Guyot, Don A. “Guyot on Marbling.” Abbey Newsletter, Vol. 3, No. 4, Nov. 1979; Vol. 4, No. 3, July 1980.

[Guyot, Don A.] “Marbled Paper.” Seattle Times, Pictorial, Feb. 17, 1980, pp. 13–17, illustrated. Anonymous article on Guyot’s work.

Guyot, Don. A. “Review: Richard Wolfe. Marbled Paper. Its History, Techniques, and Patterns… University of Pennsylvania Press, 1990, 245 pp.” Bookways. No. 3, April, 1992, pp. 47–49.

Guyot, Don. Suminagashi: An Introduction to Japanese Marbling. Seattle: Brass Galley Press, 1988. 24 pp., illustrated with 9 line drawings and an original sample of suminagashi.

Guyot, Don. “Toxicity of Cadmium Colors Challenged.” Marbling Bath. Vol. 1, No. 1, Spring, 1994, p. 5.

Guyot, Don A. “Turkish Paper Marbling.” Guild of Book Workers Journal, Vol. 18, No. 1, 1979–1980 (published 1982), pp. 1–17.

Guyot, Don A., and Joan Knapp. “Traditional Paper Marbling: An American View.” Fine Print, Vol. 7, No. 3, July, 1981, pp. 76–78, 81, 107, llustrated.

Guyot, Don and Katherine Loeffler. Directory of Decorative Papermakers. Olympia, WA: and Santa Fe, NM: 1989, 38 pp.

Haas, Hendrik de. De Boekbinder: Of Volledige beschrijving van al bet gene wat tot deze konst betrekking heeft… [The Bookbinder, or Complete Description of Everything Related to this Work]. Dodrecht, 1806. (DH)

Haas, Hendrik de. De Boekbinder: Facsimile edition with introduction by W. G. J. Callenbach. Amsterdam: Callenbach, 1984. 92 pp., 9 plates. Number 22 of a series of craft manuels.

Haba, Tokuzo. Suminagashi. Ironagashi. Tokyo: Kokudosho, 1979. 32 pp., illustrated with color. Simple instructions for suminagashi and oil color marbling. Japanese text.

Haemmerle, Albert. “Augsburger Buntpapiere.” Vierteljahrsschrift zur Kunst und Geschichte Augsburg. Vol. 3, 1937/38, pp. 133–179. (SK)

Haemmerle, Albert, in collaboration with Olga Hirsch. Buntpapier… Munich: George D. W. Callwey, 1961. Brief account of suminagashi p. 41.

Haemmerle, Albert. “Buntpapier, Geschichte und Techniken.” Schweizerisches Gutenberg Museum, 1966, pp. 40–43. (SK)

Haemmerle, Albert, unter Mitarbeit mit 0lga Hirsch. Buntpapier: Herkommen, Geschichte, Techniken, Beziehungen zur Kunst. Munich: Georg D.W. Callwey, 1961. 250 pp., illustrated., 18 colored samples tipped in. Edition of 1000 copies. Marbling, pp. 11, 37–55, 87. Study of entire field of decorated papers. Extensive bibliography, register of brocade papers. 2nd ed. 1977, 255 pp. Register of brocade papers expanded, otherwise the same.

Hägi, Albert, Jakob Fenner, and Bruno Billeter. Päperfarben.Winterthur: Verlag Franz Schubiger, c. 1940. (EG)

Halfer, Joseph. L ‘Art de la marbrure . . . Traduction française authorisée par Joseph Grill et Émile Schultz. Geneva: T. Grossman, 1894. 126 pp., 35 marbled specimens, illustrated.

Halfer, Joseph. The Art of Marbling: The Normal Size. London: Hostman Printing Ink Co., [1904]. 11 pp. Gives directions for size preparation. St. Bride Printing Library.

Halfer, Joseph. The Art of Marbling & The Treatment of the New Bronze Colors: A Practical Guide to Marbling by Halfer’s Method. 2nd ed. London: Hostman Printing Ink Co., 1904. 32 pp., illustrated, 26 specimens of marbled paper. Halfer visited Holland and commented that Dutch marbling was extremely well cultivated, p. 6.

Halfer, Joseph. Die Fortschritte der Marmorierkunst: Ein Praktisches Handbuch für Buchbinder und Papierfabrikanten. Budapest: Joseph Halfer, 1885. 206 pp. [Halfer states in the introduction that his first book was published in 1865, fide Muir Dawson]

Halfer, Joseph. Die Fortschritte der Marmorierkunst. Stuttgart: Wilhelm Leo, 1891. 224 pp., 29 specimens. 8 pp. advertisements illustrating marbling supplies.

Halfer, Joseph. Für den Marmorierer. n.p., n.d. Seven parts in one volume. Huntington Library.

Halfer, Joseph. Halfer’s New Marbling colors: The Normal Size. London, [1904]. (DH)

Halfer, Joseph. Meisterwerke der Marmorierkunst. Budapest, 1888. A series of ten booklets announcing new discoveries. First two were published in Budapest. History of the remainder was not discovered.

Halfer, Joseph. The Progress of the Marbling Art. 2nd ed. Buffalo: L.H. Kinder, n.d. 240 pp. Of this edition of 1000 copies, all but 200 were destroyed by fire in Oct.1904. (DH)

Halfer, Joseph. The Progress of the Marbling Art from Technical Scientific Principles, with a Supplement on the Decoration of Book Edges. Translated by Herman Dieck. Buffalo: American Bookbinding Co., 1894. 224 pp., 35 specimens of marbled paper, plus advertisements for marbling equipment. (DH gives 1893)

[Halfer, Joseph.] Price List of “Halfer” Marbling Gums and Directions How to Marble: Doebbelin’s Simplified Marbling Process. See Doebbelin.

Halfer, Josef. The Progress of the Marbling Art. With an Introduction by Victoria Daily. New York & London: Garland Publishing, 1990, xi, 240, (2) pp. Reprint of the 1893 edition.

Halfer, Joseph. The Progress of the Marbling Art. With an Introduction by Phoebe Jane Easton. Taos New Mexico: Fresh Ink Press, 1989. 240 pp., 10 color Pls., black and white illustrations. Appendix for book edge decoration. 4 pp. of advertisements. Facsimile edition of 500.

Halliday, J. Hand Decorated Patterned Papers for Bookcraft. Geoffrey Peach, Ed. Leicester: Dryad Press, 1931. Oil-colored marbled papers pp. 5–11,. (CA)

Halliday, J. How to Make Hand Decorated Patterned Papers for Bookcraft. 2nd ed., 1934. Marbled paper, pp. 36–42. (T)

Hamel, Frank. “The Art of Book-Edge Decoration.” The Book Lover’s Magazine. Vol. 6, 1907, pp. 214–223. Early practice of edge marbling, pp. 216–2I7.

Handmaid to the Arts. See Dossie.

Hannett, John Andrew [John Andrews Arnett]. Bibliopegia; or The Art of Bookbinding in All its Branches. London: R. Groombridge, 1835. iv, 212 pp. Marbling, pp. 35–53, 89, 185. (Gruel, 1887, p.180 states this is equivalent to Le Normand, abridged.) 4th ed. 1848, 166 pp. Edge coloring, pp. 35–47, 117. Facsimile reprint, 1980.

Hannet, John Andrew [John Andrews Arnett]. Facsimile rept. Bibliopegia… 1835. London, New York: Garland, 1980, xi, 212 pp., addenda l0 pp.

Hannett, John Andrew [John Andrews Arnett]. Bibliopegia… London: 1848, 4th ed., 166 pp., illustrated with engravings. Edge coloring pp. 35–47 suggests Dutch pattern for stationery work.

Hannett, John Andrew [John Andrews Arnett]. Bibliopegia, oder die Buchbinderkunst in allen ihren Zweigen. 2nd. ed. Stuttgart: 1837.

Hannett, John Andrew [John Andrews Arnett]. The Bookbinder’s School of Design. 1837. Later incorporated in the 6th ed. Bibliopegia… (RW1990)

Hansen, Mary. “Die kunst des Marmorierens. Moderne Strukturen in alter Technik.” Schweizerisches Gutenbergmuseum Zeitschrift. Vol. 52, Bd. 1, 1966, pp. 23–27. (GG)

Harrison, Faith. “Aspects of Production Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 10–11.

[Harrison, Faith.] “Living With Books. Part One: Renaissance of the Fine Art of Bookmaking.” Yankee. January, 1988, pp. 74–81.

Harrison, Faith. “Paper Surface Finish.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 8, 17.

Harsdörffer, Georg Phillip. Deliciae Physico-Mathematicae [oder Mathemat.] und philosophische Erquickstunden. Nuremberg, 1651–1653. How to make Turkish papers, pp. 523–524. The work of Daniel Schwenter, published after his death. (AH)

Hasluck, Paul N. Ed. Bookbinding: With Numerous Engravings and Diagrams. London: Cassell & Co., 1902. 160 pp., illustrated. Marbling Book Edges, Chapter 9, pp. 79–91, and Chapter 10, Marbling Book Papers, pp.92–100. Patterns are illustrated. Additional printings in 1907, 1947, and 1992.

Hauptman, Josef. Advertising folder (n.d.) reproduced by Geert van Daal, 1992, with book edge decoration illustrated with original marbled paper. Also contains a price list of marbling supplies.

Hauptmann, Josef. The Art of Marbling. Translated from the Dutch by Cis van Heertum , De Marmerkunst… Note on the text by Jan Storm van Leeuwen. Dodewaard: Atlier Distelkamp BV, 1992, 128 pp., 21 tipped in and partly gelatinized samples. Text in Dutch and English. Reprinted for the first time. Explains the process of gelatinizing marbled paper. Edition of 250.

Hauptmann, Joseph. Die Marmorierkunst. Gera: Reuss, 1895. 30 pp., 25 marbled specimens. Hauptmann was a student of Halfer’s.

Hauptmann, Joseph. De Marmerkunst, tot versiering der boeksnede: Eene handleiding tot de practische beofening. Dordrecht: T. Van Buul, 1899. 30 pp., illustrated, 20 specimens of marbled paper. Date on cover is 1900. Frontispiece, a picture of Joseph Halfer.

Hauptmann, Joseph. Die Marmorierkunst und die Behandlung der neuen Bronze Farben. Gera: Reuss, 1901. 28 pp., 26 specimens marbled paper.

Hauptmann, Joseph. Die Marmorierkunst und die Konservierung des Caragheengrunde für eine lange Halterbarkeit, Sonnenstrahlphantasien: Ein Praktischer Leitfaden zum Erlernen des Marmorierens nach Halferscher Methode. 3rd improved and enlarged ed. Gera: Reuss, Enlert & Rucksdeschel, 1906. 39 pp., iIIustrated., 31 specimens of marbled paper.

Hauptmann, Joseph. Marmorieren. Gera, 1914. (PK)

Hauptmann, Joseph. “Neue Marmormuster.” Archiv für Buchbinderei. 4. Jg., H. 9, 1904, pp. 129–131. (AH)

Hauptmann, Otto. Nachschlage-Heft beim Marmorieren. Gera: Reuss, 1914. 30 marbled specimens. (RW)

Hausmann-Constanz, —. Neues Buchschnittauchverfahren (Marmorieren auf Wasser). 1905. (PK)

Havard, Henri. Dictionnaire de l’ameublement et de la decoration depuis le Xllle siècle jusquà nos jours. Paris: Ancienne Maison Quantin, 1894. Vol. 2, dominotier history; Vol. 4, marbled paper.

“Haydn’nin Obua Koncertosunu Ney Ile Çalan Sanatçi Niyazi Sayin Ile Konusma.” Hayat Haftalik Mecmua. D 25, 17 Haziran [June] 1976. 2 pp., 7 Illustrations. (NH)

Hebb, Ernest W. “Marbling—For Keeps!” Bookbinding and Book Production Magazine. Aug. 1946, p. 57. Instruction.

Heil, Franzi. “Über die Physiologie der Buntpapiere.” Zeitschrift für Bücherfreunde. Third Series, Vol. 2, 1933, pp. 118–120, illustrated. (EAT)

Heinrich, Peggy. “Marbled Papers.”‘ Americana. Jan./Feb., 1979, pp. 58–63, illustrated. Describes the technique and work of Kay Radcliffe.

Hennig, P. Sonderausstellung von Buntpapier in KgL Kunstgewerbe-Museum zu Berlin. Berlin, [1907]. (DH)

Hepgül, Nusret. “Boya ile Kagidin Sudaki Aski.” V.I.P. Mecmuasi. Temmuz [July], 1990, sayfa [pp.] 57–58. (NH)

Herbert, Thomas. Travels in Persia, 1627–1629. Abridged and edited by Sir William Foster. London: 1928. Marbling, pp. 228, 234.

Herbst, Herman. Bibliographie der Buchbindereiliteratur 1924–1932. Leipzig: Karl Heiserman, 1933. Section on marbling.

Hess, Walter, “Die Farbenspritztechnik.” Archiv für Buchgewerbe und Gebrauchsgraphik. Vol. 72, 1935, p. 53. (EAT)

Hewitt-Bates, James S. Bookbinding. Leicester: Dryad Press, 1967. 8th ed. 127 pp. Two methods of marbling, pp. 109–118, illustrated. 1st ed. Leicester: Dryad Press, 1954. (BW)

Hewitt-Bates, James S., and J. Halliday. Three Methods of Marbling. Dryad Leaflet 74, [1930]. 15 pp. Second ed. c. 1972,, 16 pp.; slight differences.

Heyeck Press. See: Tokutaru Yagi.

Heyeck, Robin. Marbling at the Heyeck Press. Woodside, CA: The Heyeck Press, 1986, 80 pp., 27 tipped-in samples. Slip case, Edition of 150.

Heyeck, Robin. “Marbling as Book Illustration.” Matrix 8. Winter, 1988, pp. 89–93. Original marbled sample.

Heyeck, Robin. “Marbling as Book Illustration.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 27–29. Reprinted from Matrix 8.

Heyeck, Robin. Reviewer. “Payembury Marbled Paper Sampler.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, p.3.

[Heyeck, Robin.] See: Gary Young review.

Hibino, Yosiaki. “Madore-zome” [Flow of Nature]. Senshoku to Seikatsu [Textiles in Life]. No. 7, 1974, p. 44.

Hildebrand, Friedrich. “Wandlungen in der geschmacklichen Gestaltung einfacher Bucheinbände.” Blatter für Buchgestaltung und Buchpflege. 3. Jg., H.1, 1932, pp. 1–4.

Hillen, Nicole. “First Some Fresh Moss.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3, Winter, 1988/89, pp 10-11, illustrated, p. 13.

Hiroba, Yoshiharu. “Echizen Suminagashi-zome” [Suminagashi in Echizen]. Senshoku to Seikatsu. No. 7, 1974, pp. 35–39, illustrated.

Hirsch, 0lga. “Alte Buntpapiere.” Address in Cologne, 1958. Allgemeiner Anzeiger für Buchbindereien. Vol. 72, 1959, pp. 186–194. (AD #432)

Hirsch, 0lga. “Alte Buntpapiere.” Blatter für Buchgestaltung und Buchpflege, 3. Jg., H. 1, 1932, pp. 8–13.

Hirsch, 0lga. “Decorated Book Papers.” Penrose Annual. Vol. 51, 1957, pp. 48–53. 7 pp. of illustrations. Comments on collection, history, and varieties.

[Hirsch, 0lga. ]. See Notes on Decorated Papers in the Collection of…

Hirsch Collection. See “The 0lga Hirsch Collection of Decorated Papers.”

Hirsch, Olga. Hölzschnitt-Umschläge und Buntpapiere: Vortrag von Olga Hirsch, Cambridge am 25 Oktober, 1958 im Wallraf-Richartz-Museum in Köln. Köln: Bibliophilen-Gesellschaft, 1959, 13 pp.

“History of Marbled Paper, The.” The Bookworm: An Illustrated Treasury of Old Time Literature. Third Series, 1890, pp. 111–112. Notes acquisition of Leutkauff album and two additional specimens of marbling by Art Library of S. Kensington.

Hodes, Franz. “Die Buntpapiersammlung der Frankfurter Stadtbibliothek.” Jahrbuch der Einbandkunst. Vol. 14, 1937, pp. 126–131, illustrated. Proposes to cut samples from collection for an inventory. The same article also appears in Jahrbuch für Buch und Schrift. 10 Jg., 1937, pp. 126–130, and Archiv für Buchbinderei (Halle), 39. Jg.,1939. (AH)

Hoffman, Marilyn. “Marbleizing: New Uses for a Traditional Craft.” Christian Science Monitor. Sept. 1, 1982, p. 19.

[Hollander, Annette]. Cover a Book to Look Like a Million. Woman’s Day Instruction Leaflet CAB 270. Greenwich, CT: Fawcett Publications, 1970.

[Hollander, Annette]. “Cover a Book to Look Like a Million.” Woman’s Day. Feb., 1970, pp. 40–43, 97, 99. Oil marbling.

Hollander, Annette. Decorative Papers and Fabrics. New York: Van Nostrand Reinhold Co., 1971. 119 pp. Marbling, pp. 10–31, illustrated.

Hollingsworth, Robert. “Adventures in Marbleland II- The Saga Continues.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol, 2, No. 4 & Vol. 3, No. 1, Spring/Summer, 1989, pp. 30–31. Christmas card production.

Hollingsworth, Robert. “A Novice in Marbleland. In Which Lessons are Learned the Hard Way and the Obvious is Not—But a Christmas Card is Produced Nonetheless.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 16–17, illustrated.

Holzman, Sandra. “Dancing Across the Surface.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 27–2.

Holzman, Sandra. “Demystifying the Business Aspects of Art.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 9, 16.

Holzman, Sandra. “Here’s How to Do It.” House and Garden. December, 1980, pp. 168–170, illustrated.

[Holzman, Sandra.] See: Mei-Mei Chan.

Holzman, Sandra. “Notes From the Circular File.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988, pp. 22–23. Stresses importance of records.

Holzman, Sandra. “On the Road Again.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4, Summer, 1989, pp. 16–17.

Holzman, Sandra. “Selling Your Work.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, pp. 16–17.

Holzman, Sandra. “Turning Art into Profit.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, 1987, pp. 14–15.

Holzman, Sandra. “Working Large.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. l, No. 4, Spring, 1988, p. 17.

Homolkova, Milusa. “Vznanam Mramorovanych Papiru na Vode av Male Dilne” [Edition of Papers Marbled on Water in a Small Workshop. Kniharsky Obzor [Bookbinding Review], Vol. 36, 1935, pp. 75–76. (EAT)

Honer, B. Die Geheimnisse der Marmorierkunst, nebst einer Anleitung zur Farbenbereitung. Tuttlingen, 1870. 15 pp. (AH)

Horne, Herbert P. The Binding of Books. London: Kegan Paul, Trench, Trubner & Co., 1894. xiii, 224 pp., illustrated. Marbling, pp. 15–17; endpapers, 12–17. Note on E.W. Morris. Five editions between 1894 and 1927.

Horner, LaVonne. “Fabric Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, pp. 18–19.

Hostmann, —. Marbling Inks Made by Joseph Halfer. London, [1906?]. Specimens of marbled paper. (DH)

Hostmann, —. Price List of Halfer’s New, Marbling Colors and Utensils. London, [1905?]. (DH)

Houghton, John. Husbandry and Trade Improved. London, 1727. Vol. 2, pp. 418–428. John Evelyn’s lecture reprinted. First published in weekly folio form; the first, No. 360, June 16, 1699; the second, No. 36L June 23, 1699. (CA)

Howard, George Selby. The New Royal Cyclopaedia, and Encyclopaedia, or, Complete, Modern and Universal Dictionary of Arts and Sciences. London: Alex Hogg, 1788, 3 Vols. Marbling, Vol., is based on Chamber’s version of John Evelyn’s account. Vol. 3 account differs, it is based on John White’s Art Treasury. (P&P)

Howard, Susan B. “The Revival of an Early Craft: Making Marbled Papers.” Spinning Wheel. Jan./Feb., 1979, Vol. 35, No. 1, pp. 36–38, illustrated.

Hoyer, Fritz. “Marbled Boards.” Wochenblatt für Papierfabrikation. Vol. 69, 1938, pp. 177–179. Citation from Chemical Abstracts, Vol. 32, 1938, p. 4335. (EAT)

Huart, Clement I. Les Calligraphes et les Miniaturists de l’Orient Musulman. Paris: Asiatic Society, 1908. 388 pp. Marbling, p. 181; colors, pp.11, 19.

Hughes, G. Bernard. “English Marbled Papers.” Country Life. (UK), Vol. 112, Dec. 26, 1952, pp. 2100–2101.

[Hughes, Milena.] See: Nancy Bartels.

Hughes, Milena. “Beyond Paper Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 18–21, illustrated.

Hughes, Milena. Beyond Paper Marbling: Old Meets New. Noyes Cultural Arts Center, Evanston, IL, 1989.

[Hughes, Milena.] “Cover Story… ” Editors. Marbling Bath. Vol. 1, No. 1, Spring, 1994, pp. 18–21, illustrated.

Hughes, Milena. Featured Artist. Chicago: Illinois Artisans Shop of the Illinois State Museum Society, 1991.

Hughes, Milena. Renaissance Marbling. Cuneo Museum and Gardens, Vernon Hills, Il., October, 1993.

Hughes, Sukey. Washi—The World of Japanese Papers. New York, San Francisco,Tokyo: Kodansha International, 1978. 359 pp., illustrated. Suminagashi, pp. 201–202. Collectors’ edition of 1000 copies contains 102 tipped-in samples, none marbled.

Hunter, Dard. “A Bibliography of Marbled Paper.” Paper Trade Journal. Vol. 22, No. I8, April 28, 1921, pp. 52, 54, 56, 58. See also Kantrowitz and Spencer, 1947.

Hunter, Dard. Papermaking: The History and Technique of an Ancient Craft. 2nd ed. New York: Alfred A. Knopf, 1947. Timetable for major events in papermaking, pp. 479–495, and a bibliography for decorated papers, pp. 598–602. Richard William Vaughan’s conviction for forgery, p. 281.

Hüseyin, Vasef. Sefine–i Evilya. Yasna bagislar 2306. (ms) Süleymaniye Library. Lives of the prophets; biography of Edhem Efendi. (D)

Huxley, Aldous. “Revival of Marbling.” House and Garden. 40, Aug. 1921, pp. 29, 66, illustrated. Discusses use of marbled paper and painted marble in interior decoration from Jacobean period onward.

Hyakka, Shukan Asahi. “Heian Jidai Koki No Bijutsu, II.” (Art of the Later Heian Period, II.) Sekai No Bijutsu. No. 110, 5/4, 1983. Illustrates Heian suminagashi, and an example of woodblock printing of suminagashi.

Hyltoft, Johs. “Bakkemarmor—Marmoreret Papier.” Bogvenne. 1968–1970, No. 3, pp. 85–93, illustrated. Oil marbling. See also Larsen, Nielsen, and Hyltoft.

Imison, J. The School of Arts. London, [c. 1785]. Marbling. (GW, p. 12)

Inal, Mahmud Kemal. Son Hattatlar. Istanbul: 1955. Last of the Calligraphers. p. 40: Sami, Aziz, Necmeddin. p. 47, Abdul. (D)

Ing, Dexter. “Pricing Standards for Marblers.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 36–37.

Ingpen, Roger. “Decorated Papers.” Fleuron. No. 2, 1924, pp. 99–106, illustrated. Notes decline of English marbling, continuing production of fine Italian marbling, and marbling of printed paper to provide cheap cover material.

Ink & Gall. Taos, NM: Fresh Ink Press, A Marbling Journal.Quarterly. P. O. Box 1479, Taos, NM 87571. Vol. 1, No. 1, June, 1987. Vol. 2, No. 4 combined with Vol. 3, No. 1, Spring/Summer, 1989 marked a change in publication schedule that included two Journals and two Newsletters per year. Vol. 7, No. 2, Winter, 1993 began a schedule of three Journals and no Newsletters. A devastating fire on May 5th 1996 destroyed the home of Editors Dexter Ing and Polly Fox, as well as the magazine and archives for Fresh Ink Press. Newsletter articles are not included in this bibliography.

Instruction pour Parvenir à Opérer la Refonte du Papier Imprimé & Écrit. France: Commission d’Agriculture et des Arts, 1794. 14 pp. Refers to recycling marbled and other papers. Cites early works to 1800.

Introduction to the Art of the Book in Turkey. Edited by: Jean Louis Gramont, Sinan Kuneralp, Beral Madra, Yilmaz Uyar. Istanbul: September 23–27, 1986, 34 pp.”The Art of Marbling.” Isik Yazan, pp. 3–4.

Ionderd hoogtepunten uit de Koninklijke Bibliotheek. A Hundred highlights from the Koninklijke Bibliotheek. Waanders Uitgevers Zwolle, 1994. See Recipe Book.

Ipert, Stéphane and Florent Rousseau. Le Papier Décoré. Paris: Dessain et Tobra, 1988, 80 pp., illustrated in color. Cover design by Karli Frigge. Gives instruction for several varieties, including marbling.

Jameson, Todd. “Echoes Through a Doorway.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 4–6, illustrated.

Jamieson, Alexander. A Dictionary of Mechanical Science, Arts, Manufactures and Miscellaneous Knowledge… London: Henry Fisher, Son & Co., 1827. Marbling, pp. 622, 762–763.

Janin, Louise. “Painting with Variations of the Marbling Technique-Cosmogrammes: A Memoir.” Leonardo, Vol. 8, 1975, pp. 281–286.

Japanese Hand-Made Paper. Tokyo: Shibui Films, 1973. 16-mm. color film, running time 14 minutes. Brief section on suminagashi. Distributed by Japanese National Tourist Organization.

Jennett, Scan. The Making of Books. London: Faber & Faber, 1951. 474 pp. Endpapers, pp. 156, 161, 307, 406–410.

Jessen, Peter. “Buntpapiere.” Mitteilungen des Nordböhmschen Gewerbemuseums (Reichenberg), 1906,pp. 11–19. (AH)

Johnson, Pauline. “Art Tips for Bookbinding.” Design (Indianapolis), Vol. 65, No. 2, Nov./Dec., 1963, pp. 68–74, illustrated. Marbling, p. 72.

Johnson, Pauline. Creative Bookbinding. Washington Press, 1963. Marbling, pp. 167–168.

Jonda, Julia. Türkisch Papier und Buch: Austellung im Kunstzentrum No. 66. München, 31-March-May 4, 1981. Illlustrated in color and black and white.

Jugaku, Bunsho. Japanese Way to Make Paper. Tokyo: Tekeo Paper Co., Ltd., 1969. 14 pp. of English text; 69 pp. of Japanese text. 209 samples, of which No. 85 is suminagashi. Edition of 1000.

Kabaoglu, Avni Öney, Arredamento Dekorasyon. Istanbul da bir Italyan Ebru Sanatçisi, Alberto Valese. Haziran [June], 1990. Exhibition. (NH)

Kâgitçi, Mehmed Ali. “Beitrag zur Türkischen Papiergeschichte.” Papier Geschichte. Jahrgang 13, Heft 4, Nov. 1963, pp. 37–44. Ebru patterns and masters, pp. 43–44.

Kâgitçi Mehmed Ali. Historical Study of Paper Industry in Turkey. Foreword by Prof. Arcel Aribert. Istanbul: Grafic Sanatlar, 1976. 45 pp., printed in French and English, vis á vis format, illustrated in color and black and white. Largely a compendium of previously published work with some additions.

Kagitçi, Mehmed Ali. “Impregnazione della Carta Turca.” Tavolozza. No. 30 1969, pp. 14–20, illustrated in color. Italian version of Palette.

Kâgitçi, Mehmed Ali. Kâgitçilik Tarihçesi. Istanbul: Kader Basimevi, 1936. 222 pp., illustrated. Ebru history, marblers, pp. 221–229. Four examples of N. Okyay papers.

Kâgitçi, Mehmed Ali. “Les Colorants utilisés dans le temps par les artisans Turcs.” Reprint of a paper presented. n.d., n.p. Fide Norma Rubovits.

[Kagitçi, Mehmed Ali.] “Les Papiers Parbrés: Spécial Papier fantaisie.” Revue Européene Papiers, Cartons, Complexes. February 15, 1972, pp.7–10. Probably by Kagitçi. Similar to article in Palette.

Kâgitçi, Mehmed Ali. “Turkish Marbled Papers.” Palette. No. 30, 1968, pp. 14–20, illustrated. 9 color Pls., bibliography.

Kâgitçi, Mehmed Ali. ” Turkish Marbled Papers.” Pulp & Paper International. Vol. 13, No. 3. Illustrated in black and white. Closely follows Palette article, minus color plates.

Kamil, Erçin. “Ebru Kagit.” Matbaacilik Dergisi. Sayi [No.] 2, Ikinci yil [second year], 1951.(NH)

Kammer-Monroe, Blanche. “Methyl Cellulose as a Size.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 9–11, illustrated.

Kantrowitz, Morris S., and Ernest W. Spencer. “The Process of Marbling Paper.” GPO-PIA Joint Research Bulletin. B-1. Washington, DC: Government Printing Office, 1947. 10 pp. Reprints Hunter’s bibliography without the introductory passage, and gives a technical account of marbling. Rpt. 1948 and other dates.

“Kapak Ebrusu: M. Düzgünman.” Çinar Mecmuasi. July, 1977, No. 1.(NH)

Kapplinger, Kent Alan. The Technique of Marbling in Lithography. Unpublished thesis. University of Iowa, 1990. vi, 39 leaves, bound, illustrated, some color.?A.D.

Karlikow, Abe. “Binding with Vat-Made Papers .” Craft Horizons. March/April 1965, pp. 13–14, 49–50, illustrated. Marbling techniques developed by Claude Delpierre.

Kasim, Hüseyin. Burhani Kaati Tercümesi. n.d, n.p. Describes colors used in ebru. (D)

Kasim, Hüseyin. Büyük Türk Lugati. Istanbul: Devlet Matbaasi, 1927–1945. Vol. 1 & 2, Ottoman Turkish; Vol. 3 & 4, Modern Turkish. Paints used in ebru described.

Katano, Takashi. Somegami no Giho. Tokyo: Sogokagaku Shuppansha, 1980. pp. 106–113. Suminagashi technique and materials described. Edition of 200.

Kattrepel, Walter. “Das ‘Marmorieren’ Gefilmt!” Das Deutsche Buchbinder-Handwerk. Vol. 4, 1940, pp. 106–107. (AD #392)

Kayasugi, Keiu. “Suminagashi Ryoshi Zukuri” [Working with suminagashi paper materials]. Senshoku to Seikatsu. No. 7, 1974, pp. 40–41.

Kelly, Judith Saurman and Judith A. Pierce. Full-Color Marbleized Papers for Craftpersons: 12 Ready-to-Use Designs. Minneola, NY: Dover Publications, c. 1992.

Kelly, Judith Saurman and Judith A. Pierce. Full-Color Marbleized Papers for Craftspeople: 12 Beautiful Ready-to-use Hand-designed Sheets. Minneola, N Y: Dover Publications, 1988.Kerr, R. W. History of the Government Printing Office. Lancaster, PA: Inquirer Printing and Publishing Co., 1881. First edition, marbling pp. 121, 132–137. Rpt. 1970, 196 pp.

Kemal, Ali. (1867–1922) “Naks-i Ber Ab.” Peyam Gazetesi. Series on Ebru, n.d. (NH)

[The Kersten library of bookbinding was purchased by the Huntington Library in 1932. Many of the following Kersten entries may be found there.]

Kersten, Paul. Anleitung zur Herstellung von Buntpapieren für den eigenen Gebrauch. Stuttgart: Verlag des Allgemeinen Anzeigers für Buchbinderein, 1930, 34 pp., illustrated.

Kersten, Paul. ” Buntpapier.” Archiv für Buchbinderei. 1902. (AH)

Kersten, Paul. “Buntpapier. Seine Geschichte, Technik, Art und Verwendbarkeit.” Das Plakat. (Berlin): Vol. 11, Sept. 1920, pp. 411– 426.

Kersten, Paul. “Buntpapier und seine Verwendung, besonders für Bücheinbände.” Zeitschrift für Bücherfreunde. (Leipzig): 4. Jg., Bd. 1, H. 5/6, 1900–1901, pp. 169 ff. (AH)

Kersten, Paul. “Buntpapier und seine Verwendung, besonders für Bücheinbände.” Papierzeitung. 28. Jg., 1903, pp. 1899 ff. (AH)

Kersten, Paul. Der Exacte Bucheinband. 2nd ed. Halle: Wilhelm Knapp, 1912. vi, 192 pp., 88 samples of decorated paper. 1st ed. 1909; 3rd ed. 1923.

Kersten, Paul. “Das Farben und Marmorieren von Leder.” Allgemeiner Anzeiger für Buchbindereien. (Stuttgart): 1912. (DHP)

Kersten, Paul. “Die Geschichte des Buntpapieres.” Wochenblatt für Papierfabrikation. Jg. 69, No. 46, November 12, 1938, pp. 953–955; No. 47, November 19, 1938, pp. 976–979. Japanese marbled paper p. 979.

Kersten, Paul. Die Herstellung aller Arten von Buntpapier für Bucheinbände, Mappen und Kästen nach bewärten Verfahren. Halle a. d. Saale, 1939, 37 pp. (AH)

Kersten, Paul. “Historisches über türkisches Papier und Marmorierkunst.” Allgemeiner Anzeiger für Buchbindereien. Jg. 50, Nr. 19, Mai 10, 1935, pp. 272–274: Jg. 50, Nr. 26, June 28, pp. 364–365.

Kersten, Paul. Leitfaden für Buchbindereien. Halle: 1921. 38 pp., illustrated. 30 plates. (AH)

Kersten, Paul. Marmor-kunsten. Oslo: Bokbinderfarbunde i Skandinavien, 1925. 39 pp., 8 samples of marbled paper.

Kersten, Paul. Die Marmorierkunst, Anleitung zum Marmorieren nach Joseph Halfer und Joseph Hauptmann, nebst einem Nachtrag: Das Marmoriern mit Kleisterfarben. Halle a.d. Saale: W. Knapp, 1922. 26 pp., illustrated, 1 double Pl., 8 marbled samples. (AH)

Kersten, Paul. “Marmoriertes Buntpapier.” Wochenblatt für Papierfabrikation. 69, April 2, 1938, pp. 299–300. (AD #382)

Kersten, Paul. “Ölmarmor mit tucherschem Verfahren.” Papierzeitung. 1904, p. 3749.

Kersten, Paul. “Die Technik des Marmorierens mit Kleisterfarben.” Algemeiner Anzeiger für Buchbinderei. (Stuttgart): 1909. (PK)

Kersten, Paul. “Über Buntpapier.” Deutscher Buch- und Steindruck. April, 1926, pp. 629–631. (AH)

Kersten, Paul. Das Vollkommenste Verzeichnis der Deutschen Literatur über Buchbinderei 1644 bis 1917: Zusammengestellte von P. Kersten. Halle (Salle): W. Knapp, 1917. 8 pp. Edition of 20 copies; No. 5 is in the Huntington Library.

[Kersten, Paul]. See Collins, Ernst.

Killion, Tom. See Yagi review.

Kinder, Louis H. Formulas for Bookbinders. East Aurora, NY, and London: G.P. Putnam & Sons, 1905. 115 pp., 2 Pls. Marbling, pp. 87–97.

Kircher, Athanasius. “Chartae Turcico More Pingendae Ratio.” Ars Magna Lucis et Umbra. Rome, 1646. Marbling, pp. 814–815. 2nd ed., Amsterdam, 1671. Translated by Charles Adams, 1947, p. 413. (CA)

Kirchner, Ernst. “Das Druckprivileg für Heinrich Trorbach.” Wochenblatt für Papierfabrikation. 1898, pp. 2875–2876. Describes a document of 1589 granting the right to make decorated papers. (GG). See also Schulte.

Kirchner, Joachim, and Karl Loeffler. Lexicon des Gesamten Buchwesens. Leipzig: 1935 / 37, 1956. Marbling, Vol. 2, p. 418; Vol. 4, illustrations, 1 Pl. of decorated paper and a short commentary, pp. 379–380.

Kirkwood, Kathy. “Decorated Papers.” Creative Ideas for Living. Vol. 18, No. 5, May, 1987, pp. 26, 29, 79, illustrated in color.

Klapper, August. The Printer in Eighteenth-Century Williamsburg. An Account of His Life & Time, His Office & His Craft. Colonial Williamsburg, 1964. 34 pp., illustrated. Marbling, p. 3.

Klose, Wolfgang. “Frühe Stammbücher (alba amicorum).” Librarium: Revue de la Société Suisse des Bibliophiles. Vol. 3, 1983, pp. 150–164. (D&I)

Knight, Charles. Cyclopedia of the Industry of All Nations. New York: C. Knight, 1851. 1806 pp. Marbling, p.1175. (DH)

Knight, Edward. Knight’s American Mechanical Dictionary. New York: Hurd & Houghton, 1876. 3 vols. Marbling, Vol. 2, pp. 1391–1392.

Knight, Katharine. See Guégan.

“Köksal Çiftçi Sergisinden Ebru Örnekleri.” Argos Mecmuasi. No. 43, March, 1992, 78 pp. 78 pieces exhibited. (NH)

Kollenkark, A. “Das Marmorieren, ein kolloidchemischer Vorgang.” Das Deutsche Buchbinder-Handwerk. 3, 1939, p. 117. (AD #389)

Kollewijn, Dieuwke. “My Life’s Reason.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3, Winter 1988/89, p. 12, illustrated p. 13.

Konowaloff, M. “Fabrication des papiers couches et de fantaisie.” Papeterie. Vol. 56, No. 4,. February 25, 1934, pp. 174, 177–8, 181; No. 6, pp. 286, 289–90, 293, March 25, 1934; No. 10, pp. 525–26, 529, May 25, 1934; No. 11, pp. 566, 569–70, 573; June 10, 1934.

Konowaloff, M. “Manufacature of Coated and Fancy Papers.” Technical Bulletin Paper Makers’ Association, Great Britain and Ireland. Technical Bulletin K 19. Vol. 11, No. 5, p. 72; No. 6, pp. 80–81, June, 1934. Translation of the above.

Kramrisch, Stella. Painted Delight: Indian Paintings from Philadelphia Collections. Philadelphia: Philadelphia Museum of Art, 1986. Catalog of an exhibition Jan. 26–April 20. Marbled miniatures from the John Frederick Lewis Collection, Free Library of Philadelphia. Pl. 29, color, Acc. # M56 Lady Carrying a Peacock. Pl. 30, black and white, Acc. # M55 Elephant and Rider Charging Horse and Rider.

Kraus, Irmtraud. Textile Miniaturen aus Selbstgefärbten Stoffen. Stuttgart: Frech-verlag, 1982, 48 pp., 53 color illustrations. Marbling, pp. 10–15, illustrations 8–11.

Kreins, Earl. “Suminigashi for the novice.” Ink & Gall. Taos, NM: Fresh Ink Press, Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 26–30. Illustrated.

Kretz, Emil. Buntpapier. Basle: Gewerbe Museum, 1927. 19 pp. Introduction to an exhibit, Oct. 2–30, 1927.

Kretz, Emil. Buntpapiere aus Alter und Neuer Zeit. Basel: Kunstgewerbe Museum, 1927. 19 pp. Comments on an exhibit made possible by the gift of K. W. Heiseman of Leipzig in 1920.

Kretz, Emil. Dreihundert Jahre Marmorpapier. Basel: Privately printed, 1960. 52 pp., 39 samples of marbled paper drawn from private collections to illustrated history of marbling. Edition of 100. Copies in St. Bride Printing Library and the 01ga Hirsch Collection.

Kreus, Earl R. “Marbling for the Masses.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 22–24, illustrated.

Krinitz, Fritz. “Vielerlei Anregungen zum anfertigen Buntpapieren.” Der Buchbinderlehrling. No. 11, Feb., 1939, pp. 167–170, 186–188.

Krünitz, Johann Georg. Enzyklopädie. 242 vols., 1773–1858. 1801. Marbling, Vol. 84, pp. 729–35, 784–788. PK cites as a source for marbling history.

Krünitz, Johann Georg. Oeconimische Encyklopädie… Berlin: J. Pauli, 1787–1854, 221 Vols. Marbling Vol. 106, p.730. (RW 1990)

Kubias, Käthe. “Das Marmorieren—Eine fast vergessene Kunst.” Der Bindereport. No. 12, 1978, pp. 612–620. (GG)

Kubias, Käthe. Das Marmorieren. c. 1978. 5 samples of marbled paper. No pagination.

“Kültür Bakanligi Nesriyati.” Kültür ve Sanat Magazini. 1976. Illustrated. (NH)

Kume, Yasuo. Tesuki Washi Shuho [Fine Handmade Papers of Japan]. Tokyo: Yushodo Booksellers, Ltd., 1980. Collection of 207 kinds of handmade paper. Suminagashi pp. 36–37. Edition of 200.

Kümmel, H. “Jahresabereit eines vierten Schuljahres in Buntpapier Technik.” Die Arbeitschule. 53. Jg., 1939, pp. 8–11.

Kunckel, Johann. “Ausführliche Beschreibung das Schönste Türckische Papier zu Machen.” Ars Vitraria Experimentalis. Frankfurt and Leipzig: Verlag des Authoris, 1679. Pars secunda, das dritte Buch, section 43, pp. 86–88; 2nd ed. Frankfurt and Leipzig, 1689; 3rd ed., Nuremberg, 1743. Rpt. in Archiv für Buchbinderei 2, April, 1902, pp. 30–31; P. Adam, Lehrbuch der Buchbinderei, H. 2, sec. 13; P. Kersten, “Historisches… ,” pp. 272–274, 364–365. 1st ed. is in Houghton Library. (CA)

Kunckel, Johann, Neri and Meret. L’Art de la Verrerie. Paris: Durand, 1752, 632 pp. French translation of the passage on marbling from the original Latin, p. 459. (D&I)

“Kunsthandwerklich Hergestellte Buntpapiere für Bucheinbänd.” Papierzeitung. Vol. 60, No. 86, pp. 1512–1513, October 26, 1934; No. 87, pp. 1527–1528, October, 1935. Marbled and other types of fancy papers used in bookbinding. Techniques described.

Kuroda, Takaji. Played an active part in the Oji Paper Museums’ exhibition Suminagashi and Marbling, 1988, and wrote an article for the Museum’s house magazine describing his technique. Fide Anne Chambers, Suminagashi, 1991, p. 28.

Kusoglu, Mehmet Zeki. “Ebru Sanatimiiz.” Bilim, Birlik, Basari. No. 41, pp. 8–13. (UG)

LaBarre, E. J. A Dictionary of Paper and Paper-making Terms. Amsterdam: Swets & Zeitlinger, 1937. 315 pp., paper samples. Marbling, pp. 171–172. Multilingual index.

LaBarre, E.J. Dictionary and Encyclopedia of Paper and Paper Making. London: Geoffrey Cumberlege, 1952. 2nd. ed. 488 pp. Marbled papers described pp. 155–158. Domino papers, p. 76–77. Contains descriptions of patterns, many references. Historical note states that monks learned marbling during the crusades. An anachronism.

LaBarre, E.J. See: Loeber, E. G

Labatie, Gaston. “Les Papiers marbrés modernes.” Bulletin Officiel de l’Union Syndicale et Fédération des Synicats des Mâitres Imprimeurs. February, 1923, pp. 90–91. (D&I)

Labatie, Gaston. “Les Papiers marbrés modernes.” Byblis: Miroir des Arts. No. 1, 1921–22, pp. 83–87, 8 samples. (D&I)

The Laboratory, or School of Arts. Translated from the German by G. Smith. London: Printed for John James at Horace Head, 1739. 242 pp., plus index. Marbled paper, how to make, pp. 148–150. Second edition, 1740, pp. 142–144. Third edition 1750.

La Caille, Jean. Histoire de l’Imprimerie et de la Librairie. Paris: 1689. Attributes the discovery of marbled paper to Parisian bookbinder, Macé Ruette.

Lada-Mocarski, Polly. “Save Everything.” Guild of Book Workers Journal. Vol. 18 (1979–1980) 1982, pp. 36–37. Describes her collection and how it came about. Currently kept in the Folger-Shakespeare Library, Washington DC.

Lake, F. E. “Marbling.” Dickinson Review. No. 21, 1954, p. 3.

Lake, F. E. “Marbling.” The Jobbing Printer. Vol. 6, No. 9, September 1954, pp. 25–26. Commercial marbling of account books. Pattern indicates type of ruling.

Lane, Richard. Images from the Floating World: The Japanese Print. New York: G. P. Putnam’s Sons, 1978. 364 pp., illustrated. p. 107, Plate 95, Harunobu: late 1760’s; black and white on a woodblock-printed suminagashi style background.

Lange, Wilhelm. “Unsere Buntpapiere und ihre Technik. Hauptarten, unterschiedlich Sonderheiten und Anwendungsgebiete Deutscher Buntpapierzeugnisse.” Wockenblatt für Papierfabrikation. 1950. No. 11, pp. 302–-303.

Larsen, Sofus, Knud Erik, Priem Nielsen, and Johannes Hyltoft. Den Handinbundne Bog. Copenhagen: Nyt Nordisk Forlag, 1970. Paste and marbled papers discussed, pp. 77–81.

Larsen, Sofus, and Anker Kyster, Eds. Danish 18th Century Bookbindings 1730–1780. Copenhagen: Levin & Munksgaard, 1930. 102 pp., 102 plates. Marbling, pp. 20–21, Pl. 10.

Lathrop, Irvin. “Why Not Try Marbling?” Industrial Arts and Vocational Education. Vol. 45, Sept., 1956, p. 235. Printing ink and water method described.

Lee, Carolyn T. Festina Lente. Gold-Tooled Bindings & Gilt Papers from the Bibliotheca Albana in Urbino, now in The Clementine Library of the Catholic University of America. October 20, 1980—March 31, 1990, Washington, D.C. Exhibition and catalogue prepared by Carolyn T. Lee, Curator of Rare Books.

Leech, Tom. “Butterfly Dreamer.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 7, No. 1, Summer, 1993, pp. 10–12, original marbled sample.

Leech, Thomas. “Suminagashi. Black Ink Floating.” Focus. Vol. 39, No 2, Summer, 1989, p. 3. Suminagashi illustrated on back cover.

Lehmann-Haupt, Hellmut, Ed. Bookbinding in America. 1941. See French.

Le Livre. Paris: Bibliothèque National, 1972, 225 pp. Endpapers, p. 123. (D&I)

Le Normand, Louis S. Die Buchbinderkunst in Allen Ihren Verrichtungen. Aus dem Französichen. Ulm, 1832. (PK)

Le Normand, Louis S. Gründliche Anleitung zur Verfertigung Aller Gattungen von Papier-Tapeten und Gefärbtem Papier. Aus dem französichen. Ulm, 1831. (AH)

Le Normand, Louis S. Handboek voor den Boekbinder: Bijonder, met Betrekking tot de Nieuwste Engelsche en Fransche Verbeteringen. Met een aantal afbeeldingen. Naar de nieuwste uitgave uit het fransch. Amsterdam, 1843. 414 pp., 4 illustrations. (DH)

Le Normand, Louis S. Manuel Encuadernador. Barcelona: 1846. 334 pp. (SK 7267)

Le Normand, L. Sébastien. Manuel du Fabricant d’Étoffes Imprimées, et du Fabricant de Papiers Peints. Paris: Roret, 1820, 342 pp. Marbled paper, second part, chapter 3, pp. 263–269. (D&I)

Le Normand, L. Sébastien. Manuel du Relieur, dans Toutes ses Parties. Paris: Roret, 1827, 344 pp., plates. First edition.

Le Normand, Louis S. Manuel du Relieur, dans Toutes ses Parties: Précédé des Arts de l’Assembleur, du Satineur, de la Plieuse, de la Broucheuse, et Suivi des Arts du Marbreur sur Tranches, du Doreur sur Tranches et sur Cuir. 2nd ed. Paris: Rorer, 1831. 286 pp. Marbling, pp. 194–201; gilding after marbling, p. 205.

Le Normand, Louis S. Nouveau Manuel Complet du Relieur. Paris,1840. 254 pp.

Le Normand, L. Sébastien. Nouveau Manuel Complet du Relieur dans Toutes ses Parties… 254 pp., 4 folding plates. Paris: Laget, 1978. Facsimile reprint of the 1840 edition. Edition of 500.

Le Normand, Louis S. Nouveau Manuel Complet du Fabricant d’Étoffes Imprimées et du Fabricant de Papiers Peints. Nouvelle edition, par le Colonel Vergnaud. Paris, 1856. (AH).

Le Normand, Louis S. Nouveau Manuel Complet du Relieur en Tous Genres. Paris, 1879. 424 pp. Marbling, pp. 242–251.

Le Normand, Louis S. Nouveau Manuel Complet du Relieur. Paris, 1921. 428 pp. Marbling, pp. 255–263. Ch. 5, marbling edges.

Le Normand, Louis S. Practisches Handbuch der Buchbinderkunst. Nach dem französichen. Quedlinburg, 1835. (PK)

Leo, W. Anleitung zum Marmorieren von Bücherschnitten. 4th ed., Stuttgart, 1884. (AH)

Leo, W. Mustervorlagen Gezogener Schnitte. Stuttgart, 1910. Specimen book of marbled and other fancy papers. Newberry Library has pp. 19–28.

Loeber, E. G. Supplement to E. J. LaBarre Dictionary and Encyclopaedia of Paper and Papermaking. Amsterdam: Swets & Zeitlinger, 1967. i–x, 104 pp. Minor corrections to marbling in 2nd. ed., p. 37.

Lesne. La Reliure: Poème Didactique en Six Chants. Paris: 1820, 240 pp. Note on p. 96 credits marblers with designs more beautiful than those produced in nature. (D&I)

“Les Papiers Marbrés. Spécial Papier Fantaisie.” Revue Européene Papiers, Cartons, Complexes. February 15, 1972, pp 7–10. Development of marbled paper in Turkey. Almost certainly by M. Kagitçi.

Lespinasse, R. Les Métiers et les Corporations de la Ville de Paris, XIVe–XVIIIe Siècles. Paris: Impr. nationale, 1879. (D&I)

Lessing, —. Ledertapeten und Buntpapier: Dritte Sonderausstellung im Kunstgewerbe-Museum zu Berlin, 19. Januar bis 28. Februar 1883. Berlin: Weidmann, 1883. 24 pp. (AH)

Levine, Catherine. “Marbling with Acrylics.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 22–25, original sample.

Lewis, A.W. Basic Bookbinding. New York: Dover, 1957. Gives criteria for using marbled paper in bookwork.

Littlejohn, C.M. “Marvels of Marbling.” Inland Printer. Sept. 1923, p. 862. Describes marbling at GPO and its documentation in the Smithsonian. [Search for documentation was unsuccessful.]

Loeber J.A. “Bucheinbände und Vorsatzpapiere.” Deutsche Kunst und Dekoration. Vol. 9, No. 9, June 1906.1 p.

Löffler, Karl, and Joachim Kirchner. Lexikon des Gesamten Buchwesens. Leipzig: Gottingen, 1936. Marbling, Vol. 2, p. 418.

Lohse,—. “Vom Marmorieren.” Der Buchbinder-lehrling. 1935, pp. 25, 42, 77, 89. (GG)

London, Rhoda. “Turkish Marbling on Cloth or Paper.” Threads Magazine. June/July, 1987, No. 11, pp. 66–69, illustrated in color.

Longstreet, Richard. “Overlays.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4 & Vol. 3, No. 1, Spring/Summer, 1989, pp. 20–21, original sample.

“The Look of Marble.” House Beautiful. Vol. 128, No. 2, February, 1986, pp. 64–69, illustrated in color. See also “Treasure Boxes” pp. 16–17. Dept. of Graphic Arts, Harvard College Library, 1942. 171 pp., 8 plates, 25 specimens.

Loring, Rosamond B. Decorated Book Papers: Being an Account of Their Design and Fashions. Cambridge: 250 copies were printed; 234 were for sale at $10. The remaining 16, with additional papers, went to close friends. First serious attempt at a historical survey of decorated papers. Technical information included. 2nd ed., 1952. 171 pp., 16 plates, introductory essays by Dard Hunter, Walter M. Whitehill, and Veronica Ruzicka; 3rd ed. 1973, the only changes from the 2nd are different Pls. 2, 5, and 8.

Loring, Rosamond B. Marbled Papers: Address Delivered Before the Members of the Club of Odd Volumes, November 16, 1932. Boston: Club of Odd Volumes, 1933. vii, 22 pp., 12 specimens of marbled and paste papers. Edition of 149. Copy in Clark Library, UCLA.

Loring, Rosamond B. “Colored Paste Papers.” The New Colophon. Vol. 2, part 5, Jan., 1949, pp. 33–40. Marbling lessons with C.V. Safland described. Full page paste paper between pp. 38 and 39.

[Loring, Rosamond B.] Obituary and photo. See Whitehead.

[Loring, Rosamond B.] Review of Marbled Papers (1932). Bookbinding Magazine, July, 1933, p. 29.

Loubier, Hans. Der Bucheinband von Seinen Anfängen bis zum Ende des 18. Jahrhunderts. 2nd ed. Leipzig: Klinkhardt & Biermann, 1926. 272 pp. Marblng, pp. 245–258.

Lucie-Smith, Edvard. Konsthantverket Historia. Stockholm: 1982. (N)

Lüers, Heinrich. Das Fachwissen des Buchbinders: Vorbereitungsbuch auf die Fachprüfungen des Buchbinderhandwerks. Stuttgart: Max Hettler, 1939. Marbling, pp. 177–182.

Lüers, Heinrich. Das Fachwissen des Buchbinders: Vorbereitungsbuch für die Fachprufungen im Buchbindereigewerbe. Revised by Gustav Moessner. 5th ed. Stuttgart: Max Hettler, c. 1947. (GVD)

Lühr, Maria. “Die Herstellung selbstgefertiger Überzugpapier (Buntpapiere).” Buchbinderlehrling. (Stuttgart), No. 9, Sept., 1927, pp. 65–67.

Lundberg, Ole. Traditionelle Marmorierung: Demonstrations-Übersicht mit Mustern. Copenhagen, 1975. Privately printed in a small edition, 8 pp., 8 large samples, 1 page-sized sample, instructions.

Lutz, Verena. Marmorieren auf Stoffen und Papieren. Freiburg: Christophorus-Verlag, 1983.

Machida, Seishi. Washi no Shiki. [The Four Seasons of Washi.] Kyoto: Shinshindo, 1978.

Madeiros, Wendy Addison. Marbling Techniques: How to Create Traditional and Contemporary Designs on Paper and Fabric. New YorK: Watson-Guptill Publications, 1994.

Mager-Volz, Raymond. Papier-Färbungen. 29 Januar 1986.

Magnien, Gabriel. “l’Exotisme dans les Vieux Papiers Dominos”. Album du Crocodile. 1946, pp. 3-12, illustrated. Article on the album amicorum of the Fugger family. (D&I)

Magnien, Gabriiel. “Vieux papier de garde et de couvertures de livres.” Vieux Papier. 22, 1960, pp. 281–286.

Magnien, Gabriel. “Vieux papiers de garde et de couverture de livres.” Bulletin de la Societé Archéologique, Historique et Artistique. Typescript seen in 0lga Hirsch Collection, British Museum. 7 pp., n.d. Notes marbling history and literature.

Magnien, Gabriel. “Vieux papiers de garde et de couverture de livres.” La Reliure. 71st year, No. 6, June, 1961, pp. 4–7; No. 7, July, pp. 67; No. 8, Aug., pp. 8–11; No. 9, Sept., pp. 6–10; 72nd year, No. 2, Feb., 1962, pp. 5–7. Gives a historical account of dominotiers, literature, uses of marbling. Similar to preceding entry.

“Marble Paper—History and Manufacture.” Practical Magazine. London: 1877, pp. 348–351. Refers to marblers of the period, notes English marbling is inferior, and gives curious instructions: alum mixed with size and linseed used as size.

Marbled Papers. Project 8006-58. An annotated bibliography prepared for AT&T at the Institute of Paper Chemistry, Appleton, Wisconsin, December 8. 1977. It was prepared by searching the Abstract Bulletin of the Institute of Paper Chemistry from Vol. 48 (3) (1977) through Vol. l (1930). About 18 items listed.

“Marbled Paper.” The Athenaeum. No. 3238, Nov. 16, 1889, p. 675. Reports purchase of the Leutkauff album by S. Kensington Museum, and discovery of two early 17th-century Persian marbled manuscripts. See also Weale.

“Marbled Paper: The Introduction into England.” The World’s Paper Trade Review. July 15, 1921. (D&I)

Marbleized Giftwrap Paper. Minneola, NY: Dover, 1988. Christmas catalogue.Repeated in 1992.

“Marbling at the George D. Barnard Co.” St. Louis Globe Democrat. May 9, 1948, Gravure Pictorial Section, illustrated. in color. Shows Benjamin Bohn at work.

“Marbling at the London Fair.” Bookbinding and Book Production Magazine. Vol. 26, Dec., 1937, p. 24. Reviews marbling demonstration by D. Cockerell at book fair.

The Marbling Bath. Forum/Newsletter of the Marbling Artists Cooperative Network. Vol. 1, No. 1, Spring, 1994. Editors, Carl Weis and Rochelle Brenner. MACN, P. O. Box 374, Delmar, NY 12054–0374.

Marbling for Mother and Child. Tokyo: Bijutsu, [n.d.] The first technical book in Japan for adults and children. (Source: Sho Kida, 1-10-34-406 Jingumae, Shibuya, Tokyo, Japan). Includes a note on vegetable dyes by Sei Ju Yamazaki. Japanese text.

“Marbling Hard Boards.” Wochenblatt für Papierfabrikation. Vol. 67, Aug. 15, 1936, p. 618; Sept., 1936, p. 674. (EAT)

“Marbling Magic.” Inland Printer. Vol. 122, Jan., 1949, pp. 48–49. Marbling at Van Hoffman Press described.

“Marbling of Books and Paper.“ Smellie, William Ed. Encyclopedia Britannica: or, a Dictionary of Arts & Sciences. Compiled Upon a New Plan by a Society of Gentleman of Scotland. Edinburgh: A. Bell and C. Macfarquhar, 1771, 3 volumes, 100 parts., Vol. 3, No. 70, p. 25. (P&P) Many editions have followed.

Markus. “Der Marmoreffekt auf Papier und Pappe.” Wochenblatt für Papierfabrikation. Vol. 64, No. 13, pp. 224–225, March 31, 1933; No. 15, pp.256–257, April 13, 1933.

Marmorering av Papier.” Grafiskt Forum. Vol. 40, 1935, p. 76. Cockerell marbling. (EAT)

“Das Marmorieren von Bücherschnitten.” Zeitschrift des Werkmeister-Verbandes. 11. Jg., H. 12, 1919, pp. 3–4. (AH)

“Marmorirtes Papier.” Illustrierte Zeitung für Buchbinderei und Cartonnagenfabrikation. (Berlin), 34. Jg., Bd. 62, No. 6, Aug. 6, 1902, pp. 59–60. Speculates on early marbling history.

Marsh, Roger. Monoprints for the Artist. London: Transatlantic Arts, 1969. 42 pp. 107 plates. Monoprints from marbling techniques described, pp. 23–24, Pl. 107.

Martin, F.R. The Miniature Painting and Painters 0f Persia, India, and Turkey from the 8th to the 18th Century. Two Vols. London: Bernard Quaritch, 1912, Marbling, Vol. 1, pp. 91, 93, 107–108; Vol. 2, Pl. 231 Depicts two marbled minature paintings of a cow and calf, and an emaciated horse. Rpt. London: Holland Press, 1971.

Martin, G. The Bookbinder’s Complete Instructor. Peterhead: P. Buchan, Printer and Publisher, 1823. Account of marbling taken word for word from The Whole Art of Marbling, Oswestry, 1811. (GW)

Martin, T. [Pseudonym of John Farey] The Circle of the Mechanical Arts: Containing Practical Treatises on the Various Manual Arts,Trades, and Manufacturcs. London: Richard Rees, 1813. Marbling, pp. 80–84.

Marx, Enid. “Pattern Papers.” Penrose Annual. Vol. 44, 1950, pp. 51–53. Primarily concerned with printed papers, but describes the production of marbled papers by machine.

Mason, John. The Art and Practice of Printing. A Work in Six Volumes. Bookbinding and Ruling. Vol. 5. William Atkins, Ed. London: I. Pitman & Sons, 1933. Marbling, pp. 201–213, illustrated.

Mason, John. “New Marbling Colour.” Printing Review. Vol. 7, No. 2, Winter-Spring, 1937–1938, pp. 669–670. Linmarbling colors used on size.

Mason, John. A Practical Course in Bookcrafts and Bookbinding. Leicester: Edgar Backus, 1947. 187 pp. Marbling, pp. 181–184, illustrated. Glue size and artistist’ oil colors described for marbling. First edition 1935.

Mason, John. Printing Theory and Practice. 22. Stationery Binding. London: Sir Isaac Pitman & Sons LTD. 1946. Marbling, Chapter 3, pp 134–142. Illustrated.

Master, Mildred, and Elizabeth Courtney. Direction Sheets for Paper Decoration. New York: Industrial Arts Cooperative Services, 1945. 5 mimeo pp., illustrated. (EAT)

Masuda, Yoshio. “Suminagashi-Zome.” Senshoku to Seikatsu. No. 7, 1974, pp. 42–43.

Matthews, William F. Bookbinding. A Manual for Those Interested in the Craft of Bookbinding. New York: E.P. Dutton & Co., [1929]. Marbling instructions, pp. 161–166

Maurer, Diane. “How I Met the Marbling Muse on the Road to Immortality.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 10, 20, original specimen.

Maurer, Diane P. “Marbling. The Rebirth and the Transformation.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, 1954, pp. 6, 17.

Maxwell, Jean. “How to Marbleize a Lampshade.” American Home. No. 43, March 1950, p. 90. Oil color on water used.

McClelland, Nancy. “The Dominotiers, Inventors of Wallpaper.” Arts & Decoration. Vol. 22, No. 1, Nov., 1923, pp. 28–29, 59, 78–79.

McCorison, Marcus A. “Memoirs of a Woman of Pleasure, or Fanny Hill in New England.” American Book Collector. May/June, 1980, pp. 29–30. Marbled pages of the novel used for binding material.

McKay, Barry, Reviewer. “Josef Halfer. The Progress of the Marbling Art. Taos, NM: Fresh Ink Press, 1989; Richard Wolfe. Marbled Paper. Its History, Techniques, and Patterns. University of Pennsylvania Press, 1990.” Antiquarian Book Monthly Review. December, 1990, pp. 563 ff.

McKay, Barry, Ed. Marbling Methods and Receipts From Four Centuries, With Other Instructions Useful to Bookbinders. Introduction by McKay. Newcastle, Delaware and Kidlington, Oxford: Oak Knoll Books and The Plough Press, 1990. 85 pp., 18 original samples. Edition of 500.

McKay, Barry. Patterns and Pigments in English Marbled Papers. An Account of the Origins, Sources and Documentary Literature to 1881. Oxford: The Plough Press, 1988. l04 pp., 8 original 19th century samples, 6 contemporary samples by Katherine Davis. Edition of 140 in quarter cloth, 20 in quarter leather.

McKinney, Thery. “Photo Transfer Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 29–30, illustrated.

McLaren, Robert. J. With Apologies to Woolnough. Melbourne (Australia): Set and Forget Press, 1984, 12 pp. marbled paper cover, marbled center fold, illustrated with line cuts.

McNally, Carol. “Marbling. Designing with a Stylus.” Ink & Gall. No. 8, Spring, 1993.

Mehmed Cemil Bey (1856–1931). “Biography of Sheikh Edhem Efendi.” The Ms. is in the library of Dr. S. Unver, Istanbul. (D)

“De la Meilleure Manières de Faire le Papier Marbré.” Le Journal Oeconomique: ou manière, notes et avis sur l’agriculture, les arts, le commerce et tout ce qui peut avoir rapport avec la santé ainsi que sur la conservation et l’augmentation du bien des familles. Paris: Antoine Baudet, 1758, pp. 112 ff. Notes that the price of marbled paper is less in large cities than in the provinces, Process described. (D&I)

Mejer, Wolfgang. Bibliographie der Buchbinderei Literatur. Leipzig: Karl Hiersemann, 1925. 208 pp. See Herbst for 1932 supplement.

“Merakiniz Varsa Ebrulu Kagit Nasil Yapilir?” Hürriyet, Günlük Gazete. 12 Kasim [November], 1984. March, 1971, pp. 41–43. (NH)

Merryfield, Mary Philadelphia, Translator. Original Treatise dating From the XIIth to XVIII th Centuries, on the Arts of Painting… London: John Murray, 1849, 2 Vols. Vol. 2, Item 146, The Paduan Manuscript: “To Make Turkish Paper Waved With Divers Colors,” pp. 712–716. (fide Don Guyot.) See also: Ulla Ehrensvärd, 1980, pp. 76–77, for Italian marbling instructions : “Per fache la carta turchesa di diversi colori,” of undetermined date, but probably early seventeenth century. English summary. See also R. Wolfe, 1990, pp. 52–53.

“Métier secret: la marbrure. Un” Art et Métiers du Livre. No. 31, 3e trimestre, 1984, pp. 49–53. (D&I)

Meunier, Ch. “A Propos de . . . papiers de garde.” La Reliure. Vol. 45, May, 1935, pp. 5–6. (EAT)

Meyer, F.H. “Papierfabrikation und Papierhandel.” Archiv für Geschichte des Deutschen Buchhandels. 11. Jg., 1888, pp. 283–357; pp. 348 ff- contain material about decorated and Turkish paper, but are mostly concerned with the price of paper. (AH)

Meyer, Joseph B. Buntpapierindustrie. Zurich: Paco Verlag, 1931. 276 pp. Contains scattered references to marbling, plus 15 pp. of pertinent terms in German, French, English, and Italian.

Mick, Ernest Wolfgang. Altes Buntpapier: Die Bibliophilen Taschenbücher. Dortmund: Harenberg Kommunikation, 1979. 179 pp., illustrated in color. [No marbled paper, but such an interesting book.]

Middleton, Bernard C. A History of English Craft Bookbinding Technique. London: Hafner Publishing Co., 1963. xvi, 307 pp., illustrated, plates. Jacket and frontispiece illustrate marble patterns in color. Scattered references to marbling in text. Suminagashi pp. 33–35. 2nd ed. 1978. Rpt. New Castle, DE: Oak Knoll Press, London: British Library, 1996.

Middleton, Bernard. “In Memorium—Sydney Morris Cockerell.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, pp. 2–3, Spring, 1988

Middleton, Bernard C. The Restoration of Leather Bindings. Library Technology Program No. 18. Chicago: American Library Association, 1972. Marbled paper, p. 57. Techniques for aging paper. Rpt. London: Adamantine Press, 1984.

Middleton, Bernard C. Review. “Richard J. Wolfe. Marbled Paper: Its History, Techniques, and Patterns.” The Library. 6th series, Vol. 13, No. 1, March, 1991.

Middleton, Erasmus. The New Complete Dictionary of Arts and Sciences… By the Rev. Erasmus Middleton &c. London: for the authors, sold by Alexr Hogg Leacroft, 1778. Marbling article reprinted from J. Cooke (1771). Plates Nos. liv and lv. Illustrated with a combination plate from Diderot and D’Alembert. (P&P)

Migliore, Susan. “Successful Fabric Marbling Takes More Than Technical Skill.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, pp. 8–9, illustrated

Miklaf, Yehudah. “Marbling—In Beer Sheva, Israel.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 3, 18

Milano, Albert and Elena Villani. Raccolta Bertarelli: Carte Decorate. Milan: Electa, 1989, 344 pp., illustrated in color and black and white. Catalogue of an exhibition of the collection of Achille Bertarelli, Museum and Gallery of Milan, marbled and other decorated papers. Includes a bibliography.

Miller, Dorothy. “Marbling and Indigo Dyeing.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, pp. 16–17.

Misère de ce Monde. Paris, 1747. Poem describing the misery of the dominotiers. (LG)

Mitchell, C.H. Handmade Papers of Japan, Including an Abridged Reproduction of One of the Old Classics of Japanese Literature about Paper-Making by Hand, by Kamisuki Chohoki, Originally published at Osaka in 1798. Tokyo: IIS Crafts, 1963. Printed by Chuo Printing Co. A catalog of handmade papers, of which suminagashi is No. 24–25.

Miura, Einen. Art of Marbled Paper. London: Zaensdorf, Ltd., 1989. 152 pp., illustrated in black and white and color. Pattern names in English, French, and German. One original sample before p. 147.

Miura, Einen. ‘European Marble Paper History,’ pp. 9–24. In: “First Special article on Paste and Marble Eye.” Taizo Miwakawa, Ed. Senshoku Alpha Monthly. Vol. 2, No. 23, February, 1983. Illustrated in color, pp. 1–41.

Miura, Einen. Fascinating Marble Paper. Miwaku no Maburu. Tokyo: Atelier Miura, 1988. 155 pp., illustrated in color and black and white. Text in Japanese. Pattern captions in French, English, and German.

Miura, Einen. “Norinagashi” [Paste Slurry Marbling]. and “Tokushuu” [Marbling]. Gekkan Senshoku. 1983, Vol. 2, No. 23.

Miura, Kerstin Tini. Watakushi no Sotei Geijitsu no Sekai [My World of Bibliophile Binding]. Japan: Kyuryudo Co., 1980. Imaginative marbles used as covers and endpapers. Illustrated in color.

Miwakawa, Taizo, Ed. “First Special Article—Paste and Marble Dye.” Senshoku Alpha Monthly. Vol. 2, No. 23, February, 1983. Pp. l–44, illustrated in color. ‘Planning Design’ p. 2; ‘Marble Print’, p. 8; ‘European Marble Paper History,’ pp. 9–24; Charcoal Printing,’ p. 25; ‘Popular Marble Prints,’ p. 36; ‘Italian Marble Dye,’ p. 41.

Mizoguchi, Saburo. Design Motifs. Translated and adapted by Allison Cort. New York: Weatherhill/Shibundo, 1978. Brief description of suminagashi.

Moessner, Gustav. “Marmorieren im Widerkommen ?” Allgemeiner Anzeiger für Buchbindereien. No. 68, 1955, p. 301. (AD #423)

Moll, Marianne. Buntpapier. Switzerland: Verlag des Schweizerischen Verein für Handarbeit und Schulreform, 1991. 96 pp., illustrated in color.

Moll, Marianne. Papier de Fantaisie. Holstein, Switzerland: Verlag des SVHS, 1991, 96 pp., illustrated in color.

Mollard, Alain. “Les Papiers marbrés.” Entre Nous: Bulletin Mensuel des Compagnons de la Feuille Blanche. November, 1945 and February, 1946. 2 pages. (D&I)

Monk, J. Leonard and W. F. Lawrence. A Text Book of Stationery Binding: A Treatise on the Whole Art of Forwarding and Finishing Stationery Books, Including Chapters on Ruling, Marbling, Leathers and Papers. Leicester: Raithby, Lawrence and Co. Ltd., 1912. 140 pp. 2 color plates, illustrated. Marbling, Chapter 12, pp. 96–01.

Morgan, Whitney N. “Selected References from the Cooper Union Libraries.” In Decorated Book Papers…, p. 10.

Morin, Louis. Essai sur les Dominotiers Troyens. Paris: Techener, 1897, 16 pp. (D&I)

Mosher, Robert H., Ed. Specialty Papers: Their Properties and Applications. See Bracewell.

Moskowitz, Ira, Ed. Great Drawings of All Time. New York: Sherwood Publishers, 1962. A drawing by T. Mitsunori, Pl. 917, taken from the Tale of Genji album in the Freer Gallery, is illustrated. Notes each drawing in original is accompanied by a poem on suminagashi.

Müller, Klaus. “Das Marmorpapier.” Binderreport. 99, 1986, pp. 551–552. (BBB)

Mu?a?ib, Ghulam ?usayn. Ed. Dairat al-Ma?arif-i Farsi. [Tehran]: Firanklin, 1966. [Iranian Encyclopedia] Vol. 1. Marbled book edges described.

Musahipzâde, Celâl. Eski Istanbul Yasayisi. Istanbul: Türkiye Yayinevi, 1946. (UD)

Nakata, Yujiro. The Art of Japanese Calligraphy. Translated by Alan Woodhull in collaboration with Armins Nikovskis. New Yorkand Tokyo: Weatherhill and Heibonsha, 1973. 172 pp. Suminagashi, p. 144, fig. 155. Rpt. 1976.

Narita, Kiyofusa. Japanese Paper-Making. Tokyo: Hokuseido Press, 1954. 60 pp., illustrated. Endpapers are printed suminagashi.Two paper samples. Suminagashi, pp. 55–60.

Narita, Kiyofusa. A Life of Ts’ai Lung and Japanese Papermaking. Revised and enlarged edition. Tokyo: The Paper Museum, 1980. 106 pp., illustrated in color and black and white. Suminagashi, pp. 71–76.

Narita, Kiyofusa. “Suminagashi.” Investigacion y Tecnica del Papel. Vol. 10, No. 36, pp. 487–492. (ATT)

Narita, Kiyofusa.”Suminagashi.” The Paper Maker. Vol. 24, No. 1, 1955, pp. 27–31. Biography inserted opp. p. 27. Double plate and 2 illustrations.Similar to Narita, 1980 and 1954.

“Ne? Nerede? Haftanin Sergisi.” Nokta Mecmuasi. 18–24 Ekim [October] 13, safa [p.] 26. (NH)

Nefezade, Ibrahim. Gülzâr-i Savab. (The Rose Garden of Virtue). Istanbul: 1650. New edition with explanations by Kilisli Rifat, Istanbul, 1938 (cover 1939), 119 pp. Discusses materials used in calligraphy and paper decorating. Although it does not specifically mention ebru, it is cited as an important source for historic colors by Kâgitçi and Derman. Original Ms. No. 450 is in the Asir Efendi Library.

“The Neglected Art of Paper Marbling. A Detailed Survey of the Current American Techniques and Materials.” British Printer. Vol. 67, March/April, 1955, pp. 36–41 Reviews Kantrowitz & Spencer’s GPO Bulletin, illustrated with British marbling.

Neri, Antonio. “Methodus Faciendi Chalcedonium, Jaspidum & Achatem.” In De Arte Vitraria> Amsterdam, 1686, pp. 359–362. Only refers to earlier works by Kircher & Schott. (CA)

Nessle, Olle. Om Konsten Att Binda Böcker. Stockholm: 1987. pp. 79–85. (N)

“Neue Marmor-, Bezugs- und Vorsatzpapiere.” Papierzeitung. 46. Jg., 1921, p. 2562. (AH)

“Neue Vorsatzpapiere.” Archiv für Buchbinderei. 3 Jg., H. 1, 1903, pp. 9–11. Flower marbles by Kaltmeyer of Nuremberg featured.

Nevins, Iris. “Antique Spot Described.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 20–21, illustrated.

Nevins, Iris. “Bitten by the Bug.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988. pp. 14–15, original sample.

Nevins, Iris. “British.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990. pp. 26–27, illustrated.

Nevins, Iris. “Copyright Laws and Marblers.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3, Winter, 1988-89, pp. 4–5.

Nevins. Iris. Fabric Marbling. Sussex, N J: Iris Nevins, 1989, x, 26 pp., illustrated in black and white.

Nevins, Iris. “From Mysterious Art to Sophisticated Profession.” AB Bookman’s Weekly. July 31, 1989, pp. 299–303.

Nevins, Iris. “Gloster.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3, Winter, 1988/89, pp. 22–23, illustrated.

Nevins, Iris. “New Jersey Ripple.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, pp. 10–11, illustrated.

Nevins, Iris. “The Nineteenth Century Marbler.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 1, June, 1987, pp. 8–9, 18, illustrated. This is the first of eight articles giving instructions for making nineteenth century patterns.

Nevins, Iris. “Partridge Eye.” Marbling Bath. Vol. 1, No. 1, Spring, 1994, pp. 2–3, illustrated, original sample.

Nevins, Iris. ” Pattern: Shell, French Shell.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 4–5, illustrated.

Nevins, Iris. “Rainbow Spanish Pattern.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Spring/Summer, 1989, pp. 18–19, illustrated.

Nevins, Iris. “Stormont Pattern.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. l, No. 4, Spring, 1988, pp. 6–7, illustrated.

Nevins, Iris. “Wave.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, p. 25, illustrated.

Nevins, Iris. 105 Helpful Marbling Hints. Sussex, N.J.: Iris Nevins, 1990, 25 pp., 4 pp. of notes, illustrated in black and white.

Nevins, Iris. “Successfull Solutions.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 2, Winter, 1990, p. 15.

Nevins, Iris. “Successful Solutions… You Provide the Questions.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 39–40.

Nevins, Iris. Traditional Marbling. Sussex, NJ: Iris Nevins, 1985, 44 pp., 14 original samples, illustrated with drawing. Edition of 500.

Nevins, Iris. Traditional Marbling. Second Edition. Sussex, NJ: Iris Nevins, 1986, 48 pp., 1 color plate, illustrating 14 patterns.

Nevins, Iris. Traditional Marbling. Third Edition. Sussex, NJ: Iris Nevins, 1988., i-ii, 35 pp., 1 color plate, line drawings.

Nevins, Iris, Varieties of Spanish Marbling: A Handbook of Practical Instructions with Twelve Original Marbled Samples. Edition of 250. Newton, PA: Bird and Bull Press, 1991, 79 pp.

Nevins, Iris. Varieties of Spanish Marbling. Second Edition. Johnsonburg, NJ: Iris Nevins, 1993, 79 pp. 12 original samples. Reprinted from Bird & Bull plates.

[Nevins, Iris.] See: James B. Nicholson, 1874.

New Complete Dictionary of Arts and Sciences. See Erasmus Middleton.

New Royal and Universal Dictionary of Arts and Sciences. London, 1771. Contains two engravings after Diderot & D’Alembert’s Encyclopédie of 1751, but shown reversed.

“New Way to Marbelize.” Good Housekeeping. Vol. 134, April, 1952, p. 160. Simulated, not true marbling.

Newman, Eric P. The Early Paper Money of America. Racine, WI: Whitman Publishing Co., distributed by Western Publishing Co., 1967. Continental bills with marbled borders, pp. 17, 30, 266.

Newman, Thelma, Jay Harley, and Lee Scott. Paper as Art and Craft. New York: Crown, 1973. Marbling, pp. 226–229.

Nguyes, Mimi. Marbling: The Ikato Method. San Francisco: The Arson Press, 1991. The use of carbonated water is suggested. [Don Guyot laid this ghost to rest: Glen Epstein placed the entry in Book Arts Rag, January, 1991.]

Nicholson, James B. A Manual of the Art of Bookbinding… also, The Art of Marbling Book-Edges and Paper. Philadelphia: Henry Carey Baird, 1856. 318 pp., 7 marbled samples, 18 pp. advertisements. Marbling, pp. 82–103. Succeeding editions appeared in 1871, 1878, 1887, and 1902. The text remained the same but the imprint varied, plate titles were omitted after the first edition, and the number of pages of advertisements varied. All contained 7 original marbled samples.

Nicholson, James B. A Manual of the Art of Bookbinding. With a new introduction by Sidney F. Huttner. New York: Garland Publishing Co., 1980. A reprint of the first edition, with a portrait of Nicholson as frontispiece. The original marbled samples are reproduced in black and white. Introduction is an analytical sketch of the man and his work.

Nicholson, James. B. A Manual of the Art of Bookbinding… Philadelphia: Henry Carey Baird, 1874. Reprinted by Iris Nevins, 1986, 318 pp., 18 marbled samples by Nevins. Edition of 300.

Nihon no Kogei [Industrial Arts of Japan]. Kyoto: Tanko Shinsha,1966. Vol. 4, black and white plates Nos. 8 and 23; Suminagashi technique described. Japanese text.

Nilsson, Gunnar. “Marmorering, ett hantverk med tusenariga traditioner.” Malarnas Facktidning. 7/1988, pp. 28–29. (N)

Nishioka, 96 pp., Toshio. “Multi-Color Print.” Senshoku to Seikatsu. 1974, No. 7, pp. 48–50. Method for printing marbled design on textiles.

Noguchi, Yone. Susuki Harunobu. Tokyo: Seibundo, 1932. 96 pp., illustrated in color. Pl. 75, The Monkey Leader, c. 1770, is was executed over a block-printed design in imitation of a suminagashi pattern.

Notes on Decorated Papers in the Collection of Mrs. Olga Hirsch, Displayed for Members of the Double Crown Club, June 23, 1955. 8 pp. (AH)

Nove, John. “Only Skin Deep. Surface Tension.” Ink and Gall. Vol. 6, No. 2, Winter, 1992, pp. 13–14.

Nyström, Jan–Olov. Marmorerbogen. Danish translation by Helle Stisen. Copenhagen: Høst & Søns, 1990, 54 pp.

Nyström, Jan–Olov. Marmorering. Stockholm: Ordfront, 1987, 16 pp., illustrated in black and white. Wrapper with marbled pattern by Ingeborg Börgesson. An exhibition featuring the work of international marblers, April 3 – May 3, held at the Royal Library, Stockholm.

Nyström, Jan–Olov. Marmoreringsboken. Stockholm: Ordfront, 1984, 65 pp., illustrated with 4 color plates and black and white. Wrappers. First edition.

Nyström, Jan–Olov. Marmoreringsboken. Stockholm: Ordfront, 1987, 65 pp. Second edition. Differs in minor changes and addition of section on suminagashi, pp. 60– 61.

Nyström, Jan–Olov. Pappslöjdsboken. Stockholm: Ordfront, 1992, 63 pp. Illustrated in color and black and white. Stiff paper book constructions. Projects to make using marbled paper. Instructions to make suminagashi.

Nyström, Jan–Olov. ” Remembering Ingeborg Borjesson.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988, pp. 10–11, illustrated.

Nyström, Jan–Olov. “Today in Sweden.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988, pp. 8–9, illustrated.

O’Brien, James F. Design by Accident. New York: Dover Publications, 1968. 215 pp., illustrated. Marbling designs, pp. 121–136.

Occupational Outlook Handbook, 1970–1971 edition. GPO Bull. No. 1650, Bureau of Labor Statistics. Illustration on p. 515, titled “Bookbinder Marbles Book Edges,” is without text.

Oin-Lacroix, Charles. Histoire des Anciennes Corporations d’Arts et Métiers et des Confrères Religieuses de la Capital de la Normandie. Rouen: imp. Lecointe frères, 1850, 763 pp. Cartier-dominotier, pp. 266–270, papetiers, p. 330. (D&I)

Okamoto, Akira. “Hon Suminagashi Zome.” Zome Ori. [formerly Senshoku to Seikatsu], Aug., 1981, No. 5, pp. 139–142. Describes work of Mangiro Takeya.

[Okyay, N.] “Afis Hazerfen Üstad Mehmed Necmeddin Okyayi Anma Toplantisi.” Hayat Hikayesi. 3 Ocak [January], 1987. 1 foto, 1 illustration.

“Olga Hirsch and Her Papers.” Illustrated London News. Christmas, 1981, pp. 50–51, illustrated in color.

“Olga Hirsch Collection of Decorated Papers, The.” Printing Historical Society Newsletter 12, Feb., 1969. Published by St. Bride Institute.

Okamoto, Akira. “Hon Suminagashi Zome.” Zome Ori. [formerly Senshoku to Seikatsu} August, 198l, No. 5, pp. 139–142, illustrated. Work of Mangiro Takeya.

Oldenbruch, Ernst. Holz- und Marmormalerei. Graining and Marbeling. Hannover: Verlag Schafer, c. 1986. Edition: “Libri Rari,” 143 pp., illustrated, mostly in color. Based on a series of leaflets published in 1926–1927 entitled “Grosse Wiener Schule.” Translated by Barbara Snell. Text in German and English.

Olsen, Arlen L., and Diane Smith. “Copyrighting Your Marbles.” Marbling Bath. Vol. 1, No. 1, Spring, 1994, p. 11.

Oman, Charles C., and Jean Hamilton. Wallpapers. A History and Illustrated Catalogue of the Collection of the Victoria and Albert Museum. Bibliography by E. A. Entwisle. London: Sotheby Publications,1982, 486 pp., over 900 illustrations, 75 color plates. Scttered references to marbling. See note 12.

O’Neil, Isabel. The Art of the Painted Finish for Furniture and Decorating. New York: Morrow & Co. Inc., 1980 [Paper back]. Text used by Sandra Holzman to learn marbling basics.

Ongün, Zarif. “Türk Tezyini Sanatlar Subesinin Eserleri.” Tasfiri Efkar Gazetesi. 13 Agustos [August], 1942. (NH)

“On Improvements in Marbling the Edges of Books and Papers.” Journal of the Franklin Institute, New Series. Vol. 3, No. 4, April, 1829, pp. 246–249. Translated from Dictionnaire technologique.

Osmun, William. “Introduction.” See: Decorated Book Papers. 1954, pp. 3–6.

Otake, Mariko. “Genso No Moyo Shi. Marble Shi. To Suminagashi.” [Designed Paper of Fantasy. Marbled Paper and Suminagashi]. Kikan Ginka. No. 45, Spring, 1981, pp. 149–160.Largely about the work of the Frenchman, Michel Duval.

“Otto Schuenemann—Custom Marbler.” Bookbinding and Book Production, May, 1939, p. 19. Created special edge for H.G. Wells’ Holy Terror.

Ove, Jean. An Experimental Investigation of Paper Marbling. A Paper Presented to the Faculty of the Graduate School, The University of Washington, in Partial Fulfillment of the Requirements for the Degree of Master of Art in Teaching. August, 1968.

Owen, W. A New and Complete Dictionary of Arts and Sciences…the Whole Extracted From the Best Authors in All Languages. 4 vols. London: W. Owen. 1754–1755. Marbling, Vol. 3, p. 1992. (P&P)

Özen, Mine Esiner. Yazma Kitap Sanatlari Sözlügü. Istanbul: I. Ü. Fen Fakültesi Döner Sermaye Isletmesi Prof. Nazim Terzioglu Basim Atölyesi, Istanbul, 1985. (UG)

Öztürk, Yasar Nuri. “Ebru bir Türk Sanatindir.” [Ebru is a Turkish Art.] Son Havadis. August 19, 1977, p. 5.

Paillez, R. “Magic et alchimie de la couleur.” Arts et Métier du Livres. No. 100, August, 1980, pp. 5–7. Visit to the studio of Michel Duval.

Paillez, R. “Magic et alchimie de la couleur.” Arts et Métier du Livres. No. 100, August, 1980, pp. 5–7. Visit to the studio of Michel Duval.

Painter, Virginia. “Paper Marbling.” The Sunday Olympian. March 29, 1981, pp. 1, 6–7, illustrated. Eileen Canning, marbler.

Pakalin, Mehmet Zeki. Osmanli Tarih Deyimleri ve Terimleri Sözlügü. [Dictionary of Ottoman History, Idioms, and Definitions]. Istanbul: Milli Egitim Basimevi, 1946. Ebru, Vol. 1, pp. 498–499. The history, technique, and types of marbling. The source cited is “Ebru Yapmak Usulu.” [The Process of Making Marbled Paper] in Boya, Mürekkep, Ahar, Ebru Mecmuasi [Dye, Ink, (Paper) Coating, Marbling Collection], classified under Millet Kütüphanesi El Yazilari No. 109 [National Library Manuscript No. 109].

Pal, Pratapaditya, Ed. Islamic Art: The Nasli M.Heeramaneck Collection, Gift of Joan Palevsky. Los Angeles: Los Angeles County Museum of Art, 1973. A catalog of the collection. Nos. 152 (color), 228, 242, 261, and 266 have borders of marbled paper. Section “Arts of the Book” written by Edwin Binney, III, pp. 71–82.

Palmer, E. W. A Course in Bookbinding for Vocational Training. New York: Employing Bookbinders of America, 1927. Marbling, pp. 42–43.

Palomino, Antolin Olalla. Autobiografia Conocimientos y Recuerdos Sobre el Arte de la Encuadernacion. Madrid: 1986, 68 pp., 12 color plates, 5 black and white plates. Decorated papers, pp. 64–66.

Pantologia. London, 1813. Vol. 7 has two very general paragraphs on marbling.

“Paper with Marbled and Jasper Effect.” Papeterie. Vol. 58, Jan. 10, 1936, pp. 5–6, 9; Jan. 20, pp. 50, 53–54; Feb. 10, pp. 102, 105–106. (EAT)

Papier-Papiers à Troyes au Centre Culturel et à la Bibliothèque Municipale de Troyes, du 14 Décembre 1984 au Janvier 1985. 28. pp., illustrated. Wallpaper wrapper. Edition of 250.

“Papiers marbrés. Les” Papiers, Cartons, Complexes. 15 February, 1972, pp. 7–10. Turkish history, materials, patterns, techniques. Probably by M. A. Kâgitçi.

Parent, Annie. Les Métiers du Livre è Paris au XVIe siècle (1535–1560). Geneva: Droz, 1974, 345 pp. See Section IV.

Parrot, Gray. Some Marbled Papers by Gray Parrot. Leeds, MA: Eremite Press, 1988. 80 leaves, original samples. Edition of 32.

Parry, H. The Art of Bookbinding. London: Baldwin, Cradock & Jay, 1817, some copies printed in 1818. 92 pp. Edge coloring and marbling pp. 49–91. Marks the beginning of naming patterns. Parry may have been the author of The Whole Art of Bookbinding…, Oswestry, 1811. Second edition, 1821.

Parry, H. Die Englische Buchbinderkunst. Leipzig: Baumgartner Buchhandlung, 1819. 99 pp. Translation of H. Parry, 1817. 2nd ed. revised by Brian Rhoades and John Windsor. Oxford/Boston: Professional Books, 1987. ix, 114 pp.; 20 Pls., illustrated, some color.

Parry, J. Parry’s Graining and Marbling. Collins Professional and Technical Books, 1975.

Parsons, Michael. “Marbling at the Monastery.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 12–13, illustrated. Papermaking and marbling in the Phillipines.

Passaglia, Virginia. Buntpapiere, Herstellung und Anwendung: Austellung in der Basler Papiermühle vom 8. Juni bis 17. September 1984. Basle: Virginia Passaglia, June, 1984, 16 pp.

Passaglia, Virginia. Marmorpapiere & Jan Sobota. Bucheinbände. 8. Juni bis 17. September, 1984.

“Patterns from the Past.” Dickinson Robinson Group News. [Bristol, England]: Dec., 1971, p. 10.

Patterson, Diana. “John Baskerville, Marbler.” The Library. 6th ser., Vol. 12, No. 3, September, 1990, pp. 212–221, illustrated.

Payhembury Marbled Paper Sampler. Winchester, England: The Alembic Press, 1987, no pagination, 26 samples, various sizes. Trade edition of 145, bound in cloth, l0 quarter bound in blue morocco. The work of Katherine Davis.

Pazurek, Gustave E. Die Tapete: Beiträge zu ihrer Geschichte und Ästhetischen Wertung. Stuttgart, 1922. 6 specimens of decorated book papers. (DHP)

Peach, Geoffry. Hand Decorated Patterned Papers for Book Craft. London: Dryad Press, 1931. 43 pp., illustrated., 7 plates. A collection of Dryad leaflets revised and edited by Peach, with an additional section on oil marbling by J. Halliday.

Pelouze, Edmond. Secrets Modernes des arts et Métiers…Recueilli et mis en Ordre par Pelouze. Paris: Librairie de Maison, 1840. 3rd ed. Marbling, Vol. 3.

Persson, Jerker. “Marmorerare.” Antik & Auktion. No. 7-8/1985, pp. 35–37, ill. Shows Stig Vänerman WÄrmling and his work. (N)

Persuy, Annie and Sün Evrard. La Reliure. Paris: Denoël, 1983, 171 pp., illustrated. History and technique of endpapers, pp. 151–165. (D&I)

Peter, Marianne. “French Marbles.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 14–15, illustrated, original sample.

Petraeus, Birger. Marmoreringsprocessens Principer. Teoretisk Och Praktisk Handbok för Bokbindare. Stockholm: Sveriges Bokbinderioch Pappersemballageförening, 1949, Skriftserie Nr. 2. 79 pp., ill.

Petrie, J. The Practical Arts of Graining and Marbling. London, 1906. (RS)

Pfeiffer, — von. Die Manufacturen und Fabriken Deutschlands nach Ihrer Heutigen Lage Betrachtet und mit Allgemeinen Vorschlägen zu Ihren vorzüglichsten Verbesserungsmitteln begleitet. Von dem Verfasser des Lehrbegriffs Sämtlicher Ökonomischen und Kameralwissenschafien. Frankfurt a. M., 1780. Vol. 1, pp. 456–524, Turkish paper, paper manufacture. (AH)

[Philately.] British Philatelic Bulletin. Vol. 25, 1988, p. 269, illustrated. Introduces and describes the stamps issued to mark the 100th anniversary of the death of Edward Lear. The souvenir sheet has a surround of marbled paper and the first day cover has a rectangle of marbling with Lear’s signature. The stamps are not marbled. Scott 1226–1229.

[Philately.] British Philatelic Bulletin. Vol. 26, No. 1, Sept., 1988, p. 302, illustrated. Marbled paper used in the design was made by Sara Amatt.

[Philately.] Lewy, Lily. “Sad Old Bachelor Honored on the Stamps of Great Britain.” Scott Stamp Monthly. July, 1989, pp. 4–5, illustrated. Scott 1226–1229.

Pleger, John J. Bookbinding and Its Auxiliary Branches. Chicago: Inland Printer, 1914. Part 4, marbling, pp. 22–34, illustrated, 2 color plates. Shows equipment needed, marbling machines, patterns. 2nd ed. 1924, xxi, 425 pp. Marbling, pp. 393–412.

Pogany, Susan. “A Kansas Marbler.” Ink & Gall. Taos, NM: Fresh Ink Press, 1987Vol. 1, No. 1, 1987, pp. 10–11, 18, original sample.

Poisson, —. Nouveau Manuel Complet du Marchand Papetier. Paris, 1854. Marbled paper, p. 68. (AH)

Pollard, A.W. “The Bagford Collection.” Transactions of the Bibliographical Society. Ser. 1, Vol. 7, 1904, pp. 143–149. Gives history of the collection, description of contents. Of particular interest are: Har. Ms. 5940 and Har. Ms. 5959.

Pollard, Graham. “Changes in the Style of Bookbinding, 1550–1830.” The Library. June, 1956, p. 79. Describes early history of marbling and its earliest use in English binding, 1655.

Pollard, Graham and Esther Potter. Early Bookbinding Manuals: An Annotated List of Technical Accounts of Bookbinding to 1840. Oxford: Oxford Bibliographical Society, Bodlein Library, 1984, xxv, 60 pp. Marbling is mentioned when it occurs in these manuals.

Pope, Arthur U., Ed. Survey of Persian Art. See Behzad.

Postlethwayte, Malachy. Postlethwayte’s Dictionary of Commerce. 1754. Reports that marbled papers were held in high esteem, and speaks of the Royal Society’s efforts to stimulate production. (AVS)

Postlethwayte, Malachy. The Universal Dictionary of Trade and Commerce Translated from the French…of …Monsieur Savary…With Large Additions. 2 Vols. London: John and Paul Knapton, 1751–55. Vol. 1, Marbling under Bookbinder, pp. 318–19,similar to the account of John Evelyn; Vol. 2, p. 401, Parchment, marbled, p. 413. Second edition, 1757, Third 1766, Fourth, 1774. (P&P)

Pratt, Guy A. Let’s Bind a Book. New York, 1944. Describes use of glue for marbling size, pp .74–77.

Prediger, Charles E. “Schnitt wie Türkisch Papier zu Machen, vom Marmorieren und Einem Alten Rezept.” Der Druckspeigel. Vol. l, 1946, p. 13. (GG)

Prepared Papers and How to Make Them: A Collection of Practical Receipts. London, 1873. (DH)

Price, Ann. “Down Marble Alley.” Country Life (UK). Vol. 160, No. 4142, Nov. 18, 1976, pp. 1511–1512. Describes marbled fabrics and papers used in interior design.

Prideaux, S.T. An Historical Sketch of Bookbinding. London: Lawrence & Bullen, 1893. 303 pp. Gives an account of early marbling history, mentions 32 albums with marbled paper in the British Museum, and notes Japanese marbled paper then on the market, pp. 86–89, 94.

Prideaux, S. T. and Sara Treverbian. An Historical Sketch of Bookbinding. London: Lawrence, 1983, 303 pp. Album amicorum, pp. 87–88; edge marbling p. 208.

Pudor, Heinrich. “Das Papier als kunstgewerbliches Mittel.” Zeitschrift für Bücherfreunde . (Leipzig). New Series, Vol. 1, 1909–1910, pp. 217–220. (CS)

Pugh, Patricia. Film on the Marbling Process Made at the Cockerell Studio in England. Acquired by New York Public Library in January 1970.

Rabelais, François. Pantagrueline Prognostication. (Lyon?), 1532 or 1533. Chapter 5 lists dominotier and patenôtrier for the first time. Chapter 30, p. 4, names a dominotier, Godefroy de Bouillon. (GM)

Raccolta Bertarelli: Carte Decorate. See Alberto Milano and Ellena Villani.

Radcliffe, Katherine. “Marbling with Oil Base Inks. Part 1.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 2, Autumn, 1987, pp. 4–5, illustrated.

Radcliffe, Katherine. “Marbling with Oil-base Inks. Part 2.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 3, Winter, 1987, pp. 12–14, 20, illustrated.

Radcliffe, Katherine. “Pricing Standards for Marblers.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 3, Winter, 1988–1989, pp. 2–3.

Radcliffe, Katherine. “Pricing Standards for Marblers.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 36–38.

Rawson, Philipp, and Laszlo Legeza. Tao: The Chinese Philosophy of Time and Change. London: Thames & Hudson, 1973. Marbled designs in ceramics illustrate flow of vital energy.

Recipe Book for Decorated Paper. Germany, late 19th century. Manuscript with samples. 132 pp. Part of the Dessauer Collection in the Koninklijke Bibliotheek. Described and illustrated in Londerd Hoogtepunten uit de Koninklijke Bibliotheek. No. PC Des 3, fol. 73-74-r.

Rees, Abraham. The Cyclopaedia; or,Universal Dictionary of Arts, Sciences, and Literature. By Abraham Rees…With the Assistance of Eminent Professional Gentlemen. London: Longman, Hurat, Rees, Orme & Brown, 1819. 39 Vols. of text, 6 Vols. of plates. Marbling, Vol. 22, Paper Marbling, Vol. 26. Based upon Chambers. (P&P)

Rees, Abraham. The Cyclopedia, or, Universal Dictionary of the Arts, Sciences, and Literature. Philadelphia: Samuel F. Bradford, 1819. First American edition.

Rees, Abraham. New Encyclopedia; or, Universal Dictionary of the Arts and Sciences. Philadelphia: Samuel F. Bradford, 1819.

Reichl, Otto. “Die Buntpapiersammlung der Staatlichen Kunstbibliothek in Berlin.” Blätter für Buchgestaltung und Buchpflege. 3. Jg., H. 1, 1932, pp. 13–14. Basis for setting value of collection; contents include early Persian, Turkish, 17th- and 18th-century French papers, etc.

Remondini, Giuseppe e FigIi. Catalogo Delle Stampe in Rame, in Legno, ec. e delle Varie Qualita di Carte Privilegiate, le QuaIi si Lavorano in Bassano Presso la Dita di Giuseppe Remondini e Figli di Venezia, con i suo Pressi Fissati a Moneta Veneta. [A Catalogue of engravings in copper, in wood, etc., and in various qualities for privileged documents that are manufactured in Bassano at the firm of Giuseppe Remondini and Sons of Venice, together with their prices fixed in Venetian coinage]. Venice, 1784. Marbled papers, p. 114.

Renault, Anne. The Art of the Paper Marbler: A Mechanical Art. London: Camberwell, 1980. 18 pp., unbound, folio form. Edition of 75. A translation from the Diderot and D’Alembert Encyclopédie.

Rennie, Silvia. “Ascona Style Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No.4, & Vol. 3, No. 1, Spring/Summer, 1989, pp. 28–29, original sample.

“Report on the Second International Marblers Gathering.” In: The Canadian Bookbinders and Book Artists Guild. Vol. 10, No. 4, 1992. Summaries of some of the lectures include: Turkish marbling, different gels, and marbling in Scotland.

Repository of Arts and Sciences. Edinburgh: Peter Brown, 1838. To marble paper and the edges of books, p. 95.

Rhein, Adolph. “Frühe Buntpapiere.” Jahrbuch der Einbandkunst, Vol. 4, 1937, pp. 65–91. Marbled and other decorated papers in the 1572 album of Kaiser Maximilian.

Richelet, Pierre. Dictionnaire Français. Geneva: J. H. Widerhold, 1680. Notes on marbling paper and leather. (D&I)

Ricqles, Francois. Art Islamique. Paris: Drouot-Richelieu, April 9, 1993. Exposition Catalogue. No. 78, marbled border.

Ringer, Angela. Marmorpapier: Mit text von Angela Lohrey. Stadtgeschichtliche Museen. Nurnberg: H. Carl, c. 1994. 152 pp., illlustrated, some color. Catalog of an exhibition held Feb. 24–May 15, 1994 in the Albrecht Durer Haus, Nuremberg. Includes bibliography, pp. 148–152.

Roades, Pauline. “Marbled Pictures from Spots of Color.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 14–16, illustrated.

Roberts, Matt T., and Don Etherington. Bookbinding and the Conservation of Books: A Dictionary of Descriptive Terminology. Washington, DC: Library of Congress,1982. 296 pp. Marbling, pp. 165–167 et al., color plates xi A,B,C.

Robinson, B.W. Persian Paintings in the India Office Library. London: Sotheby Parke Bernet, Phillip Wilson publisher, 1976. 271 pp., illustrated. in color and black and white. Marbled picture, Pl. 142, oxen locking horns.

Roff, Renée. Directory of American Book Workers. Bronxville, NY: Nicholas T. Smith, 1981. 117 pp. Marblers, pp. 85–86.

Román, José M. “An Unexpected Exhibition.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 32–33, illustrated. An exhibition of marbling in Spain.

Rössig, C.G. Lehrbuch der Technologie für den Angehenden Staatswirth u. d. Sich Bildenden oder Reisenden Technologen. Jena: Akademischen Buchhandlung, 1790. Marbling is included in the first section on paper, receipts for trades. (GG; noted in Matthew’s catalog in Olga Hirsch Collection.)

Rouveyre, Edouard. Connaissance Nécessaire à un Bibliophile. Paris: Rouveyre, 1899, 10 vols. Marbrure, Vol. 5, with samples by Putois. (D&I)

Roux, Charles. Pour le Relieur. Paris: Dunod, 1926. viii, 162 pp. Marbling, pp. 71–87. Gives instructions from Pelouze, remarks on contemporary taste in marbling.

[Rubovits, Norma.] See: Eve Simmons, Marci Greenwald.

Rubovits, Norma. Review of Iris Nevins, “Traditional Marbling. Second edition.” Rare Books and Manuscripts. 2. 1987, pp. 134–135.

Rubovits, Norma. Letter to editor in Abby News Letter, Vol. 4, No. 1, January, 1980, in response to “Guyot on Marbling.” Vol. 3, No. 4, 1979. Guyot responds in Vol. 4, No. 3, “Guyot on Marbling.”

Rubovits, Norma. Marbled Vignettes. Los Angeles: Dawson’s Book Shop, 1992, 8 pp., 1 vignette. Includes Muir Dawson & Norma Rubovits in Conversation. Edition of 135; of this, 35 copies are contained in a box with five matted examples of marbled vignettes.

Rubovits, Norma. Review of Franz Weisse’s The Art of Marbling, translated from the German by Richard Wolfe. Fine Print,Vol. 7, No. 3, July 1981, p. 86.

Ruthrauff, Clare, “Easy Marbelizing Magic.” House and Garden. Vol. 152, No. 1, Dec. 1980, pp. 124–125, 165, 170. Describes work of Sandra Holzman on paper and textiles.

Russell, Claire “Printing Your Own.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, p. 21. Easy method of printing marbled designs

Sabih, Ahmet. “Suya Renk Veren Adamin Öyküsü.” Cumhuriyet Dergisi. Sayi [No.] 238, September. 30, 1990. Düzgünman with ebru.

Sachs, Hans. “Bucheinband und Buntpapier.” Kunstwelt (Berlin), 1913. Marbling, pp. 271–272, 276, 283, 288–290, 353–356.

Sachs, Hans. Moderne Buchpapiere und ihre Verwendung.” Zeitschrift für Bücherfreunde (Leipzig), Neue Folge, 1. Jg., 1909, pp. 73–80. illustrated. Speaks of the transformation of handwork into a major industry employing thousands of workers under Dessaur at Aschaffenburg.

Safadi, Yasin H. Islamic Calligraphy. Boulder, CO: Shambhala, 1979. Pl. 87, p. 85; Pl. 110, p. 96.

Samford, C. Clement and John M. Hemphill.. Bookbinding in Colonial Virginia. Wiiliamsburg, 1966, xxii, 185 pp., 15 Pls. Marbling, pp. 61, 101–102, and scattered references.

Sami, Semsettin. Kamûs-i Türki. Istanbul: Ikdam Matbaasi, 1901. Kaamus-i Türki, p. 65. Ebru history. Traces the word ebru to a 15th century Central Asian Chaghatay Turkish term meaning “colorful” or “variegated” .

Sampson, J.T. “Paper Staining and Coloring.” Report of Artisans. Paris, 1889. (DH)

Sandys, George. A Relation of a Journey Begun An. Dom. 1610. London, 1615. Marbling by Turks, p. 72.

Sansom, B.J. “Marbling Paper—A Practical Talk by Mr. B.J. Sansom.” The World Paper Trade Review. Aug. 15, 1924, pp. 530–534. Marbling history, materials, and mechanical marbling discussed.

Sansom, B.J. “A Practical Talk on Marbling.” British & Colonial Printer & Stationer. July 24, 1924, pp. 60–61. More detail on the marbling machine. Similar to above.

Saurman, Judith B., and Judith A. Pierce. Ready-To Use Marbleized Papers. New York: Dover, 1979. 48 pp. 12 sheets of printed marbled paper.

Saurman, Judith B. and Judith A. Pierce. Ready-to-use Marbled Papers. 12 leaves. Minneola, NY: Dover, 1987.

Saunders, T. H. Illustratiions of the British Paper Manufacture. London: Waterlow & Sons., 1855, 4 Vols., elephant folio. Class D, Nos. 54–64, marbled papers.

Sauvey, Anne. Reviewer. “Marie-Ange Doizy and Stephan Ipert. Le Papier Marbre: Son Histoire et sa Fabrication.” Revue Française d’Histoire du Livre. Vol. 54, 1985, pp. 553–554.

Savas, Taskin. Ebru Sanati. Istanbul: Bosak Matbaasi, 1980. (NH)

Savas, Taskin. Ebru Kursu Notlari ve Dialari. Istanbul: Yapi ve Kredi Bankasi , 1983–1984. Course in ebru.

[Sayin, Niyazi] “Haydn; in Obua Koncertosuna Neyle alan Sanatci.” Hayat. No. 25, 1976. Interview.

Schade, J.A.E. Die Marmorierkunst oder Anweisungfur Buchbinder, den Kamm- und Turkischen Marmor Anzufertigen. Berlin, 1885. New edition, Berlin, 1975. (GG)

Schade, J.A.E. Die Marmorierkunst oder Anweisung den Kamm- und Türkischen Marmor Anzufertigen, für Buchbinder. Berlin, 1845. (AH)

Schick, Irvin Cemil. “Christopher Anthony Tyl Weimann. Naks-i ber Ab.” Argos. Temmuz [July], 1989, No. 11, p. 25, illustrated in color. Obituary for Christopher Weimann.

Schick, Irvin Cemil. “Kalipla Ebru Yapma San’ati ve Yeni bir Yazili Ebru Ustasi: Feridun Özgören.” Antika. Issue. 36, April, 1988, pp. 19–25. Illustrated in color. Text in Turkish and English. New master Feridun Özgören uses stencil & resist.

Schimmel, Annemarie and Stuart Cary Welch. Anvari’s Divan: A Pocket Book for Akbar. New York: The Metropolitan Museum of Art, New York, 1983. 142 pp. Original in Fogg Museum. Contains beautifully marbled pages.

Schimmel, Caroline F. “A Bibliography of Materials Containing Information on Decorated Papers.” Guild of Book Workers Journal, Vol. 18, No. 1, 1979–1980 (published 1982), pp. 46–57.

Schirmann, Adolf. “Das Marmorieren, wie dabei vorkommenden Störungen und ihre zweckmässige Beseitung.” Schweizerische Fachschrift für Buchbinder No. 42, 1932, pp. 194–196, 199–200. (AD #360).

Schirmann, Adolf. “Das Marmorieren mit der Tropfenflasche.” Schweizerische Fachschrift für Buchbinder. No. 42, 1932, pp. 167–168. (AD#361)

Schirmann, Adolfhans. “Marmorieren der Buchschnitte.” Buchbinder-Kalender, Vol. 48, 1938, pp. 64–67. (GG)

Schleicher, Mimi. “It Takes Some Gall to Marble With van Daal!” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 16-21. 3 illustrations, 1 tipped-in original sample. Mimi studied with van Daal.

Schleicher, Patty. “Marbling Threads.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Autumn, 1988, pp. 6-8.

Schleicher, Patty. Oil Color Marbling. Weaverville, NC: Patty Schleicher, 1984, 16 pp., original sample.

Schleicher, Patty and Mimi Schleicher. Marbled Designs: A Complete Guide to 55 Fascinating Patterns. Asheville, NC: Lark Books, 1993, 148 pp., illustrated in color. Includes bibliography.

Schmidt, C. K. Der sich Vervollkommende Buchbinder, oder die Schnittmarmorir- und die Vergoldekunst in der Buchbinderei Schmidt. Weimar, 1850. viii, 56 pp. (PK)

Schmidt, Max. “Verwendungs-möglichkeiten von Buntpapieren.” Blätter für Buchgestaltung und Buchpflege. No. 3. Jg., H.1, 1932, pp. 15–16. Reports modern uses and current market for marbled paper.

Schmidt-Kunstmuller, Friedrich-Adolph. Bibliographie zur Geschichte der Einbandkunst von den Anfangen bis 1985. Wiesbaden: Dr. Ludwig Reichert Verlag, 1987. Buntpapier references pp. 407–417.

Schmoller, Hans. “Collecting Decorated Papers and Japanese Papers.” Printing Historical Society Newsletter. No. 38, 1977, pp. 1–3.

Schmoller, Hans. Decorated Papers From Many a Land. Broadside for a lecture delivered November 9, 1980 to the Friends of the Library, Catholic University of America, Washington, D. C.. Given in conjunction with an exhibition of gold bindings and decorated papers of the Clementine Library. See also: Festina Lenta.

Schmoller, Hans. “Panoply of Paper: On Collecting Decorated Papers.” Matrix 3. November, 1983, pp. 5–20, 1 large fold-out sheet, in color, 43 papers illustrated; 8 are marbled.

Schmoller, Hans. Pattern into Picture: Figurative Marbling in the East. Address to the Double Crown Club, February 7, 1984, at the Arts Club. Leaflet illustrated with the detail enlarged from a marbled image in the New Delhi National Museum, Print from Marianne Ford’s Copycats.

Schmoller, Hans and Tanya Schmoller. An Exhibition of Decorated Papers from the Schmoller Collection Held in Edinburgh University Library 9th March—1st May, 1987. Text is the article by Hans Schmoller, “Panoply of Paper…” published in Matrix 3, 1985, emended by Tanya Schmoller. Fold-out Plate.

Schmoller, Tanya. “Collecting Decorated Papers.” Bookbinder: Journal of the Society of Bookbinders and Book Restorers: England. Vol. 2, pp. 11–20, 1988.

Schmoller, Tanya. “The Fancy Paper Company.” Matrix 8. Winter, 1988, pp. 173–175. 3 original samples of Seymour papers.

Schneider, Jeanette. “La Carta Marmorizate.” Bolletino dell’ Instituto Centrale per la Pathologia del Libro “Alfonso Gallo.” Anno XXXVIII. 1982–1983. Student research from Rome. Fide Stéphan Ipert.

School of Arts. 3rd ed. London, 1750. (RS)

School of Arts; or The Fountain of Knowledge. London, 1820. Marbling, p. 38. (RS)

Schott, Gaspar. “Chartam Variis Coloribus More Turcico Pingere” [How to Design Papers in the Turkish Manner with Various Colors]. Magia Universalis Naturae et Artis… Wurzburg, 1657. Olga Hirsch Collection.

Schroeder, Eric. Persian Miniatures in the Fogg Museum of Art. Cambridge, MA: Harvard University Press, 1942. Pls. 21 and 26 show early 17th century miniatures bordered with marbled paper.

Schröder, H. “Bücherpapiere und Einbandstoffe.” Zeitschrift für Deutschlands Buchbinder und Verwandte Gewerbe. 1911, 221 pp. (DHP)

Schubert, Max. Die Papierverarbeitung. Berlin, 1900–1901. A description of the manufacture of marbled and other decorated papers is contained in Vol. 2. (AH)

Schubiger, Frans. Papier Färben. Winterthur: Verlag Frans Schubiger. n.d., n.p. (VP)

Schuder, W.A. Vollstündige Anweisung Bunte Papiere als Tuerkisch, Kattunpapiere und Andere zu Machen. 1808. (AH)

Schuenemann, Otto. See “Otto Schuenemann.”

Schulhof, Walter. “Ältere Buntpapiere.” Archiv für Buchgewerbe. 1901. Bd. 38, H. 4, pp. 126–129; H. 5, pp. 170–172, illustrated. (DH)

Schulhof, Walter. “Moderne Vorsatzpapiere.” Archiv für Buchgewerbe. 1900, pp. 355–357, 2 illustrations, 20 samples, 4 Pls. (AH)

Schulte, Alfred. “Die Anfänge der Buntpapierherstellung in Deutschland.” Archiv für Buchgewerbe Gebrauchgraphic. H. 6, 1941. Describes a document of 1589 governing the right to make Buntpapier, which was sold and inherited as family property. Also contains a bibliography and Kunckel’s directions for marbling. Typescript seen in Olga Hirsch Collection. See also E. Kirchner.

Schutz, Geza. “Individual End Papers for Public Libraries.” Library Journal, Vol. 59, No. 15, 1934, pp. 868–871. Notes that books bound during the French Revolution had plain endpapers as opposed to opulent marbled papers.

Schwartz, John. Marmorérbogen. Letfattelig og grundig Vejledning ved Selvundervisning i Marmorér-kunsten. Udarbejdet i Jacob Badens Bogvinderi. Copenhagen: D. Voigt & Co. 1902, 22 pp, 3 line drawings. Joseph Halfer’s description of preparation of normal size is reprinted in Danish on page 21.

Schwenter; Daniel. “Türkisches Papyr zu machen und zu Figuriren.” Deliciae Physico-Mathematicae [oder Mathemat.] und Philosophische Erquickstunden. Zusammen getragen durch G.P. Harsdorffer. Nuremberg, 1651–1653. Marbling, pp. 523–24. Published posthumously. (CA)

Second International Marblers’ Gathering Exhibition Catalogue. August 6–29, 1992. Taos, N.M.: Fresh Ink Press, 1992, 44 pp., illustrated in color.

Secrets Concernant les Arts et Métiers. Paris: Claude Jombert, 1716. 612 pp. Marbling, Vol. 3, pp. 682–746. Later ed. Paris: Moutard, 1790. British Library. (WM)

Seeman, Theodore. Die Tapete: Ihre ästhetische Bedeutung und Technische Darstellung, Sowie Kurze Beschreibung der Buntpapierfabrikation. Vienna: A. Hartleben, 1882. 240 pp., illustrated. Marbled paper, pp. 126–134.

Seidel, Herbert. “Das Marmorieren auf Buchschnitte.” Der Buchbinderlehrling. No. 6, Sept., 1938, pp. 95–96; No. 7, Oct., pp. 110–112; No. 8, Nov., pp. 126–127; No. 9, Dec., pp. 140–143.

Selma, Hatice. “Ebru.” Sadirvan Mecmuasi. Cilt (Vol.) 2, No. 14, Eylül, [September], 1979.

Senf, B. “Moderne Buntpapiere und ihre Verwendung zu Bucheinbänden.” Börsenblatt für den Deutschen Buchhandel, 1908. (DH)

Senn, Linda. “Travels to Taos.” Marbling Bath. Vol. 1, No. 1, Spring, 1994, p. 6, illustrated.

Senshoku To Seikatsu [Textiles in Life]. Fall issue, No. 7, 1974. Quarterly issue devoted to suminagashi. Editorial staff et al.

Setterberg, Ruth E. “Marbled Papers.” Guild of Book Workers Journal. Vol. 5, No. 2, 1966–1967, pp. 18–19.

Sevim, Eti. “Abstract Art and Ebru, Compared with Jackson Pollack.” Türkiyemiz. Published by Akbank. 8th year, No. 23, Oct., 1977, pp. 46–47, illustrated.

Sevim, Eti. “Abstract Art and Ebru, Compared with Jackson Pollack.” Türkiyemiz. Published by Akbank. 8th year, No. 23, Oct. 1977, pp. 46–47, illustrated.

Sevket, Rado. Türk Hattatlari. Istanbul: Yayin Matbaacilik Ticaret Ltd. Sayfa [p.] 106. Hattat Ahmet Siyahi’nin (Ölümü 1099/1687). Talik bir kitasi, ebrulu zemin. (NH)

Sewell, Samuel. Diary, 1674–1729. Boston, 1878–1882. Notes use of marbled paper to bind sermons, Vol. 1, pp. 58, 96. (CA)

Seymour, W. F. “Marbling With My Uncle.” Matrix 8. Winter, 1988, pp. 175–180, illustrated, original sample marbled paper.

Seymour, William. Bookbinder’s Marbling. A color film strip of 36 double frames accompanied by a commentary in a manuscript booklet. London, 1959. No. R 118, Olga Hirsch Collection.

Shaffer, Ellen. “John Frederick Lewis, 1860–1932.” Manuscripts. Vol. 15, No. 1, pp. 42–46. Lewis collected Indian manuscripts; several are marbled.

Shannon, Faith. Paper Pleasures. London: Mitchell Beasley in association with Il Papiro, 1987. 168 pp., illustrated in color. Papermaking and marbling by Jenni Grey, pp. 22–43, 84–93.

Sheaff, Richard D. “Making Marbled Paper.” American Artist. Vol. 42, No. 433, Aug. 1978, pp. 34–39. Illustrated in color and black and white. Describes method, lists sources of supply, names contemporary marblers.

Sheaff, Richard D. Marbled Papers. Thesis, U. of Syracuse, Syracuse, NY, 1977. 449 pp., illustrated.

Shensetsu, Kitamura. Kiyu Shoran. 1830. Instructions for suminagashi. (T&T)

Shimura, Asao. Suminagashi. Tokyo: Bunseido Press, 1978. 6 lvs., 8 samples (1 Indian, 7 by Shimura); 1 p. in English, 3 in Japanese. Miniature book.

Shukan, Asahi. “Heian Jidai koki no bi jutsu, 11.” Hyakka Sekai no Bijutsu [Art of the World]. No. 110, 5/4, 1983. Illustrated. (BS)

Simon, Eva. “Marriage of Skills Revives Art.” Southeast Economist. April 6, 1969, p. 5. Bookbinding and marbling, Frank and Norma Rubovits.

Sinclair, Hugh. The Whole Process of Marbling Paper and Book Edges: to Which is Added, the Art of Staining Paper, Including Yellow, Green, Orange, Pink, etc. The Method of Making Various Shades being Fully Explained and Made Easy. The Whole Collected From Observations Made During a Period of Nearly Seven Years’ Constant Practice. London: R. N. Rose, 1820, 42 pp., 2 plates.

Sinclair, Hugh. The Whole Process of Marbling Paper. [Glasgow]: n.d. 25 leaves of text and 4 unnumbered pages, with samples of marbled paper . (P&P)

Sitwell, Sacheverell. Introduction to an Exhibition of Historical and British Wallpapers, May 1945. Comments on the early domino papers and the path of marbled papers from Italy into Europe. John Johnson Collection, Bodleian Library, Oxford U.

[Skycraft, Peggy.] See: Dan Weeks.

Smith, Georgiana R. Table Decoration. Rutland, VT: Charles Tuttle, 1968. 288 pp., illustrated. States marbled paper was used to cover wooden bases for fruit pyramids in wicker or porcelain baskets in 17th, 18th, and 19th centuries, p. 114.

Smith, L. Herman. “Manuscript Repair in European Archives.” American Archivist (NY). Vol. 1, No. 1, 1938, pp. 1–22. D. Cockerell’s use of marbled paper, p. 15.

Smith, Pamela. “Christopher Weimann—Tribute Exhibition.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 4 & Vol. 3, No. 1, Spring/Summer, 1989, pp. 10–14, illustrated.

Smith, Pamela. “Edition Marbling.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, Summer, 1988, pp. 15–17.

Smith, Pamela. “A Marbled World Tour.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 5–9, illustrated. An International Exhibition, Caspar, Wyoming.

Smith, Pamela, “A Marbler’s Quest.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 1, No. 4, Spring, 1988, pp. 4–5, illustrated. Christopher Weimann’s research on marbled paintings.

Smith, Pamela. Reviewer. “Second International Marblers’ Gathering Exhibition Video.” Ink & Gall. Taos, NM: Fresh Ink Press, Taos, NM: Fresh Ink Press, Vol. 7, No. 2, Winter 1993, pp. 16–17.

[Smith, Pamela.] See: Aline Brandauer.

Smith, Merrily A. “Marbling in the Kitchen Sink.” Minnesota University Bulletin. Vol. 3, No. 2, April, 1972, pp. 61–63, illustrated.

Snape, Margo. “The Art and Craft of Watercolour Marbling.” Wayzegoose 1.[Australia] 1985, pp. 43–46, 8 tipped-in samples.

Snape, Margo. “Sharing Our Culture.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 4–8, illustrated. Margo teaches marbling to Autralian aborigines.

Sobota, Jan. “Marbled Papers for Fine and Design Binding.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 4, No. 1, Summer, 1990, pp. 6–10, illustrated.

“Son Ebru Ustasi Mustafa Düzgünman.” Türkiyemiz. Haziran [June], 1986, sayi [No.] 49, sayfa [p.] 6, illustrated. (NH)

Sönmez, Nedim. Ebru. 3. Juli, 1986.

Sönmez, Nedim. Ebru Marmorpapiere. Ravensburg: Otto Maier, 1992. 151 pp, illustrated in color. Bibliography, technique, history treated.

Sönmez, Nedim. “Ebru Sanatinda Yenilikler.” Sanat Dünyamiz. Vol. 11, No. 34, 1985. pp. 27– 33; English pp. 32–33. Illustrated in color.

Sönmez, Nedim. “Ebru Tablolariyla.” Antika. Issue 22, January, 1987, pp. 6 & 7, illustrated in color.”Nedim Sönmez and his Marbled Pictures.” pp. 8-9.

Sönmez, Nedim. Die Geschichte der Marmorierten Blumen. The History of Marbled Flowers. Tübingen: Jäckle-Sönmez, 1991. 75. pp., 10 original marbled flowers. 3″ x 1 1/2″.

Sönmez, Nedim. Grundkurs Marmorieren: Technek, Muster, Motive. Freiburg: Christopher Verlag, Hobby Werken, 1993.

Sönmez, Nedim. “Türk Kâgidi. Türkisch Papyr. Turkish Paper.” Antika Issue 36, April, 1988, pp. 26–31. Illustrated. in color. Turkish and English text.

Sönmez, Nedim and Yvonne Jaeckle Sönmez. Alte und Neue Buntpapier. Program for an exhibition, Museum für Kunsthandwerk, Frankfurt am Main, 15.2—16.4, 1989.

Sönmez, Nedim and Yvonne Jaeckle-Sönmez. “Kültür-Sanat ve Toplum. Culture and Society.” Antika No. 7, October, 1985. Illustrated. 1 pp.

Sönmez, Nedim and Yvonne Jäckle-Sönmez. Turkish Papier, Ebru. Turkish Marbled Paper. Tübingen: Jäckle-Sönmez Verlag, 1987. 107 pp.; Illustrated in color, 1 original paper. Text in German & English, with essays by Emin Barin and Barbara Lipps-Kant.

Spencer, Stuart. Marbling: How to Techniques. First American edition. New York: Harmony House, 1989, 127 pp, illustrated in color. First published in Great Britain by Macdonald, 1988.

Spitzmuller, P. J. Patterns From the Floating World. Chicago: Rama Head Press, 1978. Text, marbling, printing and binding by the author. Accordian binding. Edition of 31.

Stark, David and Jo Stark. “Nature’s Best and Man’s Response.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 35-36, illustrated.

Stenius, Lennart. “Marmorering, hantverket som går mot en renässans.” Calamus. 1980, pp. 18–20.

Stephen, G. A. “Decorated End-papers.” The Bibliophile. Vol. 3, 1909, pp. 124 ff. (Fide John Walcott.)

Stern, Harold P., Ed. The Freer Gallery of Art. Part 2: Japan. Tokyo: Kodansha, 1971. 184 pp. Illustrated in color. Suminagashi from the Genji Album is illustrated on Pl. 35 and p.163.

Sterne, Laurence. The Life and Opinions of Tristram Shandy Gentleman. 3 vols. London: Printed for R. & J. Dodson, 1761. The leaf for pages 69–70, volume 3, is marbled on both sides. Many editions have employed various methods for presenting the curious marbled leaf.

Sterne, Laurence. The Life and Times of Tristram Shandy. Reading, England: Golden Cockerel Press, 1929, with 15 engravings by J. E. Labourer. Vol. 1, p. 249, engraving to replace the marbled leaf of the first edition, resembles a topographic map.

Sterne, Laurence. The Life and Opinions of Tristram Shandy. San Francisco: Arion Press, 1988, 26th edition. Three volumes in slip case. Edition of 400 sets. Marbling by Eileen Canning of Dancing Inks.

[Sterne, Laurence.] See: Peter J. de Voog.

Stewart, April Lynn. “On the Origins of Paper Marbling and the Migration of Knowledge.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 3, No. 2, Winter, 1989/90, pp. 8–9.

Stobbe, Otto. “Von Marmor- und anderen Phantasiepapieren.” Allgemeiner Papier–Rundschau. 1950, pp. 785–786. (GG)

Stolba, Leopold. Dekorative Kunst. [Munich]: Vol.7, Nov., 1903, pp. 72–74. No text, but exotic marbled fish illustrated.

Strauss, Victor. The Printing Industry. New York: R. R. Bowker, 1967. States that marbling is an almost forgotten art, out of step with the speed requirements of the times, p. 679.

Strick, Tourandokht. “The Integration of Marbling and Serigraphy.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 11–13, illustrated.

Strick, Tourandokht. An Integration of Marbling and Serigraphy in the Fine Arts. A thesis submitted to the Faculty of The Graduate School of Fine Arts of The George Washington University in partial satisfaction of the requirements for the degree of Master of Fine Arts in Graphics. May 8, 1977. 62 pp., 14 plates, bibliography. Unpublished. Washington, DC

Strose, Susanne. Coloring Papers. New York: Sterling Publishing Co., 1968. Marbling, pp. 36–37. First edition published in Germany, 1967, as Buntpapiere.

Suchanek, Jakob. Das Marmonieren der Bücherschnitte. Ölmutz, 1880. (PK)?

Sugden, Alan V., and John L. Edmondson. A History of English WalIpapers 1509–1914. London: B.T. Betsford, [1926]. 281 pp., illustrated. Marbling treated on pp. 10–11, 28, 40, 94–95. Some marbled wallpaper was painted, pp. 49–50, 96.

Sugden, Alan V., and John L. Edmondson. “Wall Coverings by Various Authors.” CIBA Review. [Basle]: No. 3, Nov. 1937. Englebrecht plates reproduced, historical notes, p. 104. See Englebrecht.

Sumner, James. The Bookbinder’s Pocket Companion Containing Valuable Receipts Requisite to be Known by Every Workman. Richmond, England: R. A. L. Warne, printer, 1858. 8 pp.

Sumner, James. The Mysterious Marbler, or The Mystery Unfolded: Shewing How Every Bookbinder May Become a Marbler, to Establish and Defend the Right of His Trade; For it Is His Definite Right that He Should Marble. London: T.J. Dunning, 1854. 24 pp. British Library. Only one library copy known in U.S. 2nd ed., with a historical introduction, notes and 11 original marbled samples by Richard J. Wolfe, North Hills, PA: Bird & Bull Press, 1976. Edition of 250 . Quarter bound in paper marbled by Wolfe.

Susuki, Fukutomi. “Nori Nagashi-zome.” [Scenery drawn with starch.] Senshoku To Seikatsu. 1974, No. 7.

Sweeney, Joan. “All Your Eggs in One Basket.” Marbling Bath. Vol. 1, No.1, Spring, 1994, p. 4, illustrated.

Symons, Julian. Oscar Wilde: Problems in Biography. Council Bluffs, Iowa: Yellow Barn Press, 1988. 27 pp., illustrated. 3 specimens of marbled paper. Text of the Lucy Lecture delivered at Amherst College, April 7, 1988.

Szigrist, Paul. “Neue Marmorierfarben von Paul Szigrist.” Archiv für Buchbinderei. 1910–1911, pp. 167–168. (GG)

Tabor, Stephen. “Contemporary Paper Marbling.” Hoja Volante: Zamorano Club Quarterly. May, 1984, No. 145, pp. 2–4, marbled sample by Christopher Weimann.

Takahashi, Seiichiro. Master Works of Ukiyoe. Harunobu. 3rd ed. Tokyo: Kodansha, 1976. English adaptation by John Bester. P1. 33, Performing Monkey, has a woodblock printed suminagashi background. First ed. 1968; second printing, 1972, third printing 1976.

Tamer, Sinasi. “Okullarda Resim.” Is Ders Kitabi. Istanbul: Ülkü Basimevi, 1947. Sahife 111–117. Ebru class work for students, materials and instructions are given.

[Tanarslan, Timuçin] Gençligin Sesi. May 1990, and August 1990. The inside of front and back covers of both issues illustrates the work of T. T.

“Tanarslan, Timuçin, an interview with.” Milli Kültür. No. 74, July, 1990, pp. 9–10, illustrated. Front and back covers feature his ebru.

Tanarslan, Timuçin. “Bir Ebrucu Gözüyle Ebru. Marbling Through the Eyes of a Marbler.” Antika. Issue 36, April, 1988, pp. 12–18. Text in Turkish and English. Illustrated in color. History and technique of ebru discussed.

Tanarslan, Timuçin. “Ile Görüsme.” The New Paper. February 19, 1992. Singapore. 1 p. 1 illustration.

Tanizaki, Junichiro. Seven Japanese Tales. Translated by Howard Hibbett. A Perigee Book. New York: G.P. Putnam and Sons, 1981, 298 pp. “The Bridge of Dreams” story concerns a poem on suminagashi, p. 95.

Tanselle, G. Thomas. “The Bibliographical Description of Patterns.” Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia. Vol. 23, Charlottesville: U. of Virginia Press, 1970. 280 pp. A method of describing marbled patterns, pp. 72–102.

Tavik, Anton. The Art and Practice of Edge Marbling. Baltimore: The Author, 1908. (R&E)

Taylor, Carol with Patty Schleicher, Mimi Schleicher and Laura Sims. Marbling Paper & Fabric. New York: Sterling/Lark Book, 1991, 128 pp., illustrated in color and black and white. Bibliography and supply list included. Paper back issued in 1992.

Taylor, Woodman. “Recreating Marbled Symphonies.” Ingrid Weimann and Nedim Sönmez. Christopher Weimann (1946–1988): A Tribute. 1991

Teichmann, Theodor D. “Die Marmorirschule.” Illustrierte Zeitung für Buchbinderei und Cartonnagenfabrikation. 30. Jg. , 53. Bd., No. 1, pp. 6–26, 1897.

Tertib-i Risale-i Ebrî. [An Arrangement of a Treatise on Marbling.] After 1615. See also Isik Yazan, 1986 and Ugur Derman 1977.

Templeton, Peg. “Meditations on Color.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 1, pp. 19–20.

Tesseire, Cl. “Papier Peigne a la Cuve de M. Douglas Cockerell.” La Reliure. Noel, 1964. pp. 12–14. (D&I)

Tesukiwashi Taikan [Handmade Japanese Paper]. Tokyo: Mainichi Newspaper Group, 1974. Consists of one thousand mounted specimens in five cloth-covered boxes, and a smaller box containing five books with articles and lists relating to each of the sample boxes. Japanese edition was oversubscribed, but the English was not. Suminagashi treated on pp. 36–37. Two samples of suminagashi by Kouichi Yamada, No. 758.

Teynac, Françoise, Pierre Nolot, and Jean-Denis Vivien. Le Monde du Papier Peint. Paris: Berger-Levrault, 1981, 243 pp., illustrated in color. Many scattered references to marbling.

Teynac, François, Pierre Nolot and Jean-Denis Vivien. Wallpaper: A History. Foreword by David Hicks. Translated from the French by Conway Lloyd Morgan. New York: Rizzoli, 1982., 251 pp., illustrated in color and black and white. English translation of Le Monde du Papier.

Theory and Practice of Bookbinding. U.S. Government Printing Office Training Series. Washington, DC: GPO, 1962. viii, 244 pp. Marbling, pp. 86, 127–131, 133–135. Book cover illustrates bookmarbling process. First ed. 1950.

Thoemsgen, Wilhelm. Marmorschnitt-Proben der Buchbinderei. Leipzig, n. d. 43 leaves. (AH)

Thom, Karo. “Suminagashi: Ink Floating.” Fine Print. Vol. 7, No. 3, July, 1981, pp. 79–81, 107, illustrated.

Thom, Karo. “Suminagashi no Giho o Benkyo Shite” [Studying the Technique of Suminagashi]. Hyakumantoh. Sept. 1981, No. 52, pp. 100–105, illustrated. Japanese text with English summary.

Thompson, Elbert A., and L.S. Thompson. Fine Bindings in America. Urbana, IL: Beta Phi Mu, 1956. Study of the Club Bindery. Notes that as early as 1895, fine marbled papers and leathers could be ordered from de Jonge & Co., New York, p. 6.

Thompson, Ralph. “Deathless Lady.” The Colophon. New Series, Vol. 1, No. 2, Autumn, 1935. Describes the marbling of an unpublished printing of Fanny Hill, pp. 207–220. See also McCorison.

Thon, Christian F.G. Die Kunst Bücher zu Binden… Sonderhausen und Nordhausen, 1820. Marbling, pp. 127–135. 2nd, 3rd, and 4th eds. were published at Ilmenau by B.F. Voigt, 1826, 1832, and 1844. 5th ed. Ilmenau, n.d.; 6th ed. revised, Weimar: Krehan, 1865; 7th ed. revised, Weimar: Bauer, 1881; 8th ed. revised, Leipzig: A. Franke, 1903. (PK)

Thon, Christian Friedrich Gottlieb. Der Fabrikant Bunter Papiere, Oder Vollstandige Unweisung, alle Bekannten Urten Farbiger und Bunter Papiere… Ilmenau: Bernhardt Friedrich Voight, 1832. Second Edition. Major treatise on the prodution of marbled papers and other decorated papers. No. 25 in Voight’s craft series., Neuer Schauplatz der Kunste und Handwerke.

Thrift, Timothv Burr. Modern Methods in Marbling Paper. Winchester, MA: Lucky Dog Press, 1945. 38 pp., 7 original samples. Edition of 225. Three methods of marbling described.

Tick, W. Het Kantoorboekbinden: Handleiding Ten Gebruike Bij Het Onderwijs aan de Amsterdamse Grafisch School. Amsterdam: School alsv. 1941. 261 pp., illustrated.

Tindale, Keith, and Harriet R. The Handmade Papers of Japan: The Seki Collection. Rutland, VT and Tokyo: Charles E. Turtle Co., 1952. Suminagashi, pp. 110–111. Recipe, method, names of varieties, history, and uses.

“Today’s Suminagashi-Zome, Traditional and Modern Methods.” Senshoku to Seikatsu. No. 7, 1974, pp. 42–50. Historical account of suminagashi given.

Togneri, Lila. “Another Way to Make Patterned Papers in the School Room.” School Arts Magazine. 30, Oct., 1930, pp. 86–87.

Tokuju, Kaneko. “Kanzen Shuroku Suminagashi-Zome.” Senshoku to Seikatsu. No. 7, 1974, pp. 51–59.

Tollenaar, D. Marmeren. Amsterdam: Institute Grafische Technicken, Drukkery J. F. Duwalt & Zoner, 1946. 33 pp., illustrated· (EAT)

Tollenaar, D. Marmeren: Theorie en Toepassing. Amsterdam: Institute voor Grafische Techniek, 1950, pp. 5–19. English summary. Chemistry of oil and aqueous-based color spreading.

Tomlinson, Charles. Cyclopaedia of Useful Arts. London, 1852–54. Vol. 2, pp. 232–235 present a spectator’s account of marbling. (GW)

Toplis, Samuel. Description of a Method of Vein-Marbling and Staining Silk, Linen, Cotton, Rattan, and Paper.The Repertory of Arts and Manufactures. London: Printed for G. & T. Wilie and C. G. and J. Robinson, 1795. Pp. 319-321.

Toulet, Jean. La Reliure Française, XVe-XVIIIe Siècles. Paris: Bibliothèque National, 1973, 51 pp. A few lines on marbling. (D&I)

Town, Laurence. Bookbinding by Hand for Students and Craftsmen. London: Faber & Faber, 1951. 281 pp., illustrated. Oil marbling, pp. 85–87.

Town, Laurence. Bookbinding by Hand. London: Faber and Faber, 1963. Second Edition. Marbling pp. 72–85, oil marbling, pp. 85–87, paste graining, pp. 87–88, illustrated with line drawings.

Trepplin, George. “Die Herstellung selbstgefertiger Überzugpapiere.” Der Buchbinderlehrling. No. 12, Dec., 1927, pp. 94–97.

Trotter, John. Marbling Techniques: Traditional and Modern Methods. London: The Author, 1978.

Tsien, Tsuene-Huin. Science and Civilization in China: Paper and Printing. Cambridge: Cambridge University Press, 1985. Provides a summarized translation from the 10th century text Wen Fang Si Pu by the 10th century Imperial Scholar-Official Su Yijian. Dr. Tsien suggests that paper marbling originated in China.

Tucker—.” Neues Verfahren in der Fabrikation marmorierter Papiere.” Abstracted from the German Gewerbezeitung, 1855, p. 404. Dingler’s Polytechnisches–Journal (Berlin), Vol. 142, 1856, pp. 229–231. Tucker addressed the problems of dispersing and drying agents, and the relative merits of water and size baths in commercial marbling with oil colors. Cited by Exner in 1869, and by P. Kersten (1938, p. 978), who believed 1869 to be the earliest citation for oil marbling.

“Türk Ebrusu Amerika’da. Turkish Marbling in America.” Antika. Issue 5, August, 1986. Turkish. pp. 56–57, English p. 58. Review of “Marbling in the Islamic World” symposium at Harvard University, May 26, 1986.

“Türk Ebruculügünü Dirilten Adam: Üsküdarli Düzgünman…” Hayat Haftalik Mecmua. C [Vol.] 47, Kasim [November], 1972. 7 pp. illustrated.. (NH)

Türkelman, Fuat. “Türk Sanatinda Ebru.” Kök. No. 1, February, 1981, p. 23.

Türk El Sanatlari. Istanbul: Yapi ve Kredi Bankasi A.S. 1969, Cilt [Vol.] 1, sayfa [pp.] 97–99. Turkish, English, French. (NH)

Turkish Handicrafts. Istanbul: Yapi ve Kredi Bankasi S. S., 1969. Vol. 1, ebru pp. 97–99. French, Turkish & English.

Turkish Marbled Paper. Basle: Sandoz, 1971. One folded sheet with original marbled sample. Paper does not appear to be Turkish, but is similar to Cockerell paper.

Turner, G., and F. Major. “Floating Designs, Fifth Grade Projects.” Design.(Indianapolis), Vol. 65, No. 3, Jan./Feb. 1964, pp. 105–107, 126, illustrated.

Uemura, Rokura. “Suminagashi-Zome Obegaki” [Suminagashi Memorandum]. Senshoku to Seikatsu. Fall issue, 1974, No. 7, pp. 30–34.

Ulbricht, Gustav. Die Enthüllten Geheimnisse des Schittmarmorierens… Rochlitz: Ulbricht, 1853; Leipzig: Kollman, 1853. 29 pp., 5 samples of Combed marble in both printings.

Ulbricht, Gustav. Neueste Erfahrungen in der Kunst des Schnittmarmorierens für Buchbinder. Rochlitz-Leipzig: Kollman, 1855. 16 pp. British Library copy destroyed by bombing, WWII.

Ülker, Muammer. Baslangiçtan Günümüzde Türk Hat Sanati. The Art of Turkish Calligraphy from the Beginning to the Present. Ankara: Türkiye Is Bankasi. 1987. 369 pp. Text in Turkish, Arabic, & English. Color plates pp. 99–318, calligraphy with ebru, bibliography pp. 49–52.

Uniform Leerstoff Theoretisch Onderricht. Amsterdam:Vereniging tot Bevordering von de Vakopleiding in het Boekbinders-, Papier-waren- en Enveloppen-bedrijf, I946. Fourth year, lesson 7, Marbling, pp. 425–434. illustrated. For professional training in bookbinding, paper, and envelope business. A marbling lesson, illustrated, with questions.

“Unpredictable is the Only Word for What Emerges.” Sunset. April, 1975, p. 148. Describes oil marbling.

“Unserer Buntpapiere und ihre Technik.” Wochenblatt für Papier Fabrikation. Vol. 78, No. 11, May–June, 1950, pp. 302–303. (D&I)

Ünver, Dr. A. Süheyl. “Türk Tezyinatinda Tezhip ve Ebru.” Radyo Mecmuasi. 15 Nisan [April], 1944, sayi [No.] 29, cilt [Vol.] 3–5, pp. 6–7. (NH)

Ürgüplü, Ali Suat. “Sheets of Marble.” Cornucopia. Istanbul: Kayik Yayincilik ve Ticaret Ltd. Issue 6, Vol. 1994, pp. 66–71, illustrated.

Usinger,—. “Was nutzt es beim Marmorien?” Das Falzbein. 5. Jg., p. 63. (GG)

Uyar, Yilmaz. “Günümüzde Ebru Ustalari? Türkiyemiz Mecmuasi. Akbank, sayi [No.] 68, ekim [October], 1992, sayfa [pp.] 26–40, 16 resim [illustrations]. (NH)

Uzanne, Octave, and Mabel McIlvain. The French Bookbinders of the Eighteenth Century. Chicago: Caxton Club, 1904. 133 pp. Notes Macé Ruette credited with invention of marbled paper, p. 22; marbled edges, p. 85; bill for marbled edge, p. 91.

Üzel, Nezih. “Suda Nakislar. Embroidering Water.” Antika. Issue 36, April, 1988, pp. 4–5. Illustrated in color. Turkish and English text.

Vallance, Aylmer. “Marbled Ends.” The New Statesman and Nation: The Weekend Review. Vol. 54, No. 1120, Aug. 23, 1952, pp. 206-208. A visit to Cockerell’s studio in Letchworth.

Vaughan, Alen J. Modern Bookbinding. Leicester :Lawrence, 1929. 224 pp. Marbled edge decoration; patterns for special purposes; repairing endpapers.

Vers l’Orient… Exhibition. Paris, 1983. Catalogue by A. Berthier, F. Richard and F. Karro Paris: Bibliothèque Nationale, 1983, 99 pp., illustrated in color. Explores the transmission of marbling from East to West. (D&I)

Veysi, Orhan. “Ebru ve Mustafa Düzgünman.” Türkiye Turing ve Otomobil Kurumu Belletini. 1988, sayi [No.] 77/356 sayfa [pp.] 3–35. (NH)

Vogt, Ad. “Buntpapiere und Tapetenfabrikation.” Deutsche Kunst und Dekoration. [Darmstadt], Vol.10, 1918, pp. 332–345. (DH)

Voog de, Peter J. “Laurence Sterne, the Marbled Page and the Use of Accidents.” Word & Image. Vol. 1, No. 3, July-September, 1985, pp. 279–287.

Voorn, Henk. Lers Mos en Ossegal. The Hague: Rijksmuseum Meermanno-Westreenianum, 1977, 12 pp., illustrated. Brochure for an exhibit June l– July 30, 1977. Introduction to an exhibit of marbled papers including a resume of European, Japanese, and Near Eastern history and a list of marblers in several areas.

Voorn, Henk. “Marbled Papers in the Dutch Royal Library.” Ink & Gall. Taos, NM: Fresh Ink Press, Taos, NM: Fresh Ink Press, Vol. II, No. 3, Winter, 1988/1989, p. 8–9, illustrated.

Voorn, Henk. Sier-Papier. The Hague: Rijksmuseum Meermanno-Westreenianum, 1975. 16 pp. Brochure for an exhibit of varied decorated papers. ‘s-Gravenhague: Rijksmuseum- Westreenianum. October 1–November 22, 1975.

Voorn, Henk. “The Dutch Gilt Papers in the Collection of the Royal Library in The Hague.” International Paper Historians Yearbook. 1986, pp. 155160.

Voorn, Henk. Voornamelijk Papier. ‘s-Gravenhage: Koninklijke Bibiotheek, 1986. 99 pp., 13 black and white illustrations, 3 color plates. Marbling, pp. 5960.

“Vorsatzpapiere, Neue.” See “Neue Vorsatzpapiere.”

Vreeland, Elisabeth. “All Your Marbles in One Quilt.” Marbling Bath. Vol. 1, No. 1, Spring, 1994, p. 4, illustrated.

Wagner, Betty. A Small Studio That Works.” Marbling Bath. Vol. 1, No. 1, Spring, 1994, p. 10, illustrated

Wakeman, Geoffrey. English Marbled Papers: A Documentary History. Loughborough, Leicestershire: Plough Press, 1978. 32 pp., 26 samples. Edition of 112. Classic patterns executed by several contemporary marblers, plus two nineteenth-century samples, illustrate a historical account of English marbling.

Wakeman, Geoffrey. Loughborough Marble. Loughborough, Leicestershire: Plough Press, 1971. 9 pp., 1 p. of text. Orihon zigzag in cloth boards. Edition of 18 copies. An experiment in printing on handmade paper, but developed as a satire on marbled patterns. (Cited in Wakeman, The Plough Press, Loughborough, 1982).

Walde, Otto, “Släktanteckningar ur en gammal stambok.” Personhistorick Tidskrift. 1943, pp. 70–75. (N)

Walley, Bruce. Marbling as an Art and as a Unit for Classroom Bookbinding. Unpublished student research paper, Stout College, 8Menomine, WI, April 1963. 134 pp, 9 samples, illustrated. Microfilm in Stout College Library, American Philosophical Society Library in Philadelphia, and the library of the Institute of Paper Chemistry, Appleton,WI.

“Water-Float Marble Finish.” Popular Mechanics. Vol. 83, May, 1945, p. 89.

Weale, W.H. James. Bookbindings and Rubbings in the National Art Library, South Kensington Museum. London: H.M. Stationery Office, by Eyre & Spottiswood, 1898. vol. 1, pp. xx–xxi. Reports edge marbling by the Dutch. Cites the German author, J. Kunkel, 1679, pp. 86-88 as the earliest author who describes the method of prepaing marbled paper. Notes early history of marbling with examples, and mentions an album amicorum of 1616 and two pages of seventeenth-century Persian marbling. Rpt: two volumes in one. London: The Holland Press, 1962, 329 pp. See also “Marbled Paper.”

Webb, S.W. “New Transformer, Tortoise Shell Paper.” House and Garden. 124, Sept., 1963, pp. 1960–1967.

Webb, S.W. “Paper Marbling, A True Abstraction.” American Artist. Feb., 1962, pp. 48–51, 66.

Webb, S.W. “The Technique of Marbling.” Book Production. Vol. 74, No. 1, July, 1961, pp. 34–35.

Weber, Carl J. A Thousand and One Fore-Edge Paintings. Waterville, ME: Colby College Press, 1949. Fore-edge paintings concealed by marbling, pp. 61, 65, 117.

Weeks, Dan. “The Art of Marbling.” Traditional Home. August, 1989, pp. 67–69, illustrated in color. Buying guide, p. 120.

Weichelt, August. Buntpapier-Fabrikation. 2nd ed. Berlin: Carl Hoffman, 1909. 329 pp., illustrated. 209 specimens of paper. Marbled samples, illustrations, and discussion, pp. 252–308. 1st ed. 1903; 3rd ed. 1927, 448 pp. (Reviewed in Paper TradeJournal, Dec. 11, 1930.)

Weigener, Leopold. Barevne a Pestre Papiry: Jich Vyrobnif Techniky a Upotrobenf… [Colored and Ornamental Papers; Their Production, Technique and Uses]. Prague: Nakladem Vlastnum, 1909. 52 pp., original samples of marbled, paste, and other papers. Huntington Library.

Weimann, Christopher. “A Brief Introduction to Marbling.” The Imprint of the Stanford Libraries Associates. Vol. 8, No. 1, April, 1982, pp. 13–20, illustrated., sample.

Weimann, Christopher. Marbled Papers, Being a Collection of Twenty-Two Contemporary Hand-Marbled Papers Showing a Variety of Patterns and Special Techniques. Los Angeles: Dawson’s Book Shop, 1978. 61 pp. Edition of 200.

Weimann, Christopher. Marbling in Miniature. Los Angeles: Dawson’s Book Shop, 1980. 18 leaves, 12 samples, marbled boards, 3 x 2¼ inches. Edition of 350.

Weimann, Christopher. “Techniques of Marbling in Early Indian Paintings.” Fine Print, October, 1983, pp. 134–37, 164–066, illustrated. “About the Cover.” p. 74. Article reprinted in Ink & Gall, Vol. 5, No. 2, Winter, 1991, pp. 16–23, and Christopher Weimann (1946–1988): A Tribute. pp 33-42.

[Weimann, Christopher.] See also: Woodman Taylor.

Weimann, Ingrid and Nedim Sönmez. Christopher Weimann (1946–1988): A Tribute. Tübingen: Jäckle-Sönmez, 1991. 107 pp., original samples, illustrated in color. A summary of his work. Includes reprint of “Techniques of Marbling in Early Indian Paintings.”

Weis, Carl. “Dances With Cosmos: Marbled Clothing.” Ink & Gall. Taos, NM: Fresh Ink Press, Taos, NM: Fresh Ink Press, Vol. 7, No. 2, pp. 18–23, illustrated.

Weisse, Franz. The Art of Marbling. Translated from the German with an introduction and fourteen original marbled specimens by Richard J. Wolfe. North Hills, PA: Bird & Bull Press, 1980. 78 pp. Edition of 300. Marbled paper sides by Wolfe.

Weisse, Franz. Die Kunst des Marmorierens. Stuttgart: Max Hettler Verlag, 1940. 45 pp., illustrated. Bulk of edition was destroyed by bombing in WWII. (RW). Newberry Library.

Weisse, Franz. “Mein Kampf mit der Ochsengalle.” Das Buchbinderhandwerk. No. 6, 1938. Humorous account of the author’s career in marbling. Reprint in 01ga Hirsch Collection, marbled wrapper, 11 pp. See also Fröde, 1956.

Welch, Anthony. Shah ‘Abbas & the Arts of Islam. New York: Asia House, 1973. Marbling: Pl. 1, pp. 22, 63; P1.15, pp. 34, 65; Pl. 53a, pp. 34, 65; P1. 6, pp. 28, 64; P1. 59, pp. 92–3, 99.

Welch, Cary Stuart. India: Art and Culture, 1300-1900. Metropolitan Museum of Art, 1985. Some discussion of marbled paintings.

Wessels, Charles. “Marbling in the Classroom.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 1, Summer, 1991, pp. 8–9.

Wheelwright, William Bond. “How Marbled Papers are Made.” The Paper Maker. Vol. 22, No. 2, 1953, pp. 1–5, illustrated., 6 samples of marbled paper. Describes marbling at the Riverside Press.

White, John. Arts Treasury, or, a Profitable and Pleasing Invitation to the Lovers of Ingenuity. Contained in Many Extraordinary Experiments, Rarities and Curious Inventions. London: W. Whitewood and Mrs. Feltham, 1688. To marble cloth, books, or paper, p. 17. Reprinted in many editions. (P&P)

Whitehead, Walter Muir. An Obituary Note on Rosamond Bowditch Loring. Rpt from Athenaeum Items, A Library Letter from the Boston Athenaeum, No. 50, Nov. 1950. One page, accompanied by a photograph of Mrs. Loring demonstrating marbling to service personnel, May 1944, included in the exhibition of her papers at the Athenaeum, January 1951.

Whittaker, Mark. Review. “The Mysterious Marbler.” Antiquarian Book Monthly Review. Vol. 14, No. 8, Issue 160, August, 1987, pp. 306–307. Personal experiences in setting up a marbling studio.

The Whole Art of Bookbinding; Containing Valuable Receipts for Sprinkling, Marbling, Colouring, etc. The first American edition from the third London edition, with considerable additions. Richmond, VA: Peter Cottom, 1824. 60 pp. Marbling, pp. 78–111. Very like the following item.

The Whole Art of Bookbinding, Containing Valuable Recipes for Sprinkling, Makbling [sic], Colouring, &c. Oswestry: N. Minshull, 1811. xi, 60 pp. Marbling, pp. 15–18, 49–52 The first English book on bookbinding.

The Whole Process of Marbling Paper. [Glasgow?]: T. Duncan, Saltmarket, [c. 1811]. (GW)

The Whole Art of Bookbinding and The Whole Process of Marbling Paper. Both reprinted from the original editions with a foreword by Bernard Middleton and 12 specimens of marbled paper and notes by Richard J. Wolfe. Austin, TX: W. Thomas Taylor, 1987. vii, 89 pp., 12 original samples. Edition of 500.

Williams, Constance. ” Book End Papers.” The Antique Dealer and Collectors Guide. London. May, 1979, pp. 94–97. (D&I)

Wilson, Vi. “Marbling With a Pinch of Salt.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 5, No. 2, Winter, 1991, pp. 12–15, illustrated, original sample.

Winckler, Otto. Die Marmorierkunst: Aus die Buchbinder-Werkstatt. 3 Hefte. H. 1, 2nd ed., Leipzig, 1880. 16 pp. (AH)

Winckler, Otto. Die Marmorierkunst. Leipzig, 1882. (PK)

Wingate, Robert Bray. “Marbled and Paste Papers.” Early American Life. Vol. 9, No. 6, Dec., 1978, pp. 44–45, 56–57, illustrated. Marbling history, techniques, supply sources discussed. Contains some errors.

Wingerden, J. van. Geschiedenis der Marmerkunst. Netherlands: Drukkerij ‘Didot’ Avereest. n.d. 23 pp. (RW)

Wolf, Anna. “Looking for Gold.” Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 2, No. 2, Autumn, 1988, pp. 4–5.

Wolf, M.M. Marmorieren auf Wasser. Bremen, 1905. (DHP)

Wolf, — .”Marmorieren auf Wasser.” Deutsche Buchbinder-Zeitung. [Barmen]: 1905. (PK)

Wolfe, Richard J. See Geheimen der Boekbinderij.

Wolfe, Richard J. “Legerdemain in Ledger Domain.” Byron Weston Record. Vol. 50, No. 2, 1975. Wolfe gives a bit of both personal and marbling history.

Wolfe, Richard J. “On Improvements in Marbling the Edges of Books and Paper.” Newton, PA: Bird and Bull Press, 1983. 64 pp., 14 original samples. Expansion of an article published in the Journal of the Franklin Institute, new series, Vol. 3, No. 4, April, 1829, pp. 246–249. Translated from Dictionnaire Technologique… Paris: Thomine and Fortic, Vol. 13, pp. 91–97, 1828. Edition of 350 copies.

Wolfe, Richard J. See Sumner, 1854 and Weisse, 1980.

Wolfe, Richard J. The Role of the Mann Family of Dedham, Massachusetts in the Marbling of Paper in Nineteenth–Century America, and in the Printing of Music, the Making of Cards, and Other Booktrade Activities. [Chestnut Hill, MA: Perspectives on Printing and Publishing], 1981. 155 pp., 4 black & white illustrations, 8 tipped-in color plates on 6 pages. Quarter bound in cloth and paper marbled by Wolfe. Edition of 500.

Wolfe, Richard J. Three Early French Essays on Paper Marbling 1642–1765. With an introduction and l3 original marbled samples by Richard J. Wolfe. Newton, PA: Bird & Bull Press, 1987. 106 pp. Edition of 310.

[Wolfe, Richard J] See: The Whole Art of Bookbinding. The Whole Process of Marbling Paper. Reprinted 1987.

Wolfe, Richard J. Marbled Paper: its History, Techniques, and Patterns: With Special References to the Relationship of Marbling to Bookbinding in Europe and the Western World. Philadelphia, PA: University of Pennsylvania Press, 1990. 244 pp., profusely illustrated in color and black and white.

Wolfe, Richard J. and Paul McKenna. Louis Herman Kinder and Fine Bookbinding in America: A Chapter in the History of the Roycroft Shop. Newton, PA: Bird & Bull Press, 1985. 161 pp., 14 color plates, 17 black and white illustrations.

Woodroffe, Patrick. Mythopoeikon. New York: Simon & Schuster, c. 1977. Marbling used to create science fiction scenes.

Woods, Jennifer and Lillian Greenberg. Hidden Treasures: An Exhibit of Rarely Seen Handcrafted Endpapers. June 6-September 25, 1988. Philadelphia, PA: The Library Company of Philadelphia, 1988, 10 leaves.

Woolnough, Charles W. “The Art of Marbling.” Journal of the Society of Arts. Jan. 25, 1878, pp. 154–157. The lecture and demonstration were much appreciated, followed by questions and answers and a vote of thanks.

Woolnough, Charles W. “The Art of Marbling.” Scientific American Supplement. No. 119, April 13, 1878, pp. 1889–1890. Lecture delivered before the Society of Arts. (fide John Walcott)

Woolnough, Charles W. The Art of Marbling as Applied to Book Edges and Paper, Containing Full Instructions for Executing British, French, Spanish, Italian, Nonpareils, etc. etc. With a Brief Notice of its Recent Application to Textile Fabrics, and Particularly to the Cloth so Extensively Used by Bookbinders. London: A. Heyalin, 1853. 80 pp., 30 original marbled paper samples, and 3 of marbled cloth. Bound in marbled cloth. Copy in Olga Hirsch Collection, British Library.

Woolnough, Charles W. The Art of Marbling as Applied to Book Edges and Paper, Containing Full Instructions for Executing French, Spanish, Nonpareil etc, With Specimens. With a Brief Notice of its Application to Textile Fabrics and Particularly to the Cloth so Extensively used by Bookbinders. 2nd. edition London: A. Heyalin, 1854. 80 pp., 31 specimens.

Woolnough, Charles W. The Whole Art of Marbling as Applied to Paper, Book Edges, etc., Containing a Full Description of the Nature and Properties of the Materials Used, the Method of Preparing Them, and of Executing Every Kind of Marbling in Use at the Present Time, with Numerous Illustrations and Examples. 3rd ed. London: George Bell & Sons, 1881. 82 pp., 5 leaves with a total of 20 small samples, 34 full page samples, and 8 full page gold-veined samples by W. Mansell. The number of samples may vary; citations do not agree on number.

Woolnough, Charles. The Whole Art of Marbling. Reprinted by the Plough Press, Oxford. 82 pp., 36 leaves of samples made by Katherine Davis. Publication date March 31, 1985.

Workshop Receipts. New York: 1909. Vol. 3, marbled paper and book edges, pp. 128–130. (G)

Yagi, Tokutaro. “Kanzen Shuroku Suminagashi-zome Denjusho” [Suminagashi Instructions]. Senshoku to Seikatsu. No. 7, Fall, 1974, pp. 51–69. Form of suminagashi developed in Kyoto.

Yagi, Tokutaro. Suminagashi-zome. Translated by Kyoko Mueke. Woodside, CA: Heyeck Press, 1992. 57 pp., 3 wood engravings by Rik Olson, 13 suminagashi sampled by Robin Heyeck. Bound in hand-marbled silk broadcloth. Slip case. Yagi dictated his instructions for making a variety of patterns in 1913 in Kyoto. Edition of 200.

Yagi, Tokutaro. Suminagashi-zome. Translated by Kyoko Mueke. Woodside, CA: Heyeck Press, 1992. 45 pp., illustrated. Marbled sample on front cover. Trade edition of 150.

Yagi, Tokutaro. “Suminagashi-zome.” Translated by Kyoko Mueke, illustrated by Rik Olsen, samples by Robin Heyeck.” Reviewed by Tom Killion. Ink & Gall. Taos, NM: Fresh Ink Press, Vol. 6, No. 1, Summer, 1992, pp. 24–26, illustrated.

Yazan, Isik. “The Art of Marbling.” Introduction to the Art of the Book in Turkey. Istanbul: Colloque de L’Association International de Bibliophilie, 1986.

Yazir, Mahmud Bedrettin. Medeniyet Aleminde Yazi ve Islam Medeniyetinde Kalem Güzeli. Vol. 1. Ankara: A. Matbaasi, 1972. [Calligraphy in the Civilization of Islam]. Ebru origin. Illustrated. 1 Pl. with marbled border.

Yazir, Mahmud Bedrettin. Medeniyet Aleminde Yazi ve Islam Medeniyetinde Kalem Güzeli. Vol. 2 Ankara: A. Matbaasi, 1974. Illustrated in color and black & white. Variety of styles illustrated pp. 194–198. p. 206, portrait of Okyay writing.

Yazir, Mahmud Bedrettin. Medeniyet Aleminde Yazi ve Islam Medeniyetinde Kalem Güzeli. Second edition. Ankara: Ayyildiz Matbaasi, 1981. 246 pp., color Pls. 141–152. Includes books 1 & 2.

“Ye Ancient Art of Marbling.” Bookbinding, and Book Production Magazine. Aug., 1947, p. 44. Reviews Charles Adams’s article in the NYPL Bulletin.

Zebrowski, Mark. Deccani Painting. Berkley and Los Angeles: U. of California Press, 1983; London: Sotheby Publication, 1983; New Delhi: Roli Books, 1983. 296 pp. Marbling, pp. 135–138, 4 illustrations of marbled paintings.

Zaehnsdorf, Joseph W. The Art of Bookbinding. London: George Bell & Sons, 1880. xxiv, 187 pp. 50 copies printed on large paper, with photo of Zaehnsdorf. Also a standard edition. Marbling. pp. 66–72.

Zaehnsdorf, Joseph W. 2nd. edition. The Art 0f Bookbinding. London: George Bell & Sons, 1890. xix, 190 pp. Illustrated with pictures of equipment. Marbling, pp. 33–36, 67–77.

Zaehnsdorf, Joseph W. Bookbinding. London, 1903. 190 pp. Chapter devoted to marbling and coloring. (DH)

Zahn, Joannes. “Chartae Turcico More Pingende Praxis Optima” [The Best Method of Coloring Paper in the Turkish Manner]. Oculus Artificialis Teledioptricus sive Telescopium. Würzburg, 1685. Later published in Nuremberg, 1702.

Zahn, Otto. “More About Marbling.” American Bookbinder. Vol. 1, No. 1, March, 1891; Vol. 3, No. 6, Jan., 1893; Vol. 5, No. 14, June, 1895.

“Zemin Olarak Ebru Kullanilmis (background is battal ebru), Mavi Battal ve bir Lale (blue battal and a tulip).” Hayat Haftalik Mecmua. B 45, 2 Kasim [November], 1972. (NH)

Ziegler, Walther. “Zierformenerzeugung für Buntpapier, Vorsatz und Schnitt.” Klimsch’s Jahrbuch. 9. Jg., 1909, pp. 205–223, with 21 samples. Marbling. pp. 209–215.